The Lever and Hope Sculptures PDF Download

Author: Geoffrey B. Waywell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208

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Author: Viccy Coltman
Publisher: Oxford University Press
ISBN: 019955126X
Category : Art
Languages : en
Pages : 362

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Book Description
This is an illustrated study of the reception of classical sculptures in the early modern period. Viccy Coltman contrasts the culture of British 18th century collecting, which integrated sculpture into the domestic interior, with the focus upon individual specimens by archaeologists like Adolf Michaelis a century later.

Author: Irene Bald Romano
Publisher: University of Pennsylvania Press
ISBN: 1934536296
Category : Social Science
Languages : en
Pages : 401

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Book Description
This first complete published catalogue of one of the most important classical sculpture collections in the United States includes 154 works from Italy, Greece, Cyprus, Asia Minor, North Africa, Roman Syria and Palestine, Egypt, and Babylonia, ranging in date from the late seventh century B.C. to the fourth century A.D. Each piece receives a complete description with measurements and report of condition, a list of the previous published sources, and a commentary reflecting the most recent scholarship, along with extensive photographic documentation. Various audiences will appreciate the accessibility of the scholarship presented here—students may engage in further study on some of topics raised by individual pieces or groups of sculptures, and the scholarly community will welcome a work that provides an up-to-date and comprehensive examination of a significant classical sculpture collection in one of the world's great archaeology museums.

Author: David A. Scott
Publisher: Cotsen Institute of Archaeology Press
ISBN: 1938770412
Category : Art
Languages : en
Pages : 518

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Book Description
This book presents a detailed account of authenticity in the visual arts from the Paleolithic to the postmodern. The restoration of works of art can alter the perception of authenticity and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of notions of authenticity and philosophical background. There is a disputed territory between those who view the present-day cult of authenticity as fundamentally flawed and those who have analyzed its impact upon different cultural milieus, operating across performative, contested, and fragmented ground. The book discusses several case studies where the ideas of conceptual authenticity, aesthetic authenticity, and material authenticity can be incorporated into an informative discourse about art from the ancient to the contemporary, illuminating concerns relating to restoration and art forgery.

Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 0691177031
Category : Art
Languages : en
Pages : 374

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Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.

Author: Brunilde Sismondo Ridgway
Publisher: Univ of Wisconsin Press
ISBN: 9780299118242
Category : Art
Languages : en
Pages : 460

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Book Description
Now available in paperback, this rigorous and challenging book questions the Hellenistic dating of many famous monuments, based on careful examination of evidence. "Fluently written, clearly organized, and thoroughly and impeccably documented. Anyone who has a serious interest in Hellenistic art will want to read it and refer to it."--Jerome J. Pollitt, Yale University

Author: Nikos E. Kaltsas
Publisher: Getty Publications
ISBN: 9780892366866
Category : Architecture
Languages : en
Pages : 412

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Book Description
A superb catalogue of Greek, Hellenistic and Roman sculpture displayed in the National Archaeological Museum in Athens containing some of the finest art works of the ancient world.

Author: Richard Jenkyns
Publisher: Oxford University Press, USA
ISBN: 9780198219170
Category : Europe
Languages : en
Pages : 526

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Book Description
Long considered the standard introduction to Rome's influence on later centuries (the original was published in 1923), this completely new edition of the classic work brings together the latest scholarship in the field. Unlike the previous version, which focused on such narrow topics as commerce and administration, the new edition broadens the spectrum of influence, showing the impact, for example, of Roman literature, art, politics, law, and language on western civilization. With 24 pages of plates. Annotation copyrighted by Book News, Inc., Portland, OR

Author: M.D. Fullerton
Publisher: BRILL
ISBN: 9004329064
Category : Literary Criticism
Languages : en
Pages : 229

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Book Description
This book deals with the use of archaistic stylistic elements (i.e., those which revive or imitate features of Greek Archaic art) in free standing statuary dating from the second century B.C. to the third century A.C. The main objective of the study is to determine how the archaistic style was used, what prototypes were imitated, what subjects were represented, how the replicas of statue types were distributed, how these statues were displayed, and what prompted such stylistic anachronism. The introductory chapter deals with general problems of archaism in ancient art and the specific questions pertaining to statuary in the round. The body of material, nearly three hundred pieces in all, is organized by type on the basis of pose and garment arrangement. In a concluding chapter, evidence from the body of the study is collected and possible answers are suggested for the questions outlined above. This study contributes to the currently widespread scholarly interest in stylistic revivals (especially classicism and archaism) which occurred not only in Roman times, but in earlier and later periods as well.

Author: Lawrence A. Tritle
Publisher: Routledge
ISBN: 1134524749
Category : History
Languages : en
Pages : 324

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Book Description
The contributors in this volume present a systematic survey of the struggles of Athens, Sparta and Thebes to dominate Greece in the fourth century - only to be overwhelmed by the newly emerging Macedonian kingdom of Philip II. Additionally, the situation of Greeks in Sicily, Italy and Asia is portrayed, showing the geographical and political diffusion of the Greeks in a broader historical context. This book will provide the reader with a clearly drawn and vivid picture of the main events and leading personalities in this decisive period of Greek history.