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Author: Daniel Powell Publisher: ISBN: Category : Saxophone music Languages : en Pages :
Book Description
John Boda (1922-2002) was a highly accomplished pianist, conductor, composer, and professor. His diverse musical talents and eclectic hobbies defined him and influenced countless students, colleagues, friends and family members. During his long and productive music career, he taught at The Florida State University for fifty-three years and wrote more than 150 compositions for every genre except opera. This study explores the life and music of Boda with particular attention given to his saxophone works. Despite his success, many of Boda's compositions are unpublished and unrecognized for their merit. Of the four pieces he wrote for the saxophone, Perambulations (1977), Forest Sounds and Dance (1982), Concert Piece (1982), and Two Movements for Saxophone Quartet (1983), none are published and only two are listed in A Comprehensive Guide to the Saxophone Repertoire 1844-2003 by Jean-Marie Londeix. These works are valuable additions to the saxophone repertoire and warrant awareness within the saxophone community. Chapter One is a biography of John Boda, focusing on his musicianship. Chapter Two is a summary of Boda's compositional style at various stages throughout his career. Many compositions are referenced to illustrate the continuity of structure and form in his pieces. Chapters Three, Four, Five, and Six, respectively, examine each of Boda's four saxophone works. A historical background and stylistic overview are given for each piece and musical examples are taken from original manuscripts.
Author: Daniel Powell Publisher: ISBN: Category : Saxophone music Languages : en Pages :
Book Description
John Boda (1922-2002) was a highly accomplished pianist, conductor, composer, and professor. His diverse musical talents and eclectic hobbies defined him and influenced countless students, colleagues, friends and family members. During his long and productive music career, he taught at The Florida State University for fifty-three years and wrote more than 150 compositions for every genre except opera. This study explores the life and music of Boda with particular attention given to his saxophone works. Despite his success, many of Boda's compositions are unpublished and unrecognized for their merit. Of the four pieces he wrote for the saxophone, Perambulations (1977), Forest Sounds and Dance (1982), Concert Piece (1982), and Two Movements for Saxophone Quartet (1983), none are published and only two are listed in A Comprehensive Guide to the Saxophone Repertoire 1844-2003 by Jean-Marie Londeix. These works are valuable additions to the saxophone repertoire and warrant awareness within the saxophone community. Chapter One is a biography of John Boda, focusing on his musicianship. Chapter Two is a summary of Boda's compositional style at various stages throughout his career. Many compositions are referenced to illustrate the continuity of structure and form in his pieces. Chapters Three, Four, Five, and Six, respectively, examine each of Boda's four saxophone works. A historical background and stylistic overview are given for each piece and musical examples are taken from original manuscripts.
Author: Gene Santoro Publisher: Oxford University Press ISBN: 0198025785 Category : Music Languages : en Pages : 479
Book Description
Charles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a high-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, acclaimed music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man," revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. Though critics and musicians debated his musical merits and his personality, by the late 1950s he was widely recognized as a major jazz star, a bellwether whose combined grasp of tradition and feel for change poured his inventive creativity into new musical outlets. But Mingus got headlines less for his art than for his volatile and often provocative behavior, which drew fans who wanted to watch his temper suddenly flare onstage. Impromptu outbursts and speeches formed an integral part of his long-running jazz workshop, modeled partly on dramatic models like Orson Welles' Mercury Theatre. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians-which is why some of them called it "the Sweatshop." He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Key sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracial background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian descent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racial injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvisation flowing through the work of Allen Ginsberg, Jackson Pollock, and Charlie Parker. Indeed, unlike Most jazz biographers, Santoro examines Mingus's extra-musical influences--from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary--and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, Myself When I Am Real draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.
