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Author: Ross Parmenter Publisher: University of Pennsylvania Press ISBN: 0871693305 Category : History Languages : en Pages : 94
Book Description
History, especially ancient history, gains reality when it can be related to modern geography. The interplay appears in instances cited throughout this study -- specifically of Mexican geographical identifications that help recover segments of the country’s pre-Columbia past. This study’s principal aim is to show how a particular identification augments the history that can be extracted from a related group of Mexican pictorial manuscripts, whose historical value, though well recognized, has as yet been little explored. These are the lienzos -- genealogical, historical & geographical documents painted on cloth -- of the Coixtlahuaca Valley in the northern region of the state of Oaxaca known as the Mixteca Alta. Illustrations.
Author: Ross Parmenter Publisher: University of Pennsylvania Press ISBN: 0871693305 Category : History Languages : en Pages : 94
Book Description
History, especially ancient history, gains reality when it can be related to modern geography. The interplay appears in instances cited throughout this study -- specifically of Mexican geographical identifications that help recover segments of the country’s pre-Columbia past. This study’s principal aim is to show how a particular identification augments the history that can be extracted from a related group of Mexican pictorial manuscripts, whose historical value, though well recognized, has as yet been little explored. These are the lienzos -- genealogical, historical & geographical documents painted on cloth -- of the Coixtlahuaca Valley in the northern region of the state of Oaxaca known as the Mixteca Alta. Illustrations.
Author: Ross Parmenter Publisher: Philadelphia : The American Philosophical Society ISBN: Category : History Languages : en Pages : 104
Book Description
History, especially ancient history, gains reality when it can be related to modern geography. The interplay appears in instances cited throughout this study -- specifically of Mexican geographical identifications that help recover segments of the country's pre-Columbia past. This study's principal aim is to show how a particular identification augments the history that can be extracted from a related group of Mexican pictorial manuscripts, whose historical value, though well recognized, has as yet been little explored. These are the lienzos -- genealogical, historical & geographical documents painted on cloth -- of the Coixtlahuaca Valley in the northern region of the state of Oaxaca known as the Mixteca Alta. Illustrations.
Author: Arni Brownstone Publisher: University of Oklahoma Press ISBN: 0806151528 Category : Art Languages : en Pages : 217
Book Description
In four chapters, a foreword, preface, and two appendices accompanied by detailed, full-color illustrations, scholars Arni Brownstone, Nicholas Johnson, Bas van Doesburg, Eckehard Dolinski, Michael Swanton, and Elizabeth Hill Boone describe what a lienzo is and how it was made. They also explain the particular origin, format, and content of the Lienzo of Tlapiltepec—as well as its place within the larger world of Mexican painted history. The contributors furthermore explore the artistry and visual experience of the work. A final essay documents past illustrations of the lienzo including the one rendered for this book, which employed innovative processes to recover long faded colors.
Author: Elizabeth Hill Boone Publisher: University of Texas Press ISBN: 0292783124 Category : Social Science Languages : en Pages : 552
Book Description
The Aztecs and Mixtecs of ancient Mexico recorded their histories pictorially in images painted on hide, paper, and cloth. The tradition of painting history continued even after the Spanish Conquest, as the Spaniards accepted the pictorial histories as valid records of the past. Five Pre-Columbian and some 150 early colonial painted histories survive today. This copiously illustrated book offers the first comprehensive analysis of the Mexican painted history as an intellectual, documentary, and pictorial genre. Elizabeth Hill Boone explores how the Mexican historians conceptualized and painted their past and introduces the major pictorial records: the Aztec annals and cartographic histories and the Mixtec screenfolds and lienzos. Boone focuses her analysis on the kinds of stories told in the histories and on how the manuscripts work pictorially to encode, organize, and preserve these narratives. This twofold investigation broadens our understanding of how preconquest Mexicans used pictographic history for political and social ends. It also demonstrates how graphic writing systems created a broadly understood visual "language" that communicated effectively across ethnic and linguistic boundaries.
Author: Maarten Jansen Publisher: BRILL ISBN: 9004340521 Category : History Languages : en Pages : 645
Book Description
Time and the Ancestors: Aztec and Mixtec Ritual Art combines iconographical analysis with archaeological, historical and ethnographic studies and offers new interpretations of enigmatic masterpieces from ancient Mexico, focusing specifically on the symbols and values of the religious heritage of indigenous peoples.
Author: Alex Hidalgo Publisher: University of Texas Press ISBN: 1477317511 Category : History Languages : en Pages : 185
Book Description
Trail of Footprints offers an intimate glimpse into the commission, circulation, and use of indigenous maps from colonial Mexico. A collection of one hundred, largely unpublished, maps from the late sixteenth to the eighteenth centuries made in the southern region of Oaxaca, anchors an analysis of the way ethnically diverse societies produced knowledge in colonial settings. Mapmaking, proposes Hidalgo, formed part of an epistemological shift tied to the negotiation of land and natural resources between the region’s Spanish, Indian, and mixed-race communities. The craft of making maps drew from social memory, indigenous and European conceptions of space and ritual, and Spanish legal practices designed to adjust spatial boundaries in the New World. Indigenous mapmaking brought together a distinct coalition of social actors—Indian leaders, native towns, notaries, surveyors, judges, artisans, merchants, muleteers, collectors, and painters—who participated in the critical observation of the region’s geographic features. Demand for maps reconfigured technologies associated with the making of colorants, adhesives, and paper that drew from Indian botany and experimentation, trans-Atlantic commerce, and Iberian notarial culture. The maps in this study reflect a regional perspective associated with Oaxaca’s decentralized organization, its strategic position amidst a network of important trade routes that linked central Mexico to Central America, and the ruggedness and diversity of its physical landscape.
Author: Alessandra Russo Publisher: ISBN: Category : Art Languages : en Pages : 414
Book Description
Moving beyond the dominant model of syncretism, this extensively illustrated volume proposes a completely different approach to the field known as Latin American "colonial art," positioning it as a constitutive part of Renaissance and early modern art history. From the first contacts between European conquerors and the peoples of the Americas, objects were exchanged and treasures pillaged, as if each side were seeking to appropriate tangible fragments of the "world" of the other. Soon, too, the collision between the arts of Renaissance Europe and pre-Hispanic America produced new objects and new images with the most diverse usages and forms. Scholars have used terms such as syncretism, fusion, juxtaposition, and hybridity in describing these new works of art, but none of them, asserts Alessandra Russo, adequately conveys the impact that the European artistic world had on the Mesoamerican artistic world or treats the ways in which pre-Hispanic traditions, expertise, and techniques--as well as the creation of post-Conquest images--transformed the course of Western art. This innovative study focuses on three sets of paradigmatic images created in New Spain between the sixteenth and seventeenth centuries--feather mosaics, geographical maps, and graffiti--to propose that the singularity of these creations arises not from a syncretic impulse, but rather from a complex process of "untranslatability." Foregrounding the distances and differences between incomparable theories and practices of images, Russo demonstrates how the constant effort to understand, translate, adapt, decode, transform, actualize, and condense Mesoamerican and European aesthetics, traditions, knowledge, techniques, and concepts constituted an exceptional engine of unprecedented visual and verbal creativity in the early modern transatlantic world.
Author: Ross Parmenter
Author: Ross Parmenter
Author: Ross Parmenter
Author: Arni Brownstone
Author: Elizabeth Hill Boone
Author: Maarten Jansen
Author: Weltmuseum Wien Friends 
Author: Alex Hidalgo
Author: Maarten Jansen
Author: 
Author: Alessandra Russo