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Author: Ralph J. Gleason Publisher: Yale University Press ISBN: 0300221096 Category : Music Languages : en Pages : 328
Book Description
The co-founder of Rolling Stone magazine, Ralph J. Gleason was among the most respected journalists, interviewers, and critics writing about popular music in the latter half of the twentieth century. As a longtime contributor to the San Francisco Chronicle, Down Beat, and Ramparts, his expertise and insights about music, musicians, and cultural trends were unparalleled, whether his subject was jazz, folk, pop, or rock and roll. He was the only music journalist included on President Richard Nixon’s infamous “Enemies List,” which Gleason himself considered “the highest honor a man’s country can bestow upon him.” This sterling anthology, edited by Gleason’s son Toby, himself a forty-year veteran of the music business, spans Ralph J. Gleason’s four decades as popular music’s preeminent commentator. Drawing from a rich variety of sources, including Gleason’s books, essays, interviews, and LP record album liner notes, it is essential reading for writers, historians, scholars, and music lovers of every stripe.
Author: Ralph J. Gleason Publisher: Yale University Press ISBN: 0300221096 Category : Music Languages : en Pages : 328
Book Description
The co-founder of Rolling Stone magazine, Ralph J. Gleason was among the most respected journalists, interviewers, and critics writing about popular music in the latter half of the twentieth century. As a longtime contributor to the San Francisco Chronicle, Down Beat, and Ramparts, his expertise and insights about music, musicians, and cultural trends were unparalleled, whether his subject was jazz, folk, pop, or rock and roll. He was the only music journalist included on President Richard Nixon’s infamous “Enemies List,” which Gleason himself considered “the highest honor a man’s country can bestow upon him.” This sterling anthology, edited by Gleason’s son Toby, himself a forty-year veteran of the music business, spans Ralph J. Gleason’s four decades as popular music’s preeminent commentator. Drawing from a rich variety of sources, including Gleason’s books, essays, interviews, and LP record album liner notes, it is essential reading for writers, historians, scholars, and music lovers of every stripe.
Author: Ralph J. Gleason Publisher: Yale University Press ISBN: 030022074X Category : Music Languages : en Pages : 296
Book Description
During his nearly forty years as a music journalist, Ralph J. Gleason recorded many in-depth interviews with some of the greatest jazz musicians of all time. These informal sessions, conducted mostly in Gleason’s Berkeley, California, home, have never been transcribed and published in full until now. This remarkable volume, a must-read for any jazz fan, serious musician, or musicologist, reveals fascinating, little-known details about these gifted artists, their lives, their personas, and, of course, their music. Bill Evans discusses his battle with severe depression, while John Coltrane talks about McCoy Tyner's integral role in shaping the sound of the Coltrane quartet, praising the pianist enthusiastically. Included also are interviews with Dizzy Gillespie, Sonny Rollins, Quincy Jones, Jon Hendricks, and the immortal Duke Ellington, plus seven more of the most notable names in twentieth-century jazz.
Author: Regina Bradley Publisher: UNC Press Books ISBN: 1469661977 Category : Social Science Languages : en Pages : 137
Book Description
This vibrant book pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Regina N. Bradley, Outkast's work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. Andre 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.
Author: Shanté Paradigm Smalls Publisher: NYU Press ISBN: 1479808180 Category : Music Languages : en Pages : 121
Book Description
Winner of the 2022-2023 New York City Book Awards! SPECIAL MENTION, 2023 IASPM Book Prize, given by the International Association for the Study of Popular Music SHORTLISTED, 2023 Ralph J. Gleason Book Award, given by the Rock N Roll Hall of Fame/Clive Davis Institute Unearths the queer aesthetic origins of NYC hip hop Hip Hop Heresies centers New York City as a space where vibrant queer, Black, and hip hop worlds collide and bond in dance clubs, schools, roller rinks, basketball courts, subways, and movie houses. Using this cultural nexus as the stage, Shanté Paradigm Smalls attends to the ways that hip hop cultural production in New York City from the 1970s through the early twenty-first century produced film, visual art, and music that offer queer articulations of race, gender, and sexuality. To illustrate New York City as a place of experimental aesthetic collaboration, Smalls brings four cultural moments to the forefront: the life and work of the gay Chinese American visual and graffiti artist Martin Wong, who brokered the relationship between New York City graffiti artists and gallery and museum spaces; the Brooklyn-based rapper-singer-writer-producer Jean Grae, one of the most prolific and underrated emcees of the last two decades; the iconic 1980s film The Last Dragon, which exemplifies the experimental and queer Black masculinity possible in early formal hip hop culture; and finally queer- and trans-identified hip hop artists and groups like BQE, Deepdickollective, and Hanifah Walidah, and the documentary Pick Up the Mic. Hip Hop Heresies transforms the landscape of hip hop scholarship, Black studies, and queer studies by bringing together these fields through the hermeneutic of aesthetics. Providing a guidepost for future scholarship on queer, trans, and feminist hip hop studies, Hip Hop Heresies takes seriously the work that New York City hip hop cultural production has done and will do, and advocates a form of hip hop that eschews authenticity in favor of performativity, bricolage, and pastiche.
