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Author: Robert Ferguson Publisher: Faber & Faber ISBN: 0571295290 Category : Biography & Autobiography Languages : en Pages : 275
Book Description
Prior to the First World War T.E. Hulme was one of the most original and striking creative personalities in England, strongly admired by both Pound and Eliot. Yet he died in 1917, virtually unknown. A key figure in the genesis of Modernism, Hulme mixed among a great range of gifted artists and was never shy of courting controversy. Unusually among poets of his generation, he was convinced of the rightness of Britain's role in the war (and criticised Bertrand Russell for his pacifism.) Robert Ferguson offers the first modern biography of Hulme, drawing upon access to Hulme's papers and later interviews with his associates. 'A humane, comprehensive biography... By the end, Ferguson's final judgment of his subject - 'the conservative character at its best' - seems justified.' Jeremy Noel-Todd, Observer
Author: Robert Ferguson Publisher: Faber & Faber ISBN: 0571295290 Category : Biography & Autobiography Languages : en Pages : 275
Book Description
Prior to the First World War T.E. Hulme was one of the most original and striking creative personalities in England, strongly admired by both Pound and Eliot. Yet he died in 1917, virtually unknown. A key figure in the genesis of Modernism, Hulme mixed among a great range of gifted artists and was never shy of courting controversy. Unusually among poets of his generation, he was convinced of the rightness of Britain's role in the war (and criticised Bertrand Russell for his pacifism.) Robert Ferguson offers the first modern biography of Hulme, drawing upon access to Hulme's papers and later interviews with his associates. 'A humane, comprehensive biography... By the end, Ferguson's final judgment of his subject - 'the conservative character at its best' - seems justified.' Jeremy Noel-Todd, Observer
Author: Andrzej Gasiorek Publisher: Routledge ISBN: 1317047117 Category : Literary Criticism Languages : en Pages : 257
Book Description
Though only 34 years old at the time of his death in 1917, T.E. Hulme had already taken his place at the center of pre-war London's advanced intellectual circles. His work as poet, critic, philosopher, aesthetician, and political theorist helped define several major aesthetic and political movements, including imagism and Vorticism. Despite his influence, however, the man T.S. Eliot described as 'classical, reactionary, and revolutionary' has until very recently been neglected by scholars, and T.E. Hulme and the Question of Modernism is the first essay collection to offer an in-depth exploration of Hulme's thought. While each essay highlights a different aspect of Hulme's work on the overlapping discourses of aesthetics, politics, and philosophy, taken together they demonstrate a shared belief in Hulme's decisive importance to the emergence of modernism and to the many categories that still govern our thinking about it. In addition to the editors, contributors include Todd Avery, Rebecca Beasley, C.D. Blanton, Helen Carr, Paul Edwards, Lee Garver, Jesse Matz, Alan Munton, and Andrew Thacker.
Author: Oliver Tearle Publisher: A&C Black ISBN: 1441184988 Category : Literary Criticism Languages : en Pages : 251
Book Description
T. E. Hulme (1883-1917) was the author of a small number of poems and some genuinely innovative critical and philosophical writings. From this modest output his influence on later writers was considerable: T. S. Eliot described his poems as 'beautiful' and Ezra Pound and Wyndham Lewis were both inspired by his work. T.E. Hulme and Modernism explores his impact on key modernist figures, and also shows where this influence has been misplaced or misinterpreted. Oliver Tearle also here suggests that Hulme's significance goes beyond his influence on modernism, and that his work provides new ways of thinking about creative and critical writing in the 21st century. What is poetry? What is the purpose of literary criticism? And how might the strange phenomenon of the fragment offer new ways of theorising such issues? In exploring these and other important matters this book pushes at the boundaries of literary criticism and of writing itself.
Author: Thomas Ernest Hulme Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 536
Book Description
This is the first collected edition of the writings of the poet, critic, and philosopher T. E. Hulme (1883-1917), a figure of huge importance in the formulation of modernist aesthetic and philosophical thought. This edition brings together for the first time all of Hulme's writings on poetry and language, philosophy, art, political theory, and the First World War. The volume includes thirteen works never before collected, such as Hulme's account of the 1911 Bologna Philosophical Congress, his essays critical of Bergson, his political writings, and his `War Notes'. It also restores to its original form and title Hulme's well-known `Humanism and the Religious Attitude', a piece which has until now only been generally available in a shortened and inaccurate version. The writings have been meticulously annotated and the edition is prefaced by an extensive biographical and critical introduction.
Author: Henry Mead Publisher: Bloomsbury Publishing ISBN: 1472582039 Category : Literary Criticism Languages : en Pages : 403
Book Description
Drawing on a range of archival materials, this book explores the writing career of the poet, philosopher, art critic, and political commentator T.E. Hulme, a key figure in British modernism. T.E. Hulme and the Ideological Politics of Early Modernism reveals for the first time the full extent of Hulme's relationship with New Age, a leading radical journal before the Great War, focussing particularly on his exchange of ideas with its editor, A.R. Orage. Through a ground-breaking account of Hulme's reading in continental literature, and his combative exchanges amongst the bohemian networks of Edwardian London, Mead shows how 'the strange death of Liberal England' coincided with Hulme's emergence as what T.S. Eliot called 'the forerunner of... the twentieth century mind'. Tracing his debts to French Symbolism, evolutionary psychology, Neo-Royalism, and philosophical pragmatism, the book shows how Hulme combined anarchist and conservative impulses in his journey towards a 'religious attitude'. The result is a nuanced account of Hulme's ideological politics, complicating the received view of his work as proto-fascist.
