Author: William and Dorothy Wordsworth
Publisher: Clarendon Press
ISBN: 9780198124818
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
The Letters of William and Dorothy Wordsworth: Volume IV. The Later Years: Part 1. 1821-1828
Author: William and Dorothy Wordsworth
Publisher: Clarendon Press
ISBN: 9780198124818
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Publisher: Clarendon Press
ISBN: 9780198124818
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Writing the Poetry of Place in Britain, 1700–1807
Author: Elizabeth R. Napier
Publisher: Taylor & Francis
ISBN: 1000646009
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
This book discusses the intrusion, often inadvertent, of personal voice into the poetry of landscape in Britain, 1700– 1807. It argues that strong conventions, such as those that inhere in topographical verse of the period, invite original poets to overstep those bounds while also shielding them from the repercussions of self-expression. Working under cover of convention in this manner and because for many of these poets place is tied in significant ways to personal history, poets of place may launch unexpected explorations into memory, personhood, and the workings of consciousness. This book thus supplements past, largely political, readings of landscape poetry, turning to questions of self-articulation and self-expression in order to argue that the autobiographical impulse is a distinctive and innovative feature of much great eighteenth-century poetry of place. Among the poets under examination are Pope, Thomson, Duck, Gray, Goldsmith, Crabbe, Cowper, Smith, and Wordsworth.
Publisher: Taylor & Francis
ISBN: 1000646009
Category : Literary Criticism
Languages : en
Pages : 193
Book Description
This book discusses the intrusion, often inadvertent, of personal voice into the poetry of landscape in Britain, 1700– 1807. It argues that strong conventions, such as those that inhere in topographical verse of the period, invite original poets to overstep those bounds while also shielding them from the repercussions of self-expression. Working under cover of convention in this manner and because for many of these poets place is tied in significant ways to personal history, poets of place may launch unexpected explorations into memory, personhood, and the workings of consciousness. This book thus supplements past, largely political, readings of landscape poetry, turning to questions of self-articulation and self-expression in order to argue that the autobiographical impulse is a distinctive and innovative feature of much great eighteenth-century poetry of place. Among the poets under examination are Pope, Thomson, Duck, Gray, Goldsmith, Crabbe, Cowper, Smith, and Wordsworth.
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1040
Book Description
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 1040
Book Description
Literature in the Marketplace
Author: John O. Jordan
Publisher: Cambridge University Press
ISBN: 9780521893930
Category : Language Arts & Disciplines
Languages : en
Pages : 358
Book Description
This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontës, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.
Publisher: Cambridge University Press
ISBN: 9780521893930
Category : Language Arts & Disciplines
Languages : en
Pages : 358
Book Description
This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontës, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.
T・L・S, the Times Literary Supplement
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 1216
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 1216
Book Description
Includes entries for maps and atlases.
Poems from Annuals
Author: Letitia Elizabeth Landon
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 424
Book Description
Library of Congress Catalogs
Samuel Taylor Coleridge and the Fine Arts
Author: Morton D. Paley
Publisher: OUP Oxford
ISBN: 0191552720
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from Beaumont, to study Beaumont's small but elegant collection and to visit private collections. Before leaving for Malta in April 1804, Coleridge wrote 'I have learnt as much fr[om] Sir George Beaumont respecting Pictures & Painting and Paint[ers as] I ever learnt on any subject from any man in the same Space of Time.' In Italy in 1806, Coleridge's experience of art deepened, thanks to the American artist Washington Allston, who taught him to see the artistic sights of Rome with a painter's eye. Coleridge also visited Florence and Pisa, and later said of the frescoes in Pisa's Camp Santo: 'The impression was greater, I may say, than that any poem ever made upon me.' Back in England, Coleridge visited London exhibitions, country house collections, and even artists' studios. In 1814, both Coleridge and Allston were in Bristol - Coleridge lecturing, Allston exhibiting. Coleridge's 'On the Principles of Genial Criticism' began as a defense of Allston's paintings but became a statement about all the arts. This book, an important contribution to Coleridge's intellectual biography, will make readers aware of a dimension of his thinking that has been largely ignored until now.
Publisher: OUP Oxford
ISBN: 0191552720
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Although Coleridge's thinking and writing about the fine arts was both considerable and interesting, this has not been the subject of a book before. Coleridge owed his initiation into art to Sir George Beaumont. In 1803-4 he had frequent opportunities to learn from Beaumont, to study Beaumont's small but elegant collection and to visit private collections. Before leaving for Malta in April 1804, Coleridge wrote 'I have learnt as much fr[om] Sir George Beaumont respecting Pictures & Painting and Paint[ers as] I ever learnt on any subject from any man in the same Space of Time.' In Italy in 1806, Coleridge's experience of art deepened, thanks to the American artist Washington Allston, who taught him to see the artistic sights of Rome with a painter's eye. Coleridge also visited Florence and Pisa, and later said of the frescoes in Pisa's Camp Santo: 'The impression was greater, I may say, than that any poem ever made upon me.' Back in England, Coleridge visited London exhibitions, country house collections, and even artists' studios. In 1814, both Coleridge and Allston were in Bristol - Coleridge lecturing, Allston exhibiting. Coleridge's 'On the Principles of Genial Criticism' began as a defense of Allston's paintings but became a statement about all the arts. This book, an important contribution to Coleridge's intellectual biography, will make readers aware of a dimension of his thinking that has been largely ignored until now.
The Letters of William and Dorothy Wordsworth: Volume IV. The Later Years: Part 1. 1821-1828
Author: William and Dorothy Wordsworth
Publisher: Clarendon Press
ISBN: 9780198124818
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Publisher: Clarendon Press
ISBN: 9780198124818
Category : Literary Criticism
Languages : en
Pages : 0
Book Description