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The Limits of Auteurism

The Limits of Auteurism PDF Author: Nicholas Godfrey
Publisher: Rutgers University Press
ISBN: 0813589177
Category : Art
Languages : en
Pages : 283

Book Description
The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.

The Limits of Auteurism

The Limits of Auteurism PDF Author: Nicholas Godfrey
Publisher: Rutgers University Press
ISBN: 0813589177
Category : Art
Languages : en
Pages : 283

Book Description
The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.

The Limits of Auteurism

The Limits of Auteurism PDF Author: Nicholas Godfrey
Publisher: Rutgers University Press
ISBN: 0813589169
Category : Performing Arts
Languages : en
Pages : 391

Book Description
The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.

Unbridling the Western Film Auteur

Unbridling the Western Film Auteur PDF Author: Emma Hamilton
Publisher: Peter Lang Limited, International Academic Publishers
ISBN: 9781787071551
Category : Motion pictures
Languages : en
Pages : 0

Book Description
The Western has traditionally offered American film directors a rich canvas to express visions of the American past. This volume revisits the Western in a transnational context, exploring the role of auteurism. Stars like Jimmy Stewart and international films like Aferim! and Inglourious Basterds are analysed in this new approach to the genre.

The Global Auteur

The Global Auteur PDF Author: Seung-hoon Jeong
Publisher: Bloomsbury Publishing USA
ISBN: 1501338560
Category : Performing Arts
Languages : en
Pages : 411

Book Description
Once heralded and defined by the likes of François Truffaut and Andrew Sarris as a romantic figure of aesthetic individualism, the auteur is reinvestigated here through a novel approach. Bringing established as well as emergent figures of world art cinema to the fore, The Global Auteur shows how politics and philosophy are present in the works of these important filmmakers. They can be still seen leading a fight that their glorious predecessors seemed to have abandoned in the face of global capitalism and the market economy. Yet, as the contributors show, a new world calls for a new cinema, and thus for new auteurs. Covering a range of global auteurs such as Lars von Trier, Lav Diaz, Lee Chang-dong and Abderrahmane Sissako, The Global Auteur provides a much-needed reassessment of the film auteur for the global age.

The Elusive Auteur

The Elusive Auteur PDF Author: Barrett Hodsdon
Publisher: McFarland
ISBN: 1476668736
Category : Performing Arts
Languages : en
Pages : 338

Book Description
The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation "auteur" has gone from stylistic criterion to product label--in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.

Auteur Theory and My Son John

Auteur Theory and My Son John PDF Author: James Morrison
Publisher: Bloomsbury Publishing USA
ISBN: 1501311719
Category : Performing Arts
Languages : en
Pages : 201

Book Description
The newest volume in the Film Theory in Practice Series, Auteur Theory and My Son John offers a concise introduction to authorship and auteur theory in jargon-free language. The book goes on to show this theory can be deployed to interpret Leo McCarey's notorious but undervalued film My Son John, which critics deemed a clear-cut failure, and the auteurists declared a masterpiece. James Morrison traces the development of auteur theory through its emergence in the pages of the French film journal Cahiers du cinéma and the complex permutations it undergoes subsequently. This history will help students and scholars who are eager to learn more about this important area of film theory. The analysis of My Son John shows how auteur theory enables modes of interpretation and discovers levels of meaning otherwise unavailable.

Popular Music and the New Auteur

Popular Music and the New Auteur PDF Author: Arved Ashby
Publisher: Oxford University Press
ISBN: 0199827346
Category : Music
Languages : en
Pages : 217

Book Description
MTV utterly changed the movies. Since music television arrived some 30 years ago, music videos have introduced filmmakers to a new creative vocabulary: speeds of events changed, and performance and mood came to dominate over traditional narrative storytelling. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson. These filmmakers demonstrate a fresh kind of cinematic musicality by writing against pop songs rather than against script, and allowing popular music a determining role in narrative, imagery, and style. Featuring important new theoretical work by some of the most provocative writers in the area today, Popular Music and the New Auteur will be required reading for all who study film music and sound. It will be particularly relevant for readers in popular music studies, and its intervention in the ongoing debate on auteurism will make it necessary reading in film studies.

Law and Creativity in the Age of the Entertainment Franchise

Law and Creativity in the Age of the Entertainment Franchise PDF Author: Kathy Bowrey
Publisher: Cambridge University Press
ISBN: 1107039894
Category : Law
Languages : en
Pages : 257

Book Description
This collection explores how creators extend the commercial life of their creative endeavours, and the impact of these legal developments.

Adaptation, Authorship, and Contemporary Women Filmmakers

Adaptation, Authorship, and Contemporary Women Filmmakers PDF Author: S. Cobb
Publisher: Springer
ISBN: 1137315873
Category : Performing Arts
Languages : en
Pages : 136

Book Description
A lively discussion of costume dramas to women's films, Shelley Cobb investigates the practice of adaptation in contemporary films made by women. The figure of the woman author comes to the fore as a key site for the representation of women's agency and the authority of the woman filmmaker.

Cinematic Digital Television

Cinematic Digital Television PDF Author: Chris Comerford
Publisher: Taylor & Francis
ISBN: 1000806626
Category : Performing Arts
Languages : en
Pages : 182

Book Description
Chris Comerford explores cinematic digital television as an artistic classification and an academic object of study, and illuminates the slippage in definitions of previously understood media forms. The growth of television as an artistic, informative medium has given rise to shifts in the aesthetic style of the programmes we watch, and this book outlines these shifts along with the contemporary debates and critical theory surrounding them. Comerford looks at the forms and aesthetics of television, the production standards influencing streaming television and the agency of audiences, and provides case studies of key TV shows illustrating these shifts, including Twin Peaks: The Return, WandaVision, Hacks and Russian Doll. Navigating the levels of production and reception in cinematic digital television, the book uses film-inspired TV as a lightning rod for understanding our narrative screen media landscape and the classifications we use to negotiate it. As an essential reading for both scholars and students of media and television studies, this book provides a much-needed consideration of the changing landscape of television.