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Author: Daniel Birnbaum Publisher: Walther Konig Verlag ISBN: 9783863353438 Category : Art, Modern Languages : en Pages : 0
Book Description
Hilma af Klint was an abstract pioneer who eschewed representational painting as early as 1906. Her radical spiritual imagery strives to provide insights into the different dimensions of existence. Besides Hilma af Klint's important and radical abstract paintings, she left behind a plethora of notebooks and drawings. Taking one of these, 'A Work on Flowers, Mosses and Lichen', as a starting point, nine contemporary artists were invited to response to Hilma af Klint and her legacy. Hilma af Klint did not want her works to be seen until several decades after her death.
Author: Daniel Birnbaum Publisher: Walther Konig Verlag ISBN: 9783863353438 Category : Art, Modern Languages : en Pages : 0
Book Description
Hilma af Klint was an abstract pioneer who eschewed representational painting as early as 1906. Her radical spiritual imagery strives to provide insights into the different dimensions of existence. Besides Hilma af Klint's important and radical abstract paintings, she left behind a plethora of notebooks and drawings. Taking one of these, 'A Work on Flowers, Mosses and Lichen', as a starting point, nine contemporary artists were invited to response to Hilma af Klint and her legacy. Hilma af Klint did not want her works to be seen until several decades after her death.
Author: Hilma af Klint Publisher: ISBN: 9780226591933 Category : ART Languages : en Pages : 0
Book Description
"At the turn of the twentieth century, Swedish artist Hilma af Klint (1862-1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klint's artistic investigation in her own words. Notes and Methods presents facsimile reproductions of a wide array of af Klint's early notebooks accompanied by the first English translation of af Klint's extensive writings. It contains the rarely seen "Blue Notebooks", hand-painted and annotated catalogues af Klint created of her most famous series "Paintings for the Temple", and a dictionary compiled by af Klint of the words and letters found in her work. This extraordinary collection is edited by and copublished with Christine Burgin, and features an introduction by Iris Müller-Westermann. It will stand as an important and timely contribution to the legacy of Hilma af Klint." --> s spletne str. založnika.
Author: Hilma af Klint Publisher: Bokforlaget Stolpe AB ISBN: 9789198523669 Category : Languages : en Pages : 0
Book Description
Hilma af Klint became known to a wider audience in 2013, nearly 70 years after her death, in conjunction with Moderna Museet's Stockholm exhibition Hilma af Klint: Abstract Pioneer. Six years later, her work was exhibited at the Guggenheim Museum in New York. Both exhibitions saw record numbers of visitors, and today she is one of the world's most acclaimed artists. Hilma af Klint has become incredibly popular and beloved throughout the world, notes Daniel Birnbaum, co-editor with Kurt Almqvist. What makes her art interesting is that the works are highly interconnected. A catalogue raisonné is necessary in order to see the different cycles, motifs and symbols that recur in a fascinating way. If people want to truly understand how Hilma af Klint's works function, they need these books. The paintings in the catalogue raisonné are presented in the same order as Olof Sundström, also a follower of anthroposophy, numbered them in 1945, based on Hilma af Klint's notes. The forewords to the volumes are short and concise. They present facts about the works rather than interpretations. The works are printed in an exclusive edition designed by Patric Leo housed in a specially produced slipcase to hold all seven volumes. These books will be essential in all future research on Hilma af Klint's artistry --- Daniel Birnbaum. Today Hilma af Klint is recognised as one of the world's most esteemed artists - an unprecedented triumph. Hilma af Klint's time is now. Her art has become an important part of our Swedish cultural heritage. Few artists have been given the privilege of a catalogue raisonné. Thanks to Bokförlaget Stolpe's comprehensive work, we now have the opportunity to become acquainted with the entirety of Hilma af Klint's artistry. This would not have been possible without the support of the Axel and Margaret Ax:son Johnson Foundation for Public Benefit. As chairman of The Hilma af Klint Foundation, I would like to convey my warmest thanks. -- Ulrika af Klint, Chair, The Hilma af Klint Foundation.
Author: Daniel Birnbaum Publisher: Koenig Books ISBN: 9783863358945 Category : Painters Languages : en Pages : 0
Book Description
Hilma af Klint is now regarded as a pioneer of abstract art. While her paintings were not seen publicly until 1987, her work from the early 20th century pre-dates the first purely abstract paintings by Kandinsky, Mondrian or Malevich. Af Klint sought to express her feelings transmitted to her from nature and the unseen spiritual world. This catalogue focuses primarily on her body of work "The Paintings for the Temple", 1906-15, and numerous paintings from the key series never published before. Exhibition: Serpentine Galleries, London, UK (03.03-15.05.2016).