Author: Peter Herbst Publisher: Macmillan ISBN: 9780312034863 Category : Biography & Autobiography Languages : en Pages : 440
Book Description
From its early days in San Francisco, Rolling Stone has covered the music scene from the inside with colorful, penetrating, and brilliant interviews with the men and women who are rock and roll. This definitive collection represents the best of Rolling Stone's first decade and a half.From its early days in San Francisco, Rolling Stone has covered the music scene from the inside with colorful, penetrating, and brilliant interviews with the men and women who are rock and roll. This definitive collection represents the best of Rolling Stone's first decade and a half.
Author: Don Armstrong Publisher: Bloomsbury Publishing USA ISBN: 1501367005 Category : Music Languages : en Pages : 305
Book Description
Discover the enthralling world of Ralph J. Gleason, a pioneering music journalist who expanded the possibilities of the newspaper music column, sparked the San Francisco jazz and rock scenes, and co-founded Rolling Stone magazine. Gleason not only reported on but influenced the trajectory of popular music. He alone chronicled the unparalleled evolution of popular music from the 1930s into the 1970s, and while doing so, interviewed and befriended many trailblazers such as Miles Davis, Dizzy Gillespie, Bob Dylan, and the Beatles. A true iconoclast, he dismantled the barriers between popular and highbrow music, and barriers separating the musical genres. He played a crucial role in shaping postwar music criticism by covering all genres and analyzing music's social, political, and historical meanings. This book uncovers never-before-seen letters, anecdotes, family accounts, and exclusive interviews to reveal one of the most intriguing personalities of the 20th century.
Author: Charles Shaar Murray Publisher: Macmillan ISBN: 9780312063245 Category : Biography & Autobiography Languages : en Pages : 268
Book Description
Called by "Entertainment Weekly" "The best book on Hendrix", "Crosstown Traffic" rode their A-list for over two months and won the prestigious Ralph J. Gleason Music Book Award. Roots-savvy British critic Charles Shaar Murray assesses the lifework of guitarist Jimi Hendrix in the context of black musical tradition, social history, and the upheaval of the 1960s.
Author: Whitney Balliett Publisher: Macmillan ISBN: 9780312270087 Category : Music Languages : en Pages : 892
Book Description
Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest—and perhaps only original—musical form. Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines—a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made. Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting—a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"—and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz."
Author: Jemeker Thompson-Hairston Publisher: Grand Central Publishing ISBN: 0446569143 Category : Biography & Autobiography Languages : en Pages : 125
Book Description
Written with the New York Times bestselling author, David Ritz, Jemeker Thompson tells the gripping tale of succeeding financially in the drug game, but then, after a lengthy prison term, turned her life around to inspire others just like her. Jemeker Thompson-Hairston paid a heavy price for her involvement in the drug game. Learning from her sources of a federal investigation, Jemeker went on the run. It was love for her young son that brought her back to Los Angeles, even though she knew she would be arrested. A subsequent 15-year sentence would cost her not only her legitimate business and the fortune she'd amassed through the drug trade, but the most precious thing of all: time with her child. But not all was lost. Fortunately, while Thompson-Hairston was serving out the fifteen-year sentence, one pivotal moment helped her turn her life around, setting her on a path to help and inspire others like her. Now, in Queen Pin, written with New York Times bestselling author David Ritz, she reveals in gripping detail her journey of redemption that readers won't soon forget.
Author: Gary Giddins Publisher: U of Minnesota Press ISBN: 1452940797 Category : Biography & Autobiography Languages : en Pages : 265
Book Description
Within days of Charlie “Bird” Parker’s death at the age of thirty-four, a scrawled legend began appearing on walls around New York City: Bird Lives. Gone was one of the most outstanding jazz musicians of any era, the troubled genius who brought modernism to jazz and became a defining cultural force for musicians, writers, and artists of every stripe. Arguably the most significant musician in the country at the time of his death, Parker set the standard many musicians strove to reach—though he never enjoyed the same popular success that greeted many of his imitators. Today, the power of Parker’s inventions resonates undiminished; and his influence continues to expand. Celebrating Bird is the groundbreaking and award-winning account of the life and legend of Charlie Parker from renowned biographer and critic Gary Giddins, whom Esquire called “the best jazz writer in America today.” Richly illustrated and drawing primarily from original sources, Giddins overturns many of the myths that have grown up around Parker. He cuts a fascinating portrait of the period, from Parker’s apprentice days in the 1930s in his hometown of Kansas City to the often difficult years playing clubs in New York and Los Angeles, and reveals how Parker came to embody not only musical innovation and brilliance but the rage and exhilaration of an entire generation. Fully revised and with a new introduction by the author, Celebrating Bird is a classic of jazz writing that the Village Voice heralded as “a celebration of the highest order”—a portrayal of a jazz virtuoso whose gargantuan talent was haunted by his excesses and a view into the ravishing art of one of jazz’s most commanding and remarkable figures.
Author: Ralph J. Gleason
Author: Ralph J. Gleason
Author: Ralph J. Gleason
Author: Regina Bradley
Author: Shanté Paradigm Smalls
Author: Peter Herbst
Author: Don Armstrong
Author: Charles Shaar Murray
Author: Whitney Balliett
Author: Jemeker Thompson-Hairston
Author: Gary Giddins