The Journal of a London Playgoer from 1851-1866 PDF Download

Author: Henry Morley
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 426

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Author: Henry Morley
Publisher:
ISBN: 9781330861523
Category : History
Languages : en
Pages : 326

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Book Description
Excerpt from The Journal of a London Playgoer From 1851 to 1866 The writer who first taught Englishmen to look for principles worth study in the common use of speech, expecting censure for choice of a topic without dignity, excused himself with this tale out of Aristotle. When Heraclitus lived, a famous Greek, there were some persons, led by curiosity to see him, who found him warming himself in his kitchen, and paused at the threshold because of the meanness of the place. But the philosopher said to them, "Enter boldly, for here too there are Gods." "The Gods" in the play-house are, indeed, those who receive outside its walls least honour among men, and they have a present right to be its Gods, I fear, not only because they are throned aloft, but also because theirs is the mind that regulates the action of the mimic world below. They rule, and why? Is not the educated man himself to blame when he turns with a shrug from the too often humiliating list of an evening's performances at all the theatres, to say lightly that the stage is ruined, and thereupon make merit of withdrawing all attention from the players? The better the stage the better the town. If the stage were what it ought to be, and what good actors heartily desire to make it, it would teach the public to appreciate what is most worthy also in the sister arts, while its own influence would be very strong for good. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Henry Morley
Publisher:
ISBN:
Category :
Languages : en
Pages : 345

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Author: Henry 1822-1894 Morley
Publisher: Wentworth Press
ISBN: 9781363863020
Category : History
Languages : en
Pages : 324

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Stanley Wells
Publisher: OUP Oxford
ISBN: 0191008346
Category : Literary Criticism
Languages : en
Pages : 323

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Book Description
Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first—the answer is No—and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own. They include both English and American performers such as David Garrick, Sarah Siddons, Charlotte Cushman, Ira Aldridge, Edwin Booth, Henry Irving, Ellen Terry, Edith Evans, Laurence Olivier, John Gielgud, Ralph Richardson, Peggy Ashcroft, Janet Suzman, Judi Dench, Ian McKellen, and Kenneth Branagh. Individual chapters tell the story of their subjects' careers, but together these overlapping tales combine to offer a succinct, actor-centred history of Shakespearian theatrical performance. Stanley Wells examines what it takes to be a great Shakespeare actor and then offers a concise sketch of each actor's career in Shakespeare, an assessment of their specific talents and claims to greatness, and an account, drawing on contemporary reviews, biographies, anecdotes, and, for some of the more recent actors, the author's personal memories of their most notable performances in Shakespeare roles.

Author: Richard W. Schoch
Publisher: Cambridge University Press
ISBN: 9780521800150
Category : Drama
Languages : en
Pages : 236

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Book Description
Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the nineteenth century. From Hamlet Travestie (1810) to Rosencrantz and Guildenstern (1891), Shakespeare burlesques were a vibrant, yet controversial form of popular performance: vibrant because of their exuberant humour; controversial because they imperilled Shakespeare's iconic status. Richard Schoch, in this study of nineteenth-century Shakespeare burlesques, explores the paradox that plays which are manifestly 'not Shakespeare' purport to be the most genuinely Shakespearean of all. Bringing together archival research, rare photographs and illustrations, close readings of burlesque scripts, and an awareness of theatrical, literary and cultural contexts, Schoch changes the way we think about Shakespeare's theatrical legacy and nineteenth-century popular culture. His lively and wide-ranging book will appeal to scholars and students of Shakespeare in performance, theatre history and Victorian studies.

Author: Andrew Mangham
Publisher: Cambridge University Press
ISBN: 0521760747
Category : Literary Criticism
Languages : en
Pages : 254

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Book Description
Accessible and comprehensive account of the sensation novel of the nineteenth century.

Author: Martyn Corbett
Publisher: Springer
ISBN: 1349191582
Category : Literary Criticism
Languages : en
Pages : 246

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Author: Gail Marshall
Publisher: Taylor & Francis
ISBN: 1040128882
Category : Literary Criticism
Languages : en
Pages : 296

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Book Description
Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.

Author: Janice Norwood
Publisher: Manchester University Press
ISBN: 1526133342
Category : Performing Arts
Languages : en
Pages : 191

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Book Description
Victorian touring actresses brings new attention to women’s experience of working in nineteenth-century theatre by focusing on a diverse group of largely forgotten ‘mid-tier’ performers, rather than the usual celebrity figures. It examines how actresses responded to changing political, economic and social circumstances and how the women were themselves agents of change. Their histories reveal dynamic patterns of activity within the theatrical industry and expose its relationship to wider Victorian culture. With an innovative organisation mimicking the stages of an actress’s life and career, the volume draws on new archival research and plentiful illustrations to examine the challenges and opportunities facing the women as they toured both within the UK and further afield in North America and Australasia. It will appeal to students and researchers in theatre and performance history, Victorian studies, gender studies and transatlantic studies.