The Life of Tintoretto, and of His Children Domenico and Marietta PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Life of Tintoretto, and of His Children Domenico and Marietta PDF full book. Access full book title The Life of Tintoretto, and of His Children Domenico and Marietta by Carlo Ridolfi. Download full books in PDF and EPUB format.
Author: Carlo Ridolfi Publisher: University Park : Pennsylvania State University Press ISBN: Category : Art Languages : en Pages : 120
Book Description
Carlo Ridolfi's biography of Tintoretto is the single most important primary source on the life and works of the famous Venetian painter. Originally printed separate in 1642, it was later included, with minor modifications, in Ridolfi's two-volume Lives of the Venetian Painters. Combining an account of the artist's life with discussions of his major works, Ridolfi provides fascinating details about the painter's working methods and the strategy he employed in securing many of his most important commissions. Ridolfi describes the paintings with precision and analyzes accurately the unusual and recondite themes within them, but his major contribution is the image he gives us of Tintoretto as an artist obsessed with the act of painting, an aggressive competitor whose goal was not wealth, but fame. This volume also contains Ridolfi's biographical sketches of two of Tintoretto's children: Domenico, who worked with his father for many years and played an important role in the completion of his later works, and Marietta, the favorite child whose considerable artistic promise was left unfulfilled by her early death. Ridolfi's account of Marietta includes a spirited defense of the talents and abilities of women, as well as an attack on those who would place restrictions on them--features that must surely have startled his seventeenth-century readers but are sure to please his twentieth-century audience.
Author: Carlo Ridolfi Publisher: University Park : Pennsylvania State University Press ISBN: Category : Art Languages : en Pages : 120
Book Description
Carlo Ridolfi's biography of Tintoretto is the single most important primary source on the life and works of the famous Venetian painter. Originally printed separate in 1642, it was later included, with minor modifications, in Ridolfi's two-volume Lives of the Venetian Painters. Combining an account of the artist's life with discussions of his major works, Ridolfi provides fascinating details about the painter's working methods and the strategy he employed in securing many of his most important commissions. Ridolfi describes the paintings with precision and analyzes accurately the unusual and recondite themes within them, but his major contribution is the image he gives us of Tintoretto as an artist obsessed with the act of painting, an aggressive competitor whose goal was not wealth, but fame. This volume also contains Ridolfi's biographical sketches of two of Tintoretto's children: Domenico, who worked with his father for many years and played an important role in the completion of his later works, and Marietta, the favorite child whose considerable artistic promise was left unfulfilled by her early death. Ridolfi's account of Marietta includes a spirited defense of the talents and abilities of women, as well as an attack on those who would place restrictions on them--features that must surely have startled his seventeenth-century readers but are sure to please his twentieth-century audience.
Author: Tom Nichols Publisher: Reaktion Books ISBN: 1780234813 Category : Art Languages : en Pages : 410
Book Description
Jacopo Tintoretto (1518–94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable, and although he was a Venetian by birth, his standing as a member of the Venetian school is constantly contested. But he was also a formidable maverick, abandoning the humanist narratives and sensuous color palette typical of the great Venetian master, Titian, in favor of a renewed concentration on core Christian subjects painted in a rough and abbreviated chiaroscuro style. This generously illustrated book offers an extensive analysis of Tintoretto’s greatest paintings, charting his life and work in the context of Venetian art and the culture of the Cinquecento. Tom Nichols shows that Tintoretto was an extraordinarily innovative artist who created a new manner of painting, which, for all of its originality and sophistication, was still able to appeal to the shared emotions of the widest possible audience. This compact, pocket edition features sixteen additional illustrations and a new afterword by the author, and it will continue to be one of the definitive treatments of this once grossly overlooked master.
