Author: Frederick C. Moffatt
Publisher: Univ Tennessee Press
ISBN:
Category : Art
Languages : en
Pages : 340
Book Description
"This book is an important contribution to the study of African American art and of American art in the twentieth century. It makes use of previously unexamined papers, interviews, and works of art and does so with originality and skill." --David Leeming, author of Amazing Grace: A Life of Beauford Delaney This book is the first in-depth treatment of the life and work of the prolific African American painter Joseph Delaney, a gifted artist whose impressive achievements on canvas were somewhat overshadowed during his long career by those of his older brother Beauford. Frederick C. Moffatt deftly interweaves biography, art history, and critical analysis in his study of this neglected African American artist. Born in Knoxville, Tennessee, the son of a Methodist preacher, Delaney renounced his family and moved to New York. Here he studied with Thomas Hart Benton at the Art Students League and thereafter devoted a career to figure drawing, portraiture, and to humorous interpretations of city life. Joseph Delaney's impact on the New York art scene was notable. Though he didn't arrive until a decade after the flowering of the Harlem Renaissance, he kept pace with a leading echelon of African American painters and graphic artists over a fifty-year period. This group included such veteran practitioners as Palmer Hayden, Ellis Wilson, Lois Mailou Jones, and, until his 1953 departure for Paris, Beauford Delaney. Late in his life, Joseph returned to his childhood roots, accepting a visiting artist's appointment at the University of Tennessee in Knoxville. Vividly drawn, judiciously researched, and copiously illustrated with both color and black-and-white reproductions, Moffatt's critical biography draws liberally on his subject's own diaries, essays, and poetry, as well as on numerous other sources, to offer an illuminating narrative that firmly establishes Joseph Delaney's importance within the history of twentieth-century American art. Frederick C. Moffatt is emeritus professor of art at the University of Tennessee, Knoxville. He is the author of Arthur Wesley Dow, 1857-1922, and Errant Bronzes: George Grey Barnard's Statue of Abraham Lincoln. His articles have appeared in Winterthur Portfolio, New England Quarterly, and Archives of American Art Journal.
The Life, Art, and Times of Joseph Delaney, 1904-1991
Author: Frederick C. Moffatt
Publisher: Univ Tennessee Press
ISBN:
Category : Art
Languages : en
Pages : 340
Book Description
"This book is an important contribution to the study of African American art and of American art in the twentieth century. It makes use of previously unexamined papers, interviews, and works of art and does so with originality and skill." --David Leeming, author of Amazing Grace: A Life of Beauford Delaney This book is the first in-depth treatment of the life and work of the prolific African American painter Joseph Delaney, a gifted artist whose impressive achievements on canvas were somewhat overshadowed during his long career by those of his older brother Beauford. Frederick C. Moffatt deftly interweaves biography, art history, and critical analysis in his study of this neglected African American artist. Born in Knoxville, Tennessee, the son of a Methodist preacher, Delaney renounced his family and moved to New York. Here he studied with Thomas Hart Benton at the Art Students League and thereafter devoted a career to figure drawing, portraiture, and to humorous interpretations of city life. Joseph Delaney's impact on the New York art scene was notable. Though he didn't arrive until a decade after the flowering of the Harlem Renaissance, he kept pace with a leading echelon of African American painters and graphic artists over a fifty-year period. This group included such veteran practitioners as Palmer Hayden, Ellis Wilson, Lois Mailou Jones, and, until his 1953 departure for Paris, Beauford Delaney. Late in his life, Joseph returned to his childhood roots, accepting a visiting artist's appointment at the University of Tennessee in Knoxville. Vividly drawn, judiciously researched, and copiously illustrated with both color and black-and-white reproductions, Moffatt's critical biography draws liberally on his subject's own diaries, essays, and poetry, as well as on numerous other sources, to offer an illuminating narrative that firmly establishes Joseph Delaney's importance within the history of twentieth-century American art. Frederick C. Moffatt is emeritus professor of art at the University of Tennessee, Knoxville. He is the author of Arthur Wesley Dow, 1857-1922, and Errant Bronzes: George Grey Barnard's Statue of Abraham Lincoln. His articles have appeared in Winterthur Portfolio, New England Quarterly, and Archives of American Art Journal.
