Author: Kathleen Coburn
Publisher: University of Toronto Press
ISBN: 1442654872
Category : Literary Collections
Languages : en
Pages : 728
Book Description
Sarah Hutchinson has never been much more than a name, though a name connected with some of the greatest in English literature. The sister of Mrs. Wordsworth, and a member of the Wordsworth household for thirty years, Coleridge's beloved Asra to whom many of his poems were written, Southey's friend and Lamb's, and a guest of the Arnolds at Rugby, she was a member of an interesting circle. For her intimate relations to Wordsworth and Coleridge it has long been apparent that we should like to know her better. Now her letters to members of her family and to friends demonstrate how worthwhile it is to know her for herself as well. The letters come from the family and from the Wordsworth collection at Dove Cottage and are here printed (almost in full) for the first time. They show a lively and amusing woman, kind, forthright to the extent of bluntness, especially when she takes up the cudgels in the cause of what she considers truth or justice or human kindness. Coleridge describes her in one apt and characteristic sentence: 'If Sense, Sensibility, Sweetness of Temper, perfect simplicity and unpretending Nature, joined to shrewdness and entertainingness make a valuable Woman, Sara Hutchinson is so.' Such qualities certainly make a delightful letter-writer.
The Letters of Sara Hutchinson from 1800-1835
Author: Kathleen Coburn
Publisher:
ISBN: 9780849509209
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780849509209
Category :
Languages : en
Pages :
Book Description
The Letters of Sara Hutchinson
Author: Kathleen Coburn
Publisher: University of Toronto Press
ISBN: 1442654872
Category : Literary Collections
Languages : en
Pages : 728
Book Description
Sarah Hutchinson has never been much more than a name, though a name connected with some of the greatest in English literature. The sister of Mrs. Wordsworth, and a member of the Wordsworth household for thirty years, Coleridge's beloved Asra to whom many of his poems were written, Southey's friend and Lamb's, and a guest of the Arnolds at Rugby, she was a member of an interesting circle. For her intimate relations to Wordsworth and Coleridge it has long been apparent that we should like to know her better. Now her letters to members of her family and to friends demonstrate how worthwhile it is to know her for herself as well. The letters come from the family and from the Wordsworth collection at Dove Cottage and are here printed (almost in full) for the first time. They show a lively and amusing woman, kind, forthright to the extent of bluntness, especially when she takes up the cudgels in the cause of what she considers truth or justice or human kindness. Coleridge describes her in one apt and characteristic sentence: 'If Sense, Sensibility, Sweetness of Temper, perfect simplicity and unpretending Nature, joined to shrewdness and entertainingness make a valuable Woman, Sara Hutchinson is so.' Such qualities certainly make a delightful letter-writer.
Publisher: University of Toronto Press
ISBN: 1442654872
Category : Literary Collections
Languages : en
Pages : 728
Book Description
Sarah Hutchinson has never been much more than a name, though a name connected with some of the greatest in English literature. The sister of Mrs. Wordsworth, and a member of the Wordsworth household for thirty years, Coleridge's beloved Asra to whom many of his poems were written, Southey's friend and Lamb's, and a guest of the Arnolds at Rugby, she was a member of an interesting circle. For her intimate relations to Wordsworth and Coleridge it has long been apparent that we should like to know her better. Now her letters to members of her family and to friends demonstrate how worthwhile it is to know her for herself as well. The letters come from the family and from the Wordsworth collection at Dove Cottage and are here printed (almost in full) for the first time. They show a lively and amusing woman, kind, forthright to the extent of bluntness, especially when she takes up the cudgels in the cause of what she considers truth or justice or human kindness. Coleridge describes her in one apt and characteristic sentence: 'If Sense, Sensibility, Sweetness of Temper, perfect simplicity and unpretending Nature, joined to shrewdness and entertainingness make a valuable Woman, Sara Hutchinson is so.' Such qualities certainly make a delightful letter-writer.
Romantic Tragedies
Author: Reeve Parker
Publisher: Cambridge University Press
ISBN: 0521767113
Category : Drama
Languages : en
Pages : 317
Book Description
Tragedies by Wordsworth, Coleridge and Shelley probe England's responses to the French Revolution and the poets' relationships with each other.
