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The Limewood Sculptors of Renaissance Germany

The Limewood Sculptors of Renaissance Germany PDF Author: Michael Baxandall
Publisher: Yale University Press
ISBN: 9780300028294
Category : Art
Languages : en
Pages : 446

Book Description
A detail examination of the craftsmanship and lives of German woodcarvers from 1475 to 1525 discusses their artistic styles, techniques of carving, and place in society.

The Limewood Sculptors of Renaissance Germany

The Limewood Sculptors of Renaissance Germany PDF Author: Michael Baxandall
Publisher: Yale University Press
ISBN: 9780300028294
Category : Art
Languages : en
Pages : 446

Book Description
A detail examination of the craftsmanship and lives of German woodcarvers from 1475 to 1525 discusses their artistic styles, techniques of carving, and place in society.

The Limewood Sculptors of Renaissance Germany. [Illustr.]

The Limewood Sculptors of Renaissance Germany. [Illustr.] PDF Author: Michael Baxandall
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 0

Book Description


The Limewood Sculpture of Renaissance Germany

The Limewood Sculpture of Renaissance Germany PDF Author: Michael Baxandall
Publisher:
ISBN:
Category : Sculpture, German
Languages : en
Pages : 420

Book Description


Masterwoodworks

Masterwoodworks PDF Author: Henri Zerner
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


South German Sculpture 1480-1530

South German Sculpture 1480-1530 PDF Author: Michael Baxandall
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 92

Book Description


Tilman Riemenschneider

Tilman Riemenschneider PDF Author: Tilman Riemenschneider
Publisher: Yale University Press
ISBN: 9780300081626
Category : Art
Languages : en
Pages : 352

Book Description
The sculpture of Tilman Riemenschneider stands at the threshold of two eras. Solidly anchored in the late Gothic tradition, it is also astonishingly daring. Riemenschneider, who was active in Wurzburg from around 1483 until 1531, was one of the first sculptors to abandon polychromy on occasion, making a conscious aesthetic decision to leave visible his favored material, limewood. His sculpture strikes a rare balance between formal elegance and expressive strength, and it is among the most appealing work of the late Middle Ages. The approximately fifty works documented in this handsome volume offer a fresh look at this great master. The book presents a broad survey of Riemenschneider's oeuvre, including representative work from all periods of his career. Contributors explore the sources for his art, his social millieu and the organization of his workshop, the critical reception of his work, his polychrome and monochrome sculpture. Photographs commissioned especially for the book present the great altarpieces in Rothenburg on the Tauber, Creglingen, and Maidbronn as well as the large stone sculpture in Wurzburg. The book is the first publication in English with color reproductions of a significant portion of Riemenschneider's oeuvre.

Painting and Experience in Fifteenth Century Italy

Painting and Experience in Fifteenth Century Italy PDF Author: Michael Baxandall
Publisher: Oxford Paperbacks
ISBN: 9780192821447
Category : Art
Languages : en
Pages : 200

Book Description
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.

The Grove Encyclopedia of Medieval Art and Architecture

The Grove Encyclopedia of Medieval Art and Architecture PDF Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064

Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

"Michael Baxandall, Vision and the Work of Words "

Author: Robert Williams
Publisher: Routledge
ISBN: 1351558366
Category : Art
Languages : en
Pages : 290

Book Description
'The most important art historian of his generation? is how some scholars have described the late Michael Baxandall (1933-2007), Professor of the Classical Tradition at the Warburg Institute, University of London, and of the History of Art at the University of California, Berkeley. Baxandall?s work had a transformative effect on the study of European Renaissance and eighteenth-century art, and contributed to a complex transition in the aims and methods of art history in general during the 1970s, ?80s and ?90s. While influential, he was also an especially subtle and independent thinker - occasionally a controversial one - and many of the implications of his work have yet to be fully understood and assimilated. This collection of 10 essays endeavors to assess the nature of Baxandall?s achievement, and in particular to address the issue of the challenges it offers to the practice of art history today. This volume provides the most comprehensive assessment of Baxandall?s work to date, while drawing upon the archive of Baxandall papers recently deposited at the Cambridge University Library and the Warburg Institute.

Court, Cloister, and City

Court, Cloister, and City PDF Author: Thomas DaCosta Kaufmann
Publisher: University of Chicago Press
ISBN: 9780226427294
Category : Architecture
Languages : en
Pages : 588

Book Description
In this book, Thomas DaCosta Kaufmann chronicles more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Massive in scale, the book is highly accessible and lavishly illustrated. The readability of the text and the entirely new insights it provides into three hundred years of Central European history make this a vital introduction to one of the least understood periods in the history of art.