The Laws of Contrast and Colour PDF Download

Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 352

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Author: Michel Eugène CHEVREUL
Publisher:
ISBN:
Category :
Languages : en
Pages : 278

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Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category : Color
Languages : en
Pages : 270

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Book Description

Author: Michel Eugène Chevreul
Publisher:
ISBN:
Category :
Languages : en
Pages : 274

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Author: Michel Eugène Chevreul
Publisher: Read Books Ltd
ISBN: 1528755766
Category : Art
Languages : en
Pages : 300

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Book Description
Discover Michel Eugéne Chevreul's groundbreaking theories on colour as he explores the principles of contrasting and harmonising colours in this classic text on colour theory. First published in 1839 as De la Loi du Contraste Simultané Des Couleurs Atlas, Chevreul’s work followed that of Isaac Newton and Johann Goethe. His comprehensive colour guide introduces the concept of simultaneous contrast, explaining how the perception of one colour is affected by those adjacent to it. His advances in colour science were foundational to modern colour theory, influencing artists, designers, and scientists alike. This new edition from Read & Co. Books features the 1861 translation of the original French by John Spanton, accompanied by rich colour plates and a biography of the author. A classic text in the history of colour theory, this volume is perfect for those studying the subject or with an interest in colour application and its history.

Author: St. Bride Foundation Institute. Technical Reference Library
Publisher:
ISBN:
Category : Book industries and trade
Languages : en
Pages : 1032

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Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

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Author: Fiona McLachlan
Publisher: Routledge
ISBN: 1136327584
Category : Architecture
Languages : en
Pages : 250

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How do architects use color? Do they adopt a different strategy or starting point for every project? Do they gradually cultivate individual color palettes, which develop alongside their body of built work? Do they utilize, or are they aware of, the body of theoretical work that underpins the use of color in the past, and forms the basis of most of the color systems commercially available today? Informed by the author’s thirty years in architectural practice and academia, this book investigates, documents and analyzes the work of a number of contemporary architects in order to respond to these questions and provide a clear reference of contemporary color use. The book suggests a holistic approach to the integration of color in architecture; through a series of thematic essays, the text explores and reveals underlying principles in color design and application. Case studies include: AHMM Caruso St John Erich Wiesner and Otto Steidle Gigon/Guyer O’Donnell + Tuomey Sauerbruch Hutton Steven Holl UN Studio. The book provides clear insights into how particular contemporary architects use color confidently and intelligently as an integral part of their design philosophy, in conjunction with their choices of materials and finishes. Offering a stimulating view of the history of color theory, and pragmatic advice to practicing architects, this book will be inspiring to both design professionals and students.

Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1044

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Author: British Library (London)
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 536

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