Publisher: Cambridge University Press
ISBN: 0521767113
Category : Drama
Languages : en
Pages : 317
Book Description
Tragedies by Wordsworth, Coleridge and Shelley probe England's responses to the French Revolution and the poets' relationships with each other.
The Celebrated Elizabeth Smith
Author: Lucia McMahon
Publisher: University of Virginia Press
ISBN: 0813947871
Category : Social Science
Languages : en
Pages : 380
Book Description
Elizabeth Smith, a learned British woman born in the momentous year 1776, gained transnational fame posthumously for her extensive intellectual accomplishments, which encompassed astronomy, botany, history, poetry, and language studies. As she navigated her place in the world, Smith made a self-conscious decision to keep her many talents hidden from disapproving critics. Therefore, her rise to fame began only in 1808, when her posthumous memoir appeared. In this elegantly written biography, Lucia McMahon reconstructs the places and social constellations that enabled Smith’s learning and adventures in England, Wales, and Ireland, and traces her transatlantic fame and literary afterlife across Britain and the United States. Through re-telling Elizabeth Smith’s fascinating life story and retracing her posthumous transatlantic fame, McMahon reveals a larger narrative about women’s efforts to enact learned and fulfilling lives, and the cultural reactions such aspirations inspired in the early nineteenth century. Although Smith was cast as "exceptional" by her contemporaries and modern scholars alike, McMahon argues that her scholarly achievements, travel explorations, and posthumous fame were all emblematic of the age in which she lived. Offering insights into Romanticism, picturesque tourism, celebrity culture, and women’s literary productions, McMahon asks the provocative question, "How many seemingly exceptional women must we uncover in the historical record before we are no longer surprised?"
Publisher: University of Virginia Press
ISBN: 0813947871
Category : Social Science
Languages : en
Pages : 380
Book Description
Elizabeth Smith, a learned British woman born in the momentous year 1776, gained transnational fame posthumously for her extensive intellectual accomplishments, which encompassed astronomy, botany, history, poetry, and language studies. As she navigated her place in the world, Smith made a self-conscious decision to keep her many talents hidden from disapproving critics. Therefore, her rise to fame began only in 1808, when her posthumous memoir appeared. In this elegantly written biography, Lucia McMahon reconstructs the places and social constellations that enabled Smith’s learning and adventures in England, Wales, and Ireland, and traces her transatlantic fame and literary afterlife across Britain and the United States. Through re-telling Elizabeth Smith’s fascinating life story and retracing her posthumous transatlantic fame, McMahon reveals a larger narrative about women’s efforts to enact learned and fulfilling lives, and the cultural reactions such aspirations inspired in the early nineteenth century. Although Smith was cast as "exceptional" by her contemporaries and modern scholars alike, McMahon argues that her scholarly achievements, travel explorations, and posthumous fame were all emblematic of the age in which she lived. Offering insights into Romanticism, picturesque tourism, celebrity culture, and women’s literary productions, McMahon asks the provocative question, "How many seemingly exceptional women must we uncover in the historical record before we are no longer surprised?"
British Women and Cultural Practices of Empire, 1770-1940
Author: Rosie Dias
Publisher: Bloomsbury Publishing USA
ISBN: 1501332155
Category : Art
Languages : en
Pages : 291
Book Description
Correspondence, travel writing, diary writing, painting, scrapbooking, curating, collecting and house interiors allowed British women scope to express their responses to imperial sites and experiences in the 18th, 19th and 20th centuries. Taking these productions as its archive, British Women and Cultural Practices of Empire, 1775-1930 includes a collection of essays from different disciplines that consider the role of British women's cultural practices and productions in conceptualising empire. While such productions have started to receive greater scholarly attention, this volume uses a more self-conscious lens of gender to question whether female cultural work demonstrates that colonial women engaged with the spaces and places of empire in distinctive ways. By working across disciplines, centuries and different colonial geographies, the volume makes an exciting and important contribution to the field by demonstrating the diverse ways in which European women shaped constructions of empire in the modern period.
