Author: John Redgwick CrosslandPublisher:
ISBN:
Category :
Languages : en
Pages : 243
Book Description
The Junior Laurel & Gold Anthology ... Illustrated by Margaret Tulloch
Author: John Redgwick CrosslandPublisher:
ISBN:
Category :
Languages : en
Pages : 243
Book Description
The Junior Laurel & Gold Anthology
Author: The junior Laurel and Gold anthology
Author: John R. CrosslandA Very Irregular Head
Author: Rob ChapmanPublisher: Da Capo Press
ISBN: 0306819368
Category : Music
Languages : en
Pages : 482
Book Description
“I don't think I'm easy to talk about. I've got a very irregular head. And I'm not anything that you think I am anyway.”—Syd Barrett’s last interview, Rolling Stone, 1971 Roger Keith “Syd” Barrett (1946–2006) was, by all accounts, the very definition of a golden boy. Blessed with good looks and a natural aptitude for painting and music, he was a charismatic, elfin child beloved by all, who fast became a teenage leader in Cambridge, England, where a burgeoning bohemian scene was flourishing in the early 1960s. Along with three friends and collaborators—Roger Waters, Richard Wright, and Nick Mason—he formed what would soon become Pink Floyd, and rock ’n’ roll was never the same. Starting as a typical British cover band aping approximations of American rhythm ’n’ blues, they soon pioneered an entirely new sound, and British psychedelic rock was born. With early, trippy, Barrett-penned pop hits such as “Arnold Layne” (about a clothesline-thieving cross-dresser) and “See Emily Play” (written specifically for the epochal “Games For May” concert), Pink Floyd, with Syd Barrett as their main creative visionary, captured the zeitgeist of “Swinging” London in all its Technicolor glory. But there was a dark side to all this new-found freedom. Barrett, like so many around him, began ingesting large quantities of a revolutionary new drug, LSD, and his already-fragile mental state—coupled with a personality inherently unsuited to the life of a pop star—began to unravel. The once bright-eyed lad was quickly replaced, seemingly overnight, by a glowering, sinister, dead-eyed shadow of his former self, given to erratic, highly eccentric, reclusive, and sometimes violent behavior. Inevitably sacked from the band, Barrett retreated from London to his mother’s house in Cambridge, where he would remain until his death, only rarely seen or heard, further fueling the mystery. In the meantime, Pink Floyd emerged from the underground to become one of the biggest international rock bands of all time, releasing multi-platinum albums, many that dealt thematically with the loss of their friend Syd Barrett: The Dark Side of the Moon, Wish You Were Here, and The Wall are all, on many levels, about him. In A Very Irregular Head, journalist Rob Chapman lifts the veil of secrecy that has surrounded the legend of Syd Barrett for nearly four decades, drawing on exclusive access to family, friends, archives, journals, letters, and artwork to create the definitive portrait of a brilliant and tragic artist. Besides capturing all the promise of Barrett’s youthful years, Chapman challenges the oft-held notion that Barrett was a hopelessly lost recluse in his later years, and creates a portrait of a true British eccentric who is rightfully placed within a rich literary lineage that stretches through Kenneth Graham, Hilaire Belloc, Edward Lear, Lewis Carroll, John Lennon, David Bowie, and on up to the pioneers of Britpop. A tragic, affectionate, and compelling portrait of a singular artist, A Very Irregular Head will stand as the authoritative word on this very English genius for years to come.
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 626
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1288
Book Description
Digital Roots
Author: Gabriele BalbiPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110740281
Category : History
Languages : en
Pages : 295
Book Description
As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The second one is related to Agency and Politics and explores global governance, datafication, fake news, echo chambers, digital media activism. The last one, Users and Practices, is finally devoted to telepresence, digital loneliness, amateurism, user generated content, fandom and authenticity. The book aims to shed light on how concepts emerge and are co-shaped, circulated, used and reappropriated in different contexts. It argues for the need for a conceptual media and communication history that will reveal new developments without concealing continuities and it demonstrates how the analogue/digital dichotomy is often a misleading one.
New Media
Author: Leah A. LievrouwPublisher: Taylor & Francis
ISBN: 0415431603
Category : Digital media
Languages : en
Pages : 463
Book Description
Time for Poetry
Author: M. H. ArbuthnotThe Life and Letters of William Sharp and "Fiona Macleod". Volume 1: 1855-1894
Author: William F. HalloranPublisher: Open Book Publishers
ISBN: 1783745037
Category : Literary Collections
Languages : en
Pages : 408
Book Description
William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.