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Author: Gertrude Stein Publisher: Columbia University Press ISBN: 0231063091 Category : Biography & Autobiography Languages : en Pages : 920
Book Description
This monumental collection of correspondence between Gertrude Stein and critic, novelist, and photographer Carl Van Vechten provides crucial insight into Stein's life, art, and artistic milieu as well as Van Vechten's support of major cultural projects, such as the Harlem Renaissance. From their first meeting in 1913, Stein and Van Vechten formed a unique and powerful relationship, and Van Vechten worked vigorously to publish and promote Stein's work. Existing biographies of Stein--including her own autobiographical writings--omit a great deal about her experiences and thought. They lack the ordinary detail of what Stein called "daily everyday living" the immediate concerns, objects, people, and places that were the grist for her writing. These letters not only vividly represent those details but also showcase Stein and Van Vechten's private selves as writers. Edward Burns's extensive annotations include detailed cross-referencing of source materials.
Author: Gertrude Stein Publisher: Columbia University Press ISBN: 0231063091 Category : Biography & Autobiography Languages : en Pages : 920
Book Description
This monumental collection of correspondence between Gertrude Stein and critic, novelist, and photographer Carl Van Vechten provides crucial insight into Stein's life, art, and artistic milieu as well as Van Vechten's support of major cultural projects, such as the Harlem Renaissance. From their first meeting in 1913, Stein and Van Vechten formed a unique and powerful relationship, and Van Vechten worked vigorously to publish and promote Stein's work. Existing biographies of Stein--including her own autobiographical writings--omit a great deal about her experiences and thought. They lack the ordinary detail of what Stein called "daily everyday living" the immediate concerns, objects, people, and places that were the grist for her writing. These letters not only vividly represent those details but also showcase Stein and Van Vechten's private selves as writers. Edward Burns's extensive annotations include detailed cross-referencing of source materials.
Author: Nanette OʼBrien Publisher: Oxford University Press ISBN: 0198871732 Category : Literary Collections Languages : en Pages : 241
Book Description
Writing about food has long been a part of autobiographical expression that combines culinary record-keeping and histories, drawing on the personal and the cultural. Concentrating on the transatlantic work of Ford Madox Ford, Gertrude Stein, and Virginia Woolf, this book illuminates modernist uses of the terms 'civilization' and 'barbarism', showing how these concepts are shaped by the rules of preparing and eating food in literature and in public. Nanette OʼBrien introduces the concept of 'culinary Impressionism' as an extension and repositioning of current scholarly thinking about Ford's literary Impressionism and his synesthetic writing about cookery and small farming. She also presents a new reading of Stein's crafting of her modernist authority as interlinked with her cooks, and shows Stein's and Toklas's jointly authored unpublished cookbook draft as evidence of their direct authorial collaboration and of Stein adapting domestic culinary techniques into her other writing. OʼBrien goes on to present new archival research demonstrating that Virginia Woolf's representation of the financial and culinary difference between men's and women's dining in colleges at the University of Cambridge is justified and the material inequality was in fact worse than previously understood. This disparity in institutional food intensifies Woolf's later reimagining of the term 'civilization'. While drawing on themes of modernism and life-writing, the everyday, domestic life and gender, the book argues that food is a vehicle for positive modernist re-conceptions of civilization.
Author: George Hutchinson Publisher: Harvard University Press ISBN: 0674038924 Category : Biography & Autobiography Languages : en Pages : 624
Book Description
Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere's most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America's racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations--only to be rediscovered and hailed by many as the best black novelist of her generation. In his search for Nella Larsen, the "mystery woman of the Harlem Renaissance," George Hutchinson exposes the truths and half-truths surrounding this central figure of modern literary studies, as well as the complex reality they mask and mirror. His book is a cultural biography of the color line as it was lived by one person who truly embodied all of its ambiguities and complexities. Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture's fundamental rule: race trumps family.
Author: Paul Fisher Publisher: Routledge ISBN: 1135706581 Category : Literary Criticism Languages : en Pages : 305
Book Description
This study investigates the paradoxical dynamics of American high culture in the late nineteenth and early twentieth centuries by examining the strategies of Americans who wrote about European art in order to promote and legitimize literary careers. Contrary to the myths they themselves disseminated, American writers in Europe did not escape American culture but rather created and participated in US. Cultural institutions like journals, museums, and universities. Transatlantic careers articulated a cult of Europe in a privileged American space, served social and aesthetic hierarchies, and constructed formidable versions of professional authority of American writers. The book focuses on four art careers Americans practiced in Europe: travel writing, art reviewing, connoisseurship, and salon hosting. It illuminates the careers of William Dean Howells, Henry James, Bernard and Mary Berenson, Celia Thaxter, and Gertrude Stein as itineraries of high-cultural formation and self-definition. In four chapters, the study examines these paradigmatic careers as both literary and cultural history, relating them to a diverse American society as well as Bostonian high culture. Americans created and deployed expatriate art careers, the author argues, in a landscape of gender, ethnic, and class relations. The use of Europe was both figural and practical: writers created a fantasized Europe that both enacted social repression and enabled social liberation. Ultimately, as the example of James Weld Johnson demonstrates, elitist and Europhile high culture reflected a much larger America as well as the narrower cultural institutions that historically fostered it.
Author: Astrid Lorange Publisher: Wesleyan University Press ISBN: 0819575135 Category : Literary Criticism Languages : en Pages : 273
Book Description
Gertrude Stein is a seminal figure in modern and postmodern literature, yet her work is not easily defined and has had both fierce supporters and equally fierce detractors. In a series of linked essays, How Reading Is Written considers a set of questions associated with reading Gertrude Stein today. In particular, how can we read a body of work that is largely resistant to conventional and interpretation-based models of literary criticism? The book is structurally and conceptually an index to Stein's poetics, and it considers Stein alongside other writers and thinkers, and across discourses of philosophy, science, queer theory, and literary criticism. Like Charles Olson's Call Me Ishmael and Susan Howe's My Emily Dickinson, How Reading Is Written joins a tradition of books by poets about the writers who have intensely figured into their conception of poetry. Astrid Lorange recovers previously overlooked critical work on Stein and aims to construct a new intellectual episteme for Stein's work—one that connects with contemporary contexts as well as repositions Stein in her moment of transnational modernism.
Author: Linda Voris Publisher: Springer ISBN: 3319320645 Category : Literary Criticism Languages : en Pages : 276
Book Description
This book offers a bold critical method for reading Gertrude Stein’s work on its own terms by forgoing conventional explanation and adopting Stein’s radical approach to meaning and knowledge. Inspired by the immanence of landscape, both of Provence where she travelled in the 1920s and the spatial relations of landscape painting, Stein presents a new model of meaning whereby making sense is an activity distributed in a text and across successive texts. From love poetry, to plays and portraiture, Linda Voris offers close readings of Stein’s most anthologized and less known writing in a case study of a new method of interpretation. By practicing Stein’s innovative means of making sense, Voris reveals the excitement of her discoveries and the startling implications for knowledge, identity, and intimacy.
Author: Gertrude Stein
Author: Gertrude Stein
Author: Gertrude Stein
Author: Gertrude Stein
Author: Gertrude Stein
Author: Gertrude Stein
Author: Nanette OʼBrien
Author: George Hutchinson
Author: Paul Fisher
Author: Astrid Lorange
Author: Linda Voris