Publisher: Bloomsbury Publishing USA
ISBN: 1501332155
Category : Art
Languages : en
Pages : 291
Book Description
Correspondence, travel writing, diary writing, painting, scrapbooking, curating, collecting and house interiors allowed British women scope to express their responses to imperial sites and experiences in the 18th, 19th and 20th centuries. Taking these productions as its archive, British Women and Cultural Practices of Empire, 1775-1930 includes a collection of essays from different disciplines that consider the role of British women's cultural practices and productions in conceptualising empire. While such productions have started to receive greater scholarly attention, this volume uses a more self-conscious lens of gender to question whether female cultural work demonstrates that colonial women engaged with the spaces and places of empire in distinctive ways. By working across disciplines, centuries and different colonial geographies, the volume makes an exciting and important contribution to the field by demonstrating the diverse ways in which European women shaped constructions of empire in the modern period.
Readings in Documentary Editing
Author: Richard N. Sheldon
Publisher:
ISBN:
Category : Criticism, Textual
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category : Criticism, Textual
Languages : en
Pages : 150
Book Description
De Quincey to Wordsworth
Author: Thomas de Quincey
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 412
Book Description
Guilty Thing
Author: Frances Wilson
Publisher: Macmillan + ORM
ISBN: 0374710414
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
National Book Critics Circle Award, Biographers International Organization Plutarch Award and Los Angeles Times Book Prize Finalist New York Times Book Review, Times Literary Supplement and The Guardian Best Books of 2016 Thomas De Quincey was an obsessive. He was obsessed with Wordsworth and Coleridge, whose Lyrical Ballads provided the script to his life, and by the idea of sudden death. Running away from school to pursue the two poets, De Quincey insinuated himself into their world. Basing his sensibility on Wordsworth’s and his character on Coleridge’s, he forged a triangle of unusual psychological complexity. Aged twenty-four, De Quincey replaced Wordsworth as the tenant of Dove Cottage, the poet’s former residence in Grasmere. In this idyllic spot he followed the reports of the notorious Ratcliffe Highway murders of 1811, when two families, including a baby, were butchered in their own homes. In his opium-soaked imagination the murderer became a poet while the poet became a murderer. Embedded in On Murder as One of the Fine Arts, De Quincey’s brilliant series of essays, Frances Wilson finds the startling story of his relationships with Wordsworth and Coleridge. Opium was the making of De Quincey, allowing him to dissolve self-conflict, eliminate self-recrimination, and divest himself of guilt. Opium also allowed him to write, and under the pseudonym “The Opium-Eater” De Quincey emerged as the strangest and most original journalist of his age. His influence has been considerable. Poe became his double; Dostoevsky went into exile with Confessions of an English Opium-Eater in his pocket; and Charles Dickens, Oscar Wilde, George Orwell, Alfred Hitchcock, and Vladimir Nabokov were all De Quincey devotees. There have been other biographies of Thomas De Quincey, but Guilty Thing is the first to be animated by the spirit of De Quincey himself. Following the growth of his obsessions from seed to full flowering and tracing the ways they intertwined, Frances Wilson finds the master key to De Quincey’s vast Piranesian mind. Unraveling a tale of hero worship and revenge, Guilty Thing brings the last of the Romantics roaring back to life and firmly establishes Wilson as one of our foremost contemporary biographers.