Author: David Lomas Publisher: ISBN: 9783775734882 Category : Art, Abstract Languages : en Pages : 295
Book Description
Hilma af Klint (1862-1944), an artist whose work is still far too unknown to a wider public, eschewed representational painting as early as 1906. Between 1906 and 1915 she produced nearly two hundred abstract paintings, some of which are in monumental formats. Like Wassily Kandinsky, Piet Mondrian, and Kazimir Malevich, who have previously been regarded as the main protagonists of abstract art, Hilma af Klint was influenced by contemporary spiritual movements, such as spiritism, theosophy, and anthroposophy. Her multifaceted imagery strives to provide insight into the different dimensions of existence, where microcosm and macrocosm reflect one another. Hilma af Klint left more than one thousand paintings, watercolors, and sketches. This publication presents her most important abstract works as well as paintings and works on paper that have never before been seen in public, enhancing our understanding of her oeuvre. (English edition ISBN 978-3-7757-3489-9) Exhibition schedule: Moderna Museet, Stockholm February 16-May 26, 2013 - Hamburger Bahnhof -Museum für Gegenwart, Berlin, June 15-October 6, 2013 - Musée Picasso, Malaga October 21, 2013-February 9, 2014
Author: Karen Wilkin Publisher: Yale University Press ISBN: 9780300120233 Category : Art Languages : en Pages : 142
Book Description
Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.
Author: Hilma af Klint Publisher: ISBN: 9783960981183 Category : Geometrical constructions in art Languages : en Pages : 120
Book Description
This unique volume contains the last abstract images series made by Hilma af Klint in the 1920's which are previously unpublished in their entirety. These images are followed by groundbreaking essays based on lectures given in conjunction to the exhibition "Hilma af Klint - Painting the Unseen" at Serpentine Galleries in 2016. Briony Fer, David Lomas, Branden Joseph, Hans Ulrich Obrist and Daniel Birnbaum shed new light on the pioneering abstract artist af Klint and her importance for artists today. They also address a need for an evolved understanding of art history in the 21st century.
Author: Hilma af Klint Publisher: Guggenheim Museum ISBN: 9780892075430 Category : Languages : en Pages : 244
Book Description
A groundbreaking study of visionary artist Hilma af Klint. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than a thousand paintings and works on paper that she kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint's radically abstract painting practice - one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Accompanying the first major survey exhibition of the artist's work in the United States, Hilma af Klint represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of the artist's life and work. Essays explore the social, intellectual, and artistic milieu of af Klint's 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars, and curators considers af Klint's sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art - a wish that finds a fortuitous answer in the Guggenheim Museum's rotunda, the site of the forthcoming exhibition.
Author: Mary Robison Publisher: Catapult ISBN: 1619029677 Category : Fiction Languages : en Pages : 153
Book Description
“Tense, moving, and hilarious . . . [A] dark jewel of a novel.” —Francine Prose, O, The Oprah Magazine Three husbands have left her. I.R.S. agents are whamming on her door. And her beloved cat has gone missing. She's back and forth between Melanie, her secluded Southern town, and L.A., where she has a weakening grasp on her job as a script doctor. Having been sacked by most of the studios and convinced that her dealings with Hollywood have fractured her personality, Money Breton talks to herself nonstop. She glues and hammers and paints every item in her place. She forges loving inscriptions in all her books. Through it all, there is her darling puzzling daughter who lives close by but seems ever beyond reach, and her son, the damaged victim of a violent crime under police protection in New York. While both her children seem to be losing all their battles, Money tries for ways and reasons to keep battling. Why Did I Ever is a book of piercing intellect and belligerent humor. Since its first publication in 2002 it has had a profound impact, not only on Robison’s devoted following, but on the shape of the contemporary novel itself.
Author: Barbara Burman Publisher: Yale University Press ISBN: 0300253745 Category : Design Languages : en Pages : 266
Book Description
A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement
Author: Daniel Birnbaum
Author: Daniel Birnbaum
Author: Hilma af Klint
Author: Hilma af Klint
Author: Daniel Birnbaum
Author: David Lomas
Author: Karen Wilkin
Author: Hilma af Klint
Author: Hilma af Klint
Author: Mary Robison
Author: Barbara Burman