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Author: Michael Baxandall Publisher: Yale University Press ISBN: 9780300028294 Category : Art Languages : en Pages : 446
Book Description
A detail examination of the craftsmanship and lives of German woodcarvers from 1475 to 1525 discusses their artistic styles, techniques of carving, and place in society.
Author: Michael Baxandall Publisher: Yale University Press ISBN: 9780300028294 Category : Art Languages : en Pages : 446
Book Description
A detail examination of the craftsmanship and lives of German woodcarvers from 1475 to 1525 discusses their artistic styles, techniques of carving, and place in society.
Author: Rainer Kahsnitz Publisher: Getty Publications ISBN: 9780892368532 Category : Altarpieces, Austrian Languages : en Pages : 462
Book Description
"The color photographs, specially commissioned for this project, are an essential feature of the book. Each altarpiece is illustrated in its entirety, with its wings both opened and closed, and in close-up views of its most important carvings and paintings - details that are not available to the average visitor to these sites."--BOOK JACKET.
Author: Pamela H. Smith Publisher: University of Chicago Press ISBN: 0226764265 Category : Art Languages : en Pages : 402
Book Description
Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
Author: Lucy Razzall Publisher: Cambridge University Press ISBN: 1108924492 Category : Literary Criticism Languages : en Pages : 267
Book Description
In early modern England, boxes furnished minds as readily as they furnished rooms, shaping ideas about the challenges of interpretation, and negotiations of the book itself as text and material object. Engaging with recent work on material culture and the history of the book, Lucy Razzall weaves together close readings of texts and objects, from wills, plays, sermons and religious polemic, to chests, book-bindings, reliquaries and coffins. She demonstrates how the material and imaginative possibilities of the box were dynamically connected in post-Reformation England, structuring modes of thought. These early modern responses to materiality offer ways in which the discipline of book history might reframe its analysis of the material text. In tracing the early modern significance of the box as matter and metaphor, this book reveals the origins of some of the enduring habits of thought with which we still respond to people, texts and things.
Author: James A. Secord Publisher: Princeton University Press ISBN: 1400854660 Category : Science Languages : en Pages : 385
Book Description
Secord gives a dazzlingly detailed account of this scientific trench warfare and its social consequences. One ends up with a marvellous feeling for the major taxonomic enterprises in Darwin's younger day: mapping, ordering, conquering 'taming the chaos" of the strata. All of these of course had social and imperial ramifications; and Secord mentions geology's moral appeal (in supporting a divinely-stratified Creation) to a beleaguered elite intent on subduing the lower orders. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Ben-Ami Scharfstein Publisher: University of Chicago Press ISBN: 0226736113 Category : Philosophy Languages : en Pages : 558
Book Description
People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other? Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another. Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.
Author: Michael Baxandall
Author: Michael Baxandall![The Limewood Sculptors of Renaissance Germany. [Illustr.] PDF](https://books.google.com/books/content/images/frontcover/v2lGzwEACAAJ?fife=w80-h100)
Author: Michael Baxandall
Author: Henri Zerner
Author: Michael Baxandall
Author: Rainer Kahsnitz
Author: Michael Baxandall
Author: Pamela H. Smith
Author: Lucy Razzall
Author: James A. Secord
Author: Ben-Ami Scharfstein