Publisher: Univ Tennessee Press
ISBN:
Category : Art
Languages : en
Pages : 340
Book Description
"This book is an important contribution to the study of African American art and of American art in the twentieth century. It makes use of previously unexamined papers, interviews, and works of art and does so with originality and skill." --David Leeming, author of Amazing Grace: A Life of Beauford Delaney This book is the first in-depth treatment of the life and work of the prolific African American painter Joseph Delaney, a gifted artist whose impressive achievements on canvas were somewhat overshadowed during his long career by those of his older brother Beauford. Frederick C. Moffatt deftly interweaves biography, art history, and critical analysis in his study of this neglected African American artist. Born in Knoxville, Tennessee, the son of a Methodist preacher, Delaney renounced his family and moved to New York. Here he studied with Thomas Hart Benton at the Art Students League and thereafter devoted a career to figure drawing, portraiture, and to humorous interpretations of city life. Joseph Delaney's impact on the New York art scene was notable. Though he didn't arrive until a decade after the flowering of the Harlem Renaissance, he kept pace with a leading echelon of African American painters and graphic artists over a fifty-year period. This group included such veteran practitioners as Palmer Hayden, Ellis Wilson, Lois Mailou Jones, and, until his 1953 departure for Paris, Beauford Delaney. Late in his life, Joseph returned to his childhood roots, accepting a visiting artist's appointment at the University of Tennessee in Knoxville. Vividly drawn, judiciously researched, and copiously illustrated with both color and black-and-white reproductions, Moffatt's critical biography draws liberally on his subject's own diaries, essays, and poetry, as well as on numerous other sources, to offer an illuminating narrative that firmly establishes Joseph Delaney's importance within the history of twentieth-century American art. Frederick C. Moffatt is emeritus professor of art at the University of Tennessee, Knoxville. He is the author of Arthur Wesley Dow, 1857-1922, and Errant Bronzes: George Grey Barnard's Statue of Abraham Lincoln. His articles have appeared in Winterthur Portfolio, New England Quarterly, and Archives of American Art Journal.
Beauford Delaney and James Baldwin
Author: Stephen C. Wicks
Publisher: Knoxville Museum of Art
ISBN: 0998825239
Category : Art
Languages : en
Pages : 217
Book Description
Beauford Delaney and James Baldwin: Through the Unusual Door examines the thirty-eight-year relationship between painter Beauford Delaney (born in Knoxville, 1901; died in Paris, 1979) and writer James Baldwin (born in New York, 1924; died in Saint-Paul-de-Vence, France, 1987) and the ways their ongoing intellectual exchange shaped each other’s creative output and worldview. This full-color publication documents the groundbreaking exhibition organized by the Knoxville Museum of Art (KMA) and is drawn from the KMA’s extensive Delaney holdings, from public and private collections around the country, and from unpublished photographs and papers held by the Knoxville-based estate of Beauford Delaney. This book seeks to identify and disentangle the skein of influences that grew over and around a complex, lifelong relationship with a selection of Delaney’s works that reflects the powerful presence of Baldwin in Delaney’s life. While no other figure in Beauford Delaney’s extensive social orbit approaches James Baldwin in the extent and duration of influence, none of the major exhibitions of Delaney’s work has explored in any depth the creative exchange between the two. The volume also includes essays by Mary Campbell, whose research currently focuses on James Baldwin and Beauford Delaney within the context of the civil rights movement; Glenn Ligon, an internationally acclaimed New York-based artist with intimate knowledge of Baldwin’s writings, Delaney’s art, and American history and society; Levi Prombaum, a curatorial assistant at the Solomon R. Guggenheim Museum who did his doctoral research at University College London on Delaney’s portraits of James Baldwin; and Stephen Wicks, the Knoxville Museum of Art’s Barbara W. and Bernard E. Bernstein Curator, who has guided the KMA’s curatorial department for over 25 years and was instrumental in building the world’s largest and most comprehensive public collection of Beauford Delaney’s art at the KMA.
Publisher: Knoxville Museum of Art
ISBN: 0998825239
Category : Art
Languages : en
Pages : 217
Book Description
Beauford Delaney and James Baldwin: Through the Unusual Door examines the thirty-eight-year relationship between painter Beauford Delaney (born in Knoxville, 1901; died in Paris, 1979) and writer James Baldwin (born in New York, 1924; died in Saint-Paul-de-Vence, France, 1987) and the ways their ongoing intellectual exchange shaped each other’s creative output and worldview. This full-color publication documents the groundbreaking exhibition organized by the Knoxville Museum of Art (KMA) and is drawn from the KMA’s extensive Delaney holdings, from public and private collections around the country, and from unpublished photographs and papers held by the Knoxville-based estate of Beauford Delaney. This book seeks to identify and disentangle the skein of influences that grew over and around a complex, lifelong relationship with a selection of Delaney’s works that reflects the powerful presence of Baldwin in Delaney’s life. While no other figure in Beauford Delaney’s extensive social orbit approaches James Baldwin in the extent and duration of influence, none of the major exhibitions of Delaney’s work has explored in any depth the creative exchange between the two. The volume also includes essays by Mary Campbell, whose research currently focuses on James Baldwin and Beauford Delaney within the context of the civil rights movement; Glenn Ligon, an internationally acclaimed New York-based artist with intimate knowledge of Baldwin’s writings, Delaney’s art, and American history and society; Levi Prombaum, a curatorial assistant at the Solomon R. Guggenheim Museum who did his doctoral research at University College London on Delaney’s portraits of James Baldwin; and Stephen Wicks, the Knoxville Museum of Art’s Barbara W. and Bernard E. Bernstein Curator, who has guided the KMA’s curatorial department for over 25 years and was instrumental in building the world’s largest and most comprehensive public collection of Beauford Delaney’s art at the KMA.
