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Author: Panikos Panayi Publisher: Manchester University Press ISBN: 1526130556 Category : History Languages : en Pages : 361
Book Description
During the First World War hundreds of thousands of Germans faced incarceration in hundreds of camps on the British mainland. This is the first book on these German prisoners, almost a century after the conflict. The book covers the three different types of internees in Britain in the form of: civilians already present in the country in August 1914; civilians brought to Britain from all over the world; and combatants. Using a vast range of contemporary British and German sources the volume traces life experiences through initial arrest and capture to life behind barbed wire to return to Germany or to the remnants of the ethnically cleansed German community in Britain. The book will prove essential reading for anyone interested in the history of prisoners of war or the First World War and will also appeal to scholars and students of twentieth-century Europe and the human consequences of war.
Author: Panikos Panayi Publisher: Manchester University Press ISBN: 1526130556 Category : History Languages : en Pages : 361
Book Description
During the First World War hundreds of thousands of Germans faced incarceration in hundreds of camps on the British mainland. This is the first book on these German prisoners, almost a century after the conflict. The book covers the three different types of internees in Britain in the form of: civilians already present in the country in August 1914; civilians brought to Britain from all over the world; and combatants. Using a vast range of contemporary British and German sources the volume traces life experiences through initial arrest and capture to life behind barbed wire to return to Germany or to the remnants of the ethnically cleansed German community in Britain. The book will prove essential reading for anyone interested in the history of prisoners of war or the First World War and will also appeal to scholars and students of twentieth-century Europe and the human consequences of war.
Author: S. P. MacKenzie Publisher: Bloomsbury Publishing ISBN: 0826446442 Category : History Languages : en Pages : 273
Book Description
The cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-1945 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.
Author: S. P. Mackenzie Publisher: A&C Black ISBN: 1852852585 Category : Performing Arts Languages : en Pages : 273
Book Description
The cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-45 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.
Author: Visiting Senior Fellow Department of Psychology Nicky Hayes Publisher: Liverpool University Press ISBN: 9780853237631 Category : History Languages : en Pages : 364
Book Description
This collection of essays brings together the latest historical research on cultural production and reception during the Second World War. It covers the way in which cultural provision was viewed by the labour movement and industry.
Author: Sarah Barrow Publisher: Routledge ISBN: 1134081235 Category : Performing Arts Languages : en Pages : 274
Book Description
In Fifty Key British Films, Britain's best known films such as Clockwork Orange, The Full Monty and Goldfinger are scrutinised for their outstanding ability to articulate the issues of the time. This is essential reading for anyone interested in quality, cult film.
Author: James Chapman Publisher: Bloomsbury Publishing ISBN: 0857715577 Category : History Languages : en Pages : 417
Book Description
This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
Author: David Welch Publisher: Bloomsbury Publishing ISBN: 0857737376 Category : Political Science Languages : en Pages : 362
Book Description
As Philip Taylor has written, 'The challenge (of the modern information age) is to ensure that no single propaganda source gains monopoly over the information and images that shape our thoughts. If this happens, the war propagandists will be back in business again.' Propaganda came of age in the Twentieth Century. The development of mass- and multi-media offered a fertile ground for propaganda while global conflict provided the impetus needed for its growth. Propaganda has however become a portmanteau word, which can be interpreted in a number of different ways. What are the characteristic features of propaganda, and how can it be defined? The distinguished contributors to this book trace the development of techniques of 'opinion management' from the First World War to the current conflict in Afghanistan. They reveal how state leaders and spin-doctors operating at the behest of the state, sought to shape popular attitudes - at home and overseas - endeavouring to harness new media with the objective of winning hearts and minds. The book provides compelling evidence of how the study and practice of propaganda today is shaped by its history.
Author: Robert Murphy Publisher: Bloomsbury Publishing ISBN: 1838718648 Category : Performing Arts Languages : en Pages : 867
Book Description
The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Author: Alex Houen Publisher: Oxford University Press ISBN: 0192529102 Category : Literary Criticism Languages : en Pages : 297
Book Description
Sacrifice and Modern War Literature is the first book to explore how writers from the early nineteenth century to the present have addressed the intimacy of sacrifice and war. It has been common for critics to argue that after the First World War many of the cultural and religious values associated with sacrifice have been increasingly rejected by writers and others. However, this volume shows that literature has continued to address how different conceptions of sacrifice have been invoked in times of war to convert losses into gains or ideals. While those conceptions have sometimes been rooted in a secular rationalism that values lost lives in terms of political or national victories, spiritual and religious conceptions of sacrifice are also still in evidence, as with the 'martyrdom operations' of jihadis fighting against the 'war on terror'. Each chapter presents fresh insights into the literature of a particular conflict and the contributions explore major war writers including Wordsworth, Kipling, Ford Madox Ford, and Elizabeth Bowen, as well as lesser known authors such as Dora Sigerson, Richard Aldington, Thomas Kinsella, and Nadeem Aslam. The volume covers multiple genres including novels, poetry (particularly elegy and lyric), memoirs, and some films. The contributions address a rich array of topics related to wartime sacrifice including scapegoating, martyrdom, religious faith, tragedy, heroism, altruism, 'bare life', atonement, and redemption.
Author: Panikos Panayi
Author: Panikos Panayi
Author: S. P. MacKenzie
Author: S. P. Mackenzie
Author: Visiting Senior Fellow Department of Psychology Nicky Hayes
Author: Sarah Barrow
Author: Derek Jones
Author: James Chapman
Author: David Welch
Author: Robert Murphy
Author: Alex Houen