The Lindisfarne Gospels and the Early Medieval World PDF Download

Author: Michelle P. Brown
Publisher:
ISBN: 9780712358019
Category : Illumination of books and manuscripts, Anglo-Saxon
Languages : en
Pages : 0

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Book Description
Michelle Brown presenting the facsimile of the Lindisfarne Gospels at the shrine of St Cuthbert, Durham Cathedral. Cecil Brown --Book Jacket.

Author: Richard Gameson
Publisher: BRILL
ISBN: 9004337849
Category : History
Languages : en
Pages : 256

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Book Description
Masterpiece of medieval manuscript production and decoration, its Latin text glossed throughout in Old English, the Lindisfarne Gospels is a vital witness to the book culture, art, and Christianity of the Anglo-Saxons and their interactions with Ireland, Italy, and the wider world. The expert studies in this collection examine in turn the archaeology of Holy Island, relations between Ireland and Northumbria, early Northumbrian book culture, the relationship of the Lindisfarne Gospels to the Church universal, the canon table apparatus of the manuscript, the decoration of its Canon Tables, its systems of liturgical readings, the mathematical principles underlying the design of its carpet pages, points of comparison and contrast with the Book of Durrow, the Latin and Old English texts, the nature of the glossator’s ink, and the meaning of enigmatic words and phrases within the vernacular gloss. Approaching the material from a series of new perspectives, the contributors shed new light on numerous aspects of this magnificent manuscript, its milieux, and its significance.

Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274

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Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.

Author: Michael Frassetto
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 613

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Book Description
This book examines a pivotal period in ancient human history: the fall of the Roman Empire and the birth of a new European civilization in the early Middle Ages. The Early Medieval World: From the Fall of Rome to the Time of Charlemagne addresses the social and material culture of this critical period in the evolution of Western society, covering the social, political, cultural, and religious history of the Mediterranean world and northern Europe. The two-volume set explains how invading and migrating barbarian tribes—spurred by raiding Huns from the steppes of Central Asia—contributed to the fall of the Western Roman Empire, and documents how the blending of Greco-Roman, Germanic, and Christian cultures birthed a new civilization in Western Europe, creating the Christian Church and the modern nation-state. A-Z entries discuss political transformation, changing religious practices in daily life, sculpture and the arts, material culture, and social structure, and provide biographies of important men and women in the transitional period of late antiquity. The work will be extremely helpful to students learning about the factors that contributed to the decline of the Roman Empire—an important and common topic in world history curricula.

Author: Bryan C. Keene
Publisher: Getty Publications
ISBN: 160606598X
Category : Art
Languages : en
Pages : 300

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Book Description
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

Author: Colum Hourihane
Publisher: Index of Christian Art Department of Art and Archeology Princeton
ISBN: 9780983753704
Category : Art, Anglo-Saxon
Languages : en
Pages : 0

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Book Description
An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period.

Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 1606065904
Category : Art
Languages : en
Pages : 356

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Book Description
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.

Author: Michelle P. Brown
Publisher: University of Toronto Press
ISBN: 9780802085979
Category : History
Languages : en
Pages : 534

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Book Description
"First published 2003 by The British Library, London"--T.p. verso.

Author: Cameron Hunt McNabb
Publisher: punctum books
ISBN: 1950192733
Category : History
Languages : en
Pages : 501

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Book Description
The field of disability studies significantly contributes to contemporary discussions of the marginalization of and social justice for individuals with disabilities. However, what of disability in the past? The Medieval Disability Sourcebook: Western Europe explores what medieval texts have to say about disability, both in their own time and for the present. This interdisciplinary volume on medieval Europe combines historical records, medical texts, and religious accounts of saints' lives and miracles, as well as poetry, prose, drama, and manuscript images to demonstrate the varied and complicated attitudes medieval societies had about disability. Far from recording any monolithic understanding of disability in the Middle Ages, these contributions present a striking range of voices-to, from, and about those with disabilities-and such diversity only confirms how disability permeated (and permeates) every aspect of life. The Medieval Disability Sourcebook is designed for use inside the undergraduate or graduate classroom or by scholars interested in learning more about medieval Europe as it intersects with the field of disability studies. Most texts are presented in modern English, though some are preserved in Middle English and many are given in side-by-side translations for greater study. Each entry is prefaced with an academic introduction to disability within the text as well as a bibliography for further study. This sourcebook is the first in a proposed series focusing on disability in a wide range of premodern cultures, histories, and geographies.

Author: Beatrice E. Kitzinger
Publisher: Cambridge University Press
ISBN: 1108577016
Category : Art
Languages : en
Pages :

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Book Description
In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which simultaneously commemorates sacred history, functions in the present, and prepares for the end of time. It is well recognized that the visual attributes of the cross were designed to communicate its theology relative to history and eschatology; Kitzinger argues that early medieval artists also developed a formal language to articulate its efficacious powers in the present day. Defined through form and text as the sign of the present, the image of the cross articulated the instrumentality of religious objects and built spaces. Whereas medieval and modern scholars have pondered the theological problems posed by representation, Kitzinger here proposes a visual argument that affirms the self-reflexive value of art works in the early medieval West. Introducing little-known sources, she re-evaluates both the image of the cross and the project of book-making in an expanded field of Carolingian painting.