African American Art
Author: Smithsonian American Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.
A Force for Change
Author: Daniel Schulman
Publisher: Northwestern University Press
ISBN: 0810125889
Category : Art
Languages : en
Pages : 91
Book Description
The Julius Rosenwald Fund has been largely ignored in the literature of both art history and African American studies, despite its unique focus, intensity, and commitment. Spertus Museum in Chicago has organized an exhibition, guest curated by Daniel Schulman, that presents and explores the work of funded artists as well as the history of the Fund. Through it, and this accompanying collection of essays, illustrations, and color plates, we see the Fund’s groundbreaking initiative to address issues relating to the unequal treatment of blacks in American life. The book constitutes a veritable Who’s Who of African American artists and intellectuals of the first half of the twentieth century, as well as a roll call of modern contributors who represent the leading scholars in their fields, including Peter M. Ascoli, grandson and biographer of Julius Rosenwald, and Kinshasha Holman Conwill, deputy director of the National Museum of African American Art and Culture. With far-reaching influence even today, the Julius Rosenwald Fund stands alongside the Rockefeller and Carnegie funds as a major force in American cultural history.
Publisher: Northwestern University Press
ISBN: 0810125889
Category : Art
Languages : en
Pages : 91
Book Description
The Julius Rosenwald Fund has been largely ignored in the literature of both art history and African American studies, despite its unique focus, intensity, and commitment. Spertus Museum in Chicago has organized an exhibition, guest curated by Daniel Schulman, that presents and explores the work of funded artists as well as the history of the Fund. Through it, and this accompanying collection of essays, illustrations, and color plates, we see the Fund’s groundbreaking initiative to address issues relating to the unequal treatment of blacks in American life. The book constitutes a veritable Who’s Who of African American artists and intellectuals of the first half of the twentieth century, as well as a roll call of modern contributors who represent the leading scholars in their fields, including Peter M. Ascoli, grandson and biographer of Julius Rosenwald, and Kinshasha Holman Conwill, deputy director of the National Museum of African American Art and Culture. With far-reaching influence even today, the Julius Rosenwald Fund stands alongside the Rockefeller and Carnegie funds as a major force in American cultural history.
Creating Black Americans
Author: Nell Irvin Painter
Publisher: Oxford University Press, USA
ISBN: 0195137558
Category : African American artists
Languages : en
Pages : 476
Book Description
Blending a vivid narrative with more than 150 images of artwork, Painter offers a history--from before slavery to today's hip-hop culture--written for a new generation.
Publisher: Oxford University Press, USA
ISBN: 0195137558
Category : African American artists
Languages : en
Pages : 476
Book Description
Blending a vivid narrative with more than 150 images of artwork, Painter offers a history--from before slavery to today's hip-hop culture--written for a new generation.
Scenes of American Life
Author: Smithsonian American Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
A VARIETY OF AMERICAN PAINTINGS WITH SHORT EXPLANATIONS OF EACH.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
A VARIETY OF AMERICAN PAINTINGS WITH SHORT EXPLANATIONS OF EACH.
The New Encyclopedia of Southern Culture
Author: Judith H. Bonner
Publisher: UNC Press Books
ISBN: 0807869945
Category : Reference
Languages : en
Pages : 527
Book Description
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
Publisher: UNC Press Books
ISBN: 0807869945
Category : Reference
Languages : en
Pages : 527
Book Description
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
The Oxford Dictionary of American Art and Artists
Author: Ann Lee Morgan
Publisher: Oxford University Press
ISBN: 0195373219
Category : Art, American
Languages : en
Pages : 554
Book Description
In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure.
Publisher: Oxford University Press
ISBN: 0195373219
Category : Art, American
Languages : en
Pages : 554
Book Description
In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure.
African-American Art
Encyclopedia of the Harlem Renaissance
Author: Aberjhani
Publisher: Infobase Publishing
ISBN: 1438130171
Category : History
Languages : en
Pages : 449
Book Description
Presents articles on the period known as the Harlem Renaissance, during which African American artists, poets, writers, thinkers, and musicians flourished in Harlem, New York.
Publisher: Infobase Publishing
ISBN: 1438130171
Category : History
Languages : en
Pages : 449
Book Description
Presents articles on the period known as the Harlem Renaissance, during which African American artists, poets, writers, thinkers, and musicians flourished in Harlem, New York.