Author: Daniel Levitin Publisher: Penguin UK ISBN: 0241987369 Category : Music Languages : en Pages : 229
Book Description
From the author of The Changing Mind and The Organized Mind comes a New York Times bestseller that unravels the mystery of our perennial love affair with music ***** 'What do the music of Bach, Depeche Mode and John Cage fundamentally have in common?' Music is an obsession at the heart of human nature, even more fundamental to our species than language. From Mozart to the Beatles, neuroscientist, psychologist and internationally-bestselling author Daniel Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand music, and what it can teach us about ourselves. ***** 'Music seems to have an almost wilful, evasive quality, defying simple explanation, so that the more we find out, the more there is to know . . . Daniel Levitin's book is an eloquent and poetic exploration of this paradox' Sting 'You'll never hear music in the same way again' Classic FM magazine 'Music, Levitin argues, is not a decadent modern diversion but something of fundamental importance to the history of human development' Literary Review
Author: Joy S. Berger Publisher: Routledge ISBN: 113691515X Category : Family & Relationships Languages : en Pages : 253
Book Description
Music of the Soul guides the reader through principles, techniques, and exercises for incorporating music into grief counseling, with the end goal of further empowering the grieving person. Music has a unique ability to elicit a whole range of powerful emotional responses in people - even so far as altering or enhancing one's mood - as well as physical reactions. This interdisciplinary text draws in equal parts from contemporary grief/loss theory, music therapy research, historical examples of powerful music, case studies, and both self-reflecting and teaching exercises. Music is as much about beginnings as endings, and thus the book moves through life’s losses into its new beginnings, using musical expression to help the bereaved find meaning in loss and hurt, and move forward with their lives. With numerous exercises and examples for implementing the use of music in grief counseling, the book offers a practical and flexible approach to a broad spectrum of mental health practitioners, from thanatologists to hospice staff, at all levels of professional training and settings.
Author: Peter Leitch Publisher: Vehicule Press ISBN: 9781550653489 Category : Biography & Autobiography Languages : en Pages : 0
Book Description
"Many jazz lives are marginal, as jazz guitarist Peter Leitch attests in his honest memoir. [This is] the story of a life lived in search of excellence in music and art, but also a life lived battling depression, alienation, and narcotics addiction. [This book] refers to life outside of conventional 9 to 5 society and Leitch vividly relates what it was like trying to make a living playing in jazz clubs, nightclubs, and studios. He tells of growing up in an English-speaking family in Montreal's working class and predominantly French-speaking East End refinery district, discovering jazz on CBC radio and learning to play it outside of the academy. His first gigs were in Montreal druing the 1960s, moving to Toronto in the late 1970s, and then to New York in 1982, which comprises the largest section of the book, chronicling the inner workings of the jazz "business"."--Page 4 of cover.
Author: Robert H. Woody Publisher: Oxford University Press ISBN: 0197546595 Category : Music Languages : en Pages : 369
Book Description
Part I. Musical Learning. Introduction to Music Psychology ; Development ; Motivation ; Practice -- Part II. Musical Skills. Learning and Remembering Musical Works ; Expressing and Interpreting ; Composing and Improvising ; Managing Performance Anxiety -- Part III. Musical Roles. The Performer ; The Teacher ; The Listener ; The User.
Author: Maurice Hinson Publisher: Indiana University Press ISBN: 0253056756 Category : Music Languages : en Pages : 606
Book Description
In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.
Author: Keith Richards Publisher: Little, Brown ISBN: 0316178721 Category : Biography & Autobiography Languages : en Pages : 474
Book Description
The long-awaited autobiography of Keith Richards, guitarist, songwriter, singer, and founding member of the Rolling Stones. With The Rolling Stones, Keith Richards created the songs that roused the world, and he lived the original rock and roll life. Now, at last, the man himself tells his story of life in the crossfire hurricane. Listening obsessively to Chuck Berry and Muddy Waters records, learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones's first fame and the notorious drug busts that led to his enduring image as an outlaw folk hero. Creating immortal riffs like the ones in "Jumping Jack Flash" and "Honky Tonk Women." His relationship with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the U.S., isolation and addiction. Falling in love with Patti Hansen. Estrangement from Jagger and subsequent reconciliation. Marriage, family, solo albums and Xpensive Winos, and the road that goes on forever. With his trademark disarming honesty, Keith Richard brings us the story of a life we have all longed to know more of, unfettered, fearless, and true.
Author: Daniel Powell
Author: Daniel Powell
Author: Wildy Lewis Zumwalt
Author: Gene Santoro
Author: Daniel Levitin
Author: Joy S. Berger
Author: Peter Leitch
Author: 
Author: Robert H. Woody
Author: Maurice Hinson
Author: Keith Richards