The Landscapes of Wu Bin, C. 1543-C. 1626, and a Seventeenth-century Discourse of Originality PDF Download

Author: Katharine Persis Burnett
Publisher:
ISBN:
Category :
Languages : en
Pages : 495

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Author: Katharine Persis Burnett
Publisher:
ISBN:
Category : Landscape painters
Languages : en
Pages : 1046

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Author: Katharine Persis Burnett
Publisher:
ISBN:
Category : Landscape painters
Languages : en
Pages : 497

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Author: Katharine P Burnett
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629964562
Category : Art
Languages : en
Pages : 444

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This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.

Author: Tamara Heimarck Bentley
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754666721
Category : Art
Languages : en
Pages : 312

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Despite the importance of Chen Hongshou (1599-1652) as an artist and scholar of the late Ming period, until now no full length study in English has focused on his work. Author Tamara H. Bentley takes a broadly interdisciplinary approach, treating Chen's oeuvre in relation to literary themes and economic changes, and linking these larger concerns to visual analyses. In so doing, Bentley sheds new light not only on Chen, but also on an important cultural moment in the first half of the seventeenth century, when Chinese scholar artists began to direct their work towards anonymous public markets.

Author: TamaraHeimarck Bentley
Publisher: Routledge
ISBN: 1351544578
Category : Art
Languages : en
Pages : 280

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Despite the importance of Chen Hongshou (1599-1652) as an artist and scholar of the Ming period, until now no full length study in English has focused on his work. Author Tamara H. Bentley takes a broadly interdisciplinary approach, treating Chen's oeuvre in relation to literary themes and economic changes, and linking these larger concerns to visual analyses. Considering Chen's paintings and prints alongside Chen's romance drama commentaries and prefaces and his collected writings (particularly poetry), Bentley sheds new light not only on Chen, but also on an important cultural moment in the first half of the seventeenth century. Through analysis of Chen's figure paintings and print designs, Bentley examines the artist's engagement with the values of "authenticity" and "emotion," which were part of a larger discourse stressing idiosyncrasy, the individual voice, and vernacular literature. She contrasts these values with the commercial aspects of his production, geared at an expanding art market of well-to-do buyers, excavating the apparent contradiction inherent in the two pursuits. In the end, she suggests, the emphasis on the "authentic" voice was marketed to a broad field of anonymous buyers. Though her primary focus is on Chen Hongshou, Bentley's investigation ultimately concerns not only this individual artist, but also the effect of early modern changes on an artist's mode of working and his self-image, in the West as well as the East. The study touches upon expanding international trade and the rise of middle class art markets (including print markets), not only in China but also in the Dutch Republic in circa 1630-1650. Bentley investigates the specific rhetoric of different categories of images, including Chen's non-literal figurative works; literal commemorative portraits; his printed romance-drama illustrations; and his printed playing cards. Bentley's investigation takes in issues of studio practice (including various types of image replicati

Author: Qianshen Bai
Publisher: BRILL
ISBN: 1684173809
Category : Art
Languages : en
Pages : 368

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"For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303–361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today.A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607–1685). Because his work spans the late Ming–early Qing divide, it is an ideal prism through which to view the transformation in calligraphy.Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history."

Author: Eric H. Boehm
Publisher:
ISBN:
Category : History, Modern
Languages : en
Pages : 388

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Author: Robert E. Harrist
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 476

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The Embodied image new perspectives on the beauty, offers power, and art of the written word in China. Containing many never-before-published masterpieces from the third century to the modern period, all from the premier John B. Elliott Collection, this volume accompanies the most comprehensive exhibition of Chinese calligraphy ever seen outside China. Whether brushed on silk, cast on bronze, or engraved in stone, Chinese calligraphy evokes the forces of nature, promotes social ideals, and asserts the creativity of individual artists. Scholarly essays by distinguished Chinese and American scholars examine the complex relationships between calligraphy and religion, poetry, and literature. The Embodied Image makes a landmark contribution to the understanding of Chinese calligraphy and civilization.

Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 860

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