Publisher: Macmillan + ORM
ISBN: 0374710414
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
National Book Critics Circle Award, Biographers International Organization Plutarch Award and Los Angeles Times Book Prize Finalist New York Times Book Review, Times Literary Supplement and The Guardian Best Books of 2016 Thomas De Quincey was an obsessive. He was obsessed with Wordsworth and Coleridge, whose Lyrical Ballads provided the script to his life, and by the idea of sudden death. Running away from school to pursue the two poets, De Quincey insinuated himself into their world. Basing his sensibility on Wordsworth’s and his character on Coleridge’s, he forged a triangle of unusual psychological complexity. Aged twenty-four, De Quincey replaced Wordsworth as the tenant of Dove Cottage, the poet’s former residence in Grasmere. In this idyllic spot he followed the reports of the notorious Ratcliffe Highway murders of 1811, when two families, including a baby, were butchered in their own homes. In his opium-soaked imagination the murderer became a poet while the poet became a murderer. Embedded in On Murder as One of the Fine Arts, De Quincey’s brilliant series of essays, Frances Wilson finds the startling story of his relationships with Wordsworth and Coleridge. Opium was the making of De Quincey, allowing him to dissolve self-conflict, eliminate self-recrimination, and divest himself of guilt. Opium also allowed him to write, and under the pseudonym “The Opium-Eater” De Quincey emerged as the strangest and most original journalist of his age. His influence has been considerable. Poe became his double; Dostoevsky went into exile with Confessions of an English Opium-Eater in his pocket; and Charles Dickens, Oscar Wilde, George Orwell, Alfred Hitchcock, and Vladimir Nabokov were all De Quincey devotees. There have been other biographies of Thomas De Quincey, but Guilty Thing is the first to be animated by the spirit of De Quincey himself. Following the growth of his obsessions from seed to full flowering and tracing the ways they intertwined, Frances Wilson finds the master key to De Quincey’s vast Piranesian mind. Unraveling a tale of hero worship and revenge, Guilty Thing brings the last of the Romantics roaring back to life and firmly establishes Wilson as one of our foremost contemporary biographers.
Collected Letters of Sir George and Lady Beaumont to the Wordsworth Family, 1803-1829
Author: Jessica Fay
Publisher: Oxford University Press
ISBN: 1800859538
Category : Literary Collections
Languages : en
Pages : 380
Book Description
This edition presents and fully contextualizes an archive of letters that reveal the creative and personal significance of the friendship between William Wordsworth and Sir George Beaumont. Spanning twenty-six years, this inter-familial correspondence comprises discussion of literature and painting, gardening and theatre, politics and religion, grief, hope, and aspiration.
Publisher: Oxford University Press
ISBN: 1800859538
Category : Literary Collections
Languages : en
Pages : 380
Book Description
This edition presents and fully contextualizes an archive of letters that reveal the creative and personal significance of the friendship between William Wordsworth and Sir George Beaumont. Spanning twenty-six years, this inter-familial correspondence comprises discussion of literature and painting, gardening and theatre, politics and religion, grief, hope, and aspiration.
Grasmere 2009: Selected papers from the Wordsworth Summer Conference
Author: Richard Gravil
Publisher: Humanities-Ebooks
ISBN: 1847601103
Category : History
Languages : en
Pages : 222
Book Description
The keynote lectures in this collection are those by Dame Gillian Beer on Darwin and Romanticism, Richard Cronin on Wordsworth and the Periodical Press, Paul H. Fry on Wordsworth, Coleridge and the topos of Labour, Claire Lamont on the Romantic Cottage, and Nicholas Roe on Keats and the Elgin marbles (with five illustrations). In the conference papers, Jamie Baxendine writes on Intimations, James Castell on Peter Bell, Lexi Drayton on the Gypsy figure in Tintern Abbey and associated poems and painting, Mark Sandy on 'the circulation of grief', Chris Simons on Wordsworth and his patrons, Emily Stanback on medical taxonomy, Heidi Thomson on Sara Coleridge's editing of Biographia Literaria, and Saeko Yoshikawa on Sara Hutchinson (the younger)'s Journals of 1850.
Publisher: Humanities-Ebooks
ISBN: 1847601103
Category : History
Languages : en
Pages : 222
Book Description
The keynote lectures in this collection are those by Dame Gillian Beer on Darwin and Romanticism, Richard Cronin on Wordsworth and the Periodical Press, Paul H. Fry on Wordsworth, Coleridge and the topos of Labour, Claire Lamont on the Romantic Cottage, and Nicholas Roe on Keats and the Elgin marbles (with five illustrations). In the conference papers, Jamie Baxendine writes on Intimations, James Castell on Peter Bell, Lexi Drayton on the Gypsy figure in Tintern Abbey and associated poems and painting, Mark Sandy on 'the circulation of grief', Chris Simons on Wordsworth and his patrons, Emily Stanback on medical taxonomy, Heidi Thomson on Sara Coleridge's editing of Biographia Literaria, and Saeko Yoshikawa on Sara Hutchinson (the younger)'s Journals of 1850.