Author: T. E Hulme Publisher: Read Books Ltd ISBN: 1447495764 Category : Biography & Autobiography Languages : en Pages : 192
Book Description
The history of the philosophers we know, but who will write the history of the philosophic amateurs and readers? Who will tell us of the circulation of Descartes, who read the book and who understood it? Or do philosophers, like the mythical people on the island, take in each other’s washing? Are they the only readers of each other’s books? For I take it, a man who understands philosophy is inevitably irritated into writing it. The few who have learnt the jargon must repay themselves by employing it. A new philosophy is not like a new religion, a thing to be merely thankful for and accepted mutely by the faithful. It is more of the nature of food thrown to the lions; the pleasure lies in the fact that it can be devoured. It is food for the critics, and all readers of philosophy, I suppose, are critics, and not faithful ones waiting for the new gospel.
Author: T. S. Eliot Publisher: Faber & Faber ISBN: 0571316379 Category : Poetry Languages : en Pages : 876
Book Description
T. S. Eliot's career as a successful stage dramatist gathers pace throughout the fascinating letters of this volume. Following his early experimentation with the dark comedy Sweeney Agonistes (1932), Eliot is invited to write the words of an ambitious scenario sketched out by the producer-director E. Martin Browne (who was to direct all of Eliot's plays) for a grand pageant called The Rock (1934). The ensuing applause leads to a commission from the Bishop of Chichester to write a play for the Canterbury Festival, resulting in the quasi-liturgical masterpiece of dramatic writing, Murder in the Cathedral (1935). A huge commercial success, it remains in repertoire after eighty years.Even while absorbed in time-consuming theatre work, Eliot remains untiring in promoting the writers on Faber's ever broadening lists - George Barker, Marianne Moore and Louis MacNeice among them. In addition, Eliot works hard for the Christian Church he has espoused in recent years, serving on committees for the Church Union and the Church Literature Association, and creating at Faber & Faber a book list that embraces works on church history, theology and liturgy. Having separated from his wife Vivien in 1933, he is anxious to avoid running into her; but she refuses to comprehend that her husband has chosen to leave her and stalks him across literary society, leading to his place of work at the offices of Faber & Faber. The correspondence draws in detail upon Vivien's letters and diaries to provide a picture of her mental state and way of life - and to help the reader to appreciate her thoughts and feelings.
Author: Irving Horowitz Publisher: Routledge ISBN: 1351524402 Category : History Languages : en Pages : 416
Book Description
This second volume in this new series aims to anchor the 21st century in the tradition of the new, to raise methodology into historiography. As the new millennium develops, it is becoming evident that science and society are critical pivots in the formation of a larger mosaic of culture and civilization. A tradition has developed and refuses to dissolve under the withering aspect of analysis. Whether flying under the banner of Arthur Lovejoy, George F. Kennan, Pitirim Sorokin, Arnold Toynbee, Alexander Solzhenitsyn, T. S. Eliot, Thorstein Veblen, and countless others, it has become clear that making sense of the whole, and not resting easy with bits and pieces has become the mission of Culture & Civilization. This second volume expands upon the initial efforts to deepen the sense of tradition, with outstanding contributions ranging from Charles Murray, The Happiness of the People; Peter Watson, Ideas: A History of Thought from Fire to Freud; Evan Selinger, Ethics and Poverty Tours; Walter A. McDougall, American Policy Traditions in the Middle East; Raymond Ibrahim, Violence in Judaism, Christianity and Islam; Michael Curtis, Israel: Land, Law, and Legitimacy; Marian Tupy, Persistent Poverty in Africa; David Ronfeldt and Danielle Varda, Cyberocracy Revisited; a retrospective by Leo Alexander on Medical Science under Dictatorship; and a series of brilliant new essays on Wyndham Lewis, Jonathan Swift, Max Scheler, and Thurman Arnold. Culture and Civilization does not embrace idiosyncratic visions of the apocalypse or the end of Western empires. It does attempt to bring together immediate issues and ideas that are substantial and challenging. The essential polarity between democracy and autocracy has now taken on historical dimensions that has now taken on larger, deeper dimensions in different political economic, and ecological terrain of our day is civilization versus barbarism. This second volume is a sober, deeper response to such a challenge.
Author: Mark S. Micale Publisher: Stanford University Press ISBN: 9780804747974 Category : History Languages : en Pages : 484
Book Description
This vanguard collection of original and in-depth essays explores the intricate interplay of the aesthetic and psychological domains during the late nineteenth and early twentieth centuries and considers the reasons why a common Modernist project took shape when and in the circumstances that it did. These changes occurred precisely when the distinctively modern disciplines of psychology, psychiatry, and psychoanalysis established their "scientific foundations and achieved the forms in which we largely know them today. This volume examines the dense web of connections joining the aesthetic and psychological realms in the modern era, charting historically the emergence of the ongoing modern discussion surrounding such issues as identity-formation, sexuality, and the unconscious. The contributors form a distinguished and diversified group of scholars, who write about a wide range of cultural fields, including philosophy, the novel and poetry, drama, dance, film and photography, as well as medicine, psychology, and the occult sciences.
Author: Robert Ferguson
Author: Robert Ferguson
Author: Andrzej Gasiorek
Author: Oliver Tearle
Author: Thomas Ernest Hulme
Author: Henry Mead
Author: T. E. Hulme
Author: T. E Hulme
Author: T. S. Eliot
Author: Irving Horowitz
Author: Mark S. Micale