The Letters of Richard Brinsley Sheridan PDF Download

Author: Richard Brinsley Sheridan
Publisher: Oxford : Clarendon Press
ISBN:
Category : Dramatists, English
Languages : en
Pages : 342

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Author: Jack E. DeRochi
Publisher: Rowman & Littlefield
ISBN: 1611484804
Category : Drama
Languages : en
Pages : 321

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Book Description
This new collection of essays on Richard Brinsley Sheridan brings the most important British playwright of the eighteenth century back to the forefront of literary and cultural studies of the era. While his pyrotechnic life as a romantic hero, playwright, Member of Parliament, and theatre manager has generated a number of recent biographies, it is Sheridan's works--not just plays but also poetry and orations--that endure. These essays reclaim the legacy of the man of letters and partisan bon vivant who burst from obscurity to become a powerful cultural force in Georgian London. This collection covers the many lives of Sheridan, taking into account both his variegated career and the competing accounts of the man, as well as his early verse, which lays the foundation for his success as a playwright. Chapters are devoted to Sheridan's theatre, and provide innovative readings of his most famous dramatic pieces: The Rivals, The Duenna, The School for Scandal, The Critic, and Pizarro. The volume also includes extensive discussion of the dramatic highs of Sheridan's long political career, thus placing the playwright-politician firmly in the world in which performance and politics were inextricably entwined. Contributors: Mita Choudhury, Jack E. DeRochi, Marianna D'Ezio, Daniel J. Ennis, Emily Friedman, Steven Gores, David Haley, Robert W. Jones, Daniel O'Quinn, Glynis Ridley, John Vance, David Francis Taylor

Author: Richard Brinsley Sheridan
Publisher:
ISBN:
Category :
Languages : en
Pages : 340

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Author: Richard Brinsley B. Sheridan
Publisher:
ISBN:
Category :
Languages : en
Pages : 724

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Author: Linda Kelly
Publisher: Faber & Faber
ISBN: 0571287158
Category : Biography & Autobiography
Languages : en
Pages : 321

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Book Description
The first night of Richard Brinsley Sheridan's The School for Scandal, on 8 May 1777, was one of the great dates in theatrical history. From then on, Sheridan was launched into eighteenth-century society, as much at home in the salons of the Duchess of Devonshire and the Prince of Wales as in the taverns and coffee-houses around Drury Lane. Sheridan's comedies were all written by the time he was twenty-eight. For the next thirty years he was wholly involved in his twin careers as manager of the Drury Lane theatre and Member of Parliament. At a time when politics were dominated by a few aristocratic families, he rose above his poverty to become one of the greatest parliamentary figures of the age. In the theatre, he presided over one of the most brilliant periods in the history of the English stage. Drawing on a wide variety of sources, Kelly gives a comprehensive picture of Sheridan's tempestuous career and chaotic private life. For all his faults, his charm was irresistible - 'there has been nothing like it since the days of Orpheus,' wrote Byron. It is charm that illuminates her narrative, bringing Sheridan to life. 'I can imagine no better biography of this talented, dynamic, impossibly unreliable firework of a man.' Victoria Glendinning, Daily Telegraph

Author: Richard Brinsley Sheridan
Publisher:
ISBN:
Category :
Languages : en
Pages : 438

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Author: James Morwood
Publisher: Cambridge University Press
ISBN: 9780521464666
Category : Drama
Languages : en
Pages : 226

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This book is a systematic attempt to establish Sheridan as a major figure in the history of English comedy. Leading scholars address Sheridan's role not only as an outstanding playwright, but also as the manager of Drury Lane Theatre, and his subsequent career as a Member of Parliament. The essays examine the theatrical world in which Sheridan worked, discuss his major plays, and include a modern director's observations on the production of his work today. This is combined with an important re-evaluation of Sheridan's achievements as a master of rhetoric in the political arena, to provide a much needed contemporary assessment of this multifaceted man and his work.

Author: Richard Brinsley Sheridan
Publisher: OUP Oxford
ISBN: 0191605131
Category : Drama
Languages : en
Pages : 496

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Richly exploited comic situations, effervescent wit, and intricate plots combine to make Sheridan's work among the best of of all English comedy. The School for Scandal (1777) is his masterpiece, a brilliantly crafted comedy of contrasts in which brothers Joseph and Charles Surface contend for Maria, with hilariously differing intentions and results. Also a work of acute comic irony, The Rivals satirizes the romantic posturing of Lydia Languish while her disguised suitor Captain Absolute's resourceful contrivances advance an ever inventive and skilfully wrought plot. Included in this edition are the opera play The Duenna and the rarely printed musical play A Trip to Scarborough, adapted from Vanbrugh's The Relapse. Sheridan's last play, The Critic, is an exuberant parody of the modish tragic drama of the day. Lampooning Sir Fretful Plagiary's absurdly bombastic historical drama during its confused stages of production, its satire never fails to delight. The texts of the plays have been newly edited by the General Editor of the Oxford World's Classics English Drama series. A fine introduction and notes on Sheridan's playhouses and critical inheritance make this an invaluable edition for study and performance alike. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Author: E.A. Smith
Publisher: Yale University Press
ISBN: 0300184239
Category : Biography & Autobiography
Languages : en
Pages : 322

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Book Description
This engrossing biography of George IV, king of England from 1820 to 1830, gives a full and objective reassessment of the monarch’s character, reputation, and achievement. Previous writers have tended to accept the unfavorable verdicts of the king’s contemporaries that he was a dissolute, pleasure-loving dilettante and a feeble and ineffective ruler who was responsible for the decline of the power and reputation of the monarchy in the early nineteenth century. Now E.A. Smith offers a new view of George IV, one that does not minimize the king’s faults but focuses on the positive qualities of his achievement in politics and in the patronage of the arts. Smith explores the roots of the king’s character and personality, stressing the importance of his relationship with his parents and twelve surviving siblings. He examines the king’s important contributions to the cultural enhancement of his capital and his encouragement of the major artistic, literary, and scholarly figures of his time. He reassesses the king’s role as constitutional monarch, contending that it was he, rather than Victoria and Albert, who created the constitutional monarchy of nineteenth-century Britain and began the revival of its popularity. Smith’s biography not only illuminates the character of one of the most colorful of Britain’s rulers but also contributes to the history of the British monarchy and its role in the nation’s life.

Author: Ellen Donkin
Publisher: Routledge
ISBN: 1134890850
Category : Performing Arts
Languages : en
Pages : 260

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Book Description
Getting Into the Act is a vigorous and refreshing account of seven female playwrights who, against all odds, enjoyed professional success in the late eighteenth and early nineteenth century. Ellen Donkin relates fascinating, disturbing tales about the male theatre managers to whom they were indebted, and the trials and prejudices they endured, ranging from accusations of plagiarism to sexual harassment. This scarred turbulent early history still resonates in the late twentieth-century. The current ratio of female to male playwrights is virtually unchanged. Old patterns of male control persist, and playwriting continues to be a hazardous occupation for women. But within these scarred earlier histories there are equally powerful narratives of self-revelation, endurance, and professional triumph that may point to a new way forward. Getting Into the Act is entertaining and informative reading for anyone, from scholar to general reader, who is interested in the history and gender politics of the stage.