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Author: C. F. Glasenapp Publisher: Forgotten Books ISBN: 9780484244398 Category : Languages : en Pages : 420
Book Description
Excerpt from The Life of Richard Wagner, Vol. 1 This volume brings our story down to 1843, an important era in Richard Wagner's life, with his entry, as composer of two successful operas, upon a so-called practical career at one of the principal German theatres. How he fared there, how he turned his back on Dresden and all office-bearing, and how he planned and actually commenced his great artistic reformation, will form the subject of Volume II. (to appear, as I hope, in Volume III. Will follow his changing fortunes, through the last two-thirds of his exile, down to his rescue by King Ludwig. This, I trust, will be ready in 1902; whilst, Subject to Herr Glasenapp's state of forwardness, I expect to complete the Life by a fourth volume in 1903. As I fancy I heard the bell ring, Ladies and Gentlemen, I withdraw to let the curtain rise. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: C. F. Glasenapp Publisher: Forgotten Books ISBN: 9780484244398 Category : Languages : en Pages : 420
Book Description
Excerpt from The Life of Richard Wagner, Vol. 1 This volume brings our story down to 1843, an important era in Richard Wagner's life, with his entry, as composer of two successful operas, upon a so-called practical career at one of the principal German theatres. How he fared there, how he turned his back on Dresden and all office-bearing, and how he planned and actually commenced his great artistic reformation, will form the subject of Volume II. (to appear, as I hope, in Volume III. Will follow his changing fortunes, through the last two-thirds of his exile, down to his rescue by King Ludwig. This, I trust, will be ready in 1902; whilst, Subject to Herr Glasenapp's state of forwardness, I expect to complete the Life by a fourth volume in 1903. As I fancy I heard the bell ring, Ladies and Gentlemen, I withdraw to let the curtain rise. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Martin Geck Publisher: University of Chicago Press ISBN: 0226924629 Category : Music Languages : en Pages : 463
Book Description
“[An] intriguing exploration of the composer’s life and thought as exemplified by his music. An excellent biography.” —Library Journal Best known for the four-opera cycle The Ring of the Nibelung, Richard Wagner (1813–83) was a conductor, librettist, theater director, and essayist, in addition to being the composer of some of the most enduring operatic works in history. Though his influence on the development of European music is indisputable, Wagner was also quite outspoken on the politics and culture of his time. His ideas traveled beyond musical circles into philosophy, literature, theater staging, and the visual arts. To befit such a dynamic figure, acclaimed biographer Martin Geck offers here a Wagner biography unlike any other, one that strikes a unique balance between the technical musical aspects of Wagner’s compositions and his overarching understanding of aesthetics. A landmark study of one of music’s most important figures “People who would like to know more about Wagner, and people who have loved his music for years . . . will find a great deal in this book to enjoy and to admire.” —Tablet “Geck describes a Wagner who is grounded, focused and even cautious, a savvy realist and ironist rather than a flamboyant, flailing ideologue . . . Suffused with his readings of contemporary productions of the operas, Geck’s musical analyses are succinct and superb” —New York Times “As an editor of Wagner’s Complete Works, Geck brings a deep familiarity with the composer to his task.” —Weekly Standard “A thoroughly approachable yet consistently provocative study.” —Thomas S. Grey, editor of The Cambridge Companion to Wagner
Author: C. F. Glasenapp Publisher: Forgotten Books ISBN: 9780484053556 Category : Music Languages : en Pages : 546
Book Description
Excerpt from The Life of Richard Wagner, Vol. 3 See Appendix. The musical feuilleton of the Debats being Berlioz' own department, there can be no possible doubt that the signature Of this prefatory note, H. Is his. Presumably Liszt had sent the article to him in March. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Deathridge Publisher: Univ of California Press ISBN: 0520254538 Category : Biography & Autobiography Languages : en Pages : 320
Book Description
"This collection provides us with that rarest of objects: a genuinely new book on Wagner. Virtually every page offers fresh perspectives, some of them mined from the most unlikely of sources; indeed, the sheer eclecticism of the book, its willingness to range widely and irreverently through both popular and elite culture, is one of its greatest strengths."—Roger Parker, author of Remaking the Song: Operatic Visions and Revisions from Handel to Berio "John Deathridge is one of the most authoritative, widely-regarded Wagner scholars around in any language. Few can match his command of scholarship and primary sources, and no one else knows how to put them to such clever, provocative uses. In addition, Deathridge enjoys an impressive range of critical, historical, and literary reference. The writing is consistently lively and engaging. The collection will provide a welcome change of diet for those tired of the usual Wagnerian fare. This is a welcome contribution, indeed."—Thomas Grey, author of Wagner's Musical Prose: Texts and Contexts
Author: C. F. Glasenapp
Author: C. F. Glasenapp
Author: Ernest Newman
Author: Martin Geck
Author: Ernest Newman
Author: C. F. Glasenapp
Author: 
Author: Providence Public Library (R.I.)
Author: 
Author: Richard Wagner
Author: John Deathridge