Author: Raffaello Borghini Publisher: University of Toronto Press ISBN: 080209743X Category : Art Languages : en Pages : 401
Book Description
Raffaello Borghini's Il Riposo (1584) is the most widely known Florentine document on the subject of the Counter-Reformation content of religious paintings. Despite its reputation as an art-historical text, this is the first English-language translation of Il Riposo to be published. A distillation of the art gossip that was a feature of the Medici Grand Ducal court, Borghini's treatise puts forth simple criteria for judging the quality of a work of art. Published sixteen years after the second edition of Giorgio Vasari's Vite, the text that set the standard for art-historical writing during the period, Il Riposo focuses on important issues that Vasari avoided, ignored, or was oblivious to. Picking up where Vasari left off, Borghini deals with artists who came after Michaelangelo and provides more comprehensive descriptions of artists who Vasari only touched upon such as Tintoretto, Veronese, Barocci, and the artists of Francesco I's Studiolo. This text is also invaluable as a description of the mid-sixteenth century reaction against the style of the 'maniera,' which stressed the representation of self-consciously convoluted figures in complicated works of art. The first art treatise specifically directed toward non-practitioners, Il Riposo gives unique insight into the early stages of art history as a discipline, late Renaissance art and theory, and the Counter-Reformation in Italy.
Author: Giles Knox Publisher: Routledge ISBN: 1351543091 Category : Art Languages : en Pages : 204
Book Description
The startling conclusion of The Late Paintings of Vel?uez is that Diego Vel?uez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Vel?uez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Vel?uez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Vel?uez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Vel?uez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Vel?uez's painterly performance as text, Knox deciphers how Vel?uez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.
Author: Laurie Schneider Adams Publisher: Routledge ISBN: 0429974078 Category : Art Languages : en Pages : 248
Book Description
Since the nineteenth century, when art history became an established academic discipline, works of art have been 'read' in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here (formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender) reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism, and colonialism, and a new epilogue that analyzes a single painting to illustrate the different methodological viewpoints.
Author: Liana De Girolami Cheney Publisher: Cambridge Scholars Publishing ISBN: 1527558274 Category : Art Languages : en Pages : 318
Book Description
This volume investigates emblematic and art-historical issues in Lavinia Fontana’s mythological paintings. Fontana is the first female painter of the sixteenth century in Italy to depict female nudes, as well as mythological and emblematic paintings associated with concepts of beauty and wisdom. Her paintings reveal an appropriation of the antique, a fusion between patronage and culture, and a humanistic pursuit of Mannerist conceits. Fontana’s secular imagery provides a challenging paragone with the male tradition of history painting during the sixteenth century and paves the way for new subjects to be depicted and interpreted by female painters of the seventeenth century.
Author: Anthony Hughes Publisher: Reaktion Books ISBN: 9781861890023 Category : Sculpture Languages : en Pages : 222
Book Description
This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.
Author: JuliaK. Dabbs Publisher: Routledge ISBN: 1351560220 Category : Art Languages : en Pages : 504
Book Description
The struggles and achievements of forty-six notable women artists of the early modern period, as documented by their contemporaries, are uniquely brought together in this anthology. The life stories presented here are foundational texts for the history of art, but since most are found only in rare volumes and few have been translated into English, until now they have been generally inaccessible to many scholars. Originally published in biographical compendia such as Vasari's Lives of the Artists, the writings included here document not only the lives of relatively well known women artists such as Artemisia Gentileschi and Sofonisba Anguissola, but also those who have languished in obscurity, like Anna Waser and Li Yin. Each life story is preceded by a brief introduction to the artist as well as to her biographer, and the texts themselves are annotated to provide necessary clarification. Beyond their documentary value, these stories provide fascinating insight as to how men commonly characterized women artists as exceptions to their sex, and attempted to explain their presence in the male-dominated realm of art. The introductory chapter to the book explores this intriguing gender dynamic and elucidates some of the strategies and historical context that factored into the composition of these lives. The volume includes an appended index to women artists' life stories in biographical compendia of the period
Author: Robert Echols Publisher: Yale University Press ISBN: 0300230400 Category : Art Languages : en Pages : 313
Book Description
"Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture" -- Library of Congress.
Author: Carlo Ridolfi
Author: Carlo Ridolfi
Author: Tom Nichols
Author: Ian Bernard Stoughton Holbourn
Author: Raffaello Borghini
Author: Giles Knox
Author: Laurie Schneider Adams
Author: Liana De Girolami Cheney
Author: Anthony Hughes
Author: JuliaK. Dabbs
Author: Robert Echols