Author: Francis Lawrance Bickley
Publisher:
ISBN:
Category : England
Languages : en
Pages : 256
Book Description
Letters written 1475-1830, selected from the Reports of the Historical manuscripts commission.
An English Letter Book
Author: Francis Lawrance Bickley
Publisher:
ISBN:
Category : England
Languages : en
Pages : 256
Book Description
Letters written 1475-1830, selected from the Reports of the Historical manuscripts commission.
Publisher:
ISBN:
Category : England
Languages : en
Pages : 256
Book Description
Letters written 1475-1830, selected from the Reports of the Historical manuscripts commission.
John Talman
Author: Cinzia Maria Sicca
Publisher: Studies in British Art
ISBN:
Category : Art
Languages : en
Pages : 354
Book Description
This work is a full-length study of John Talman, the first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th century Britain.
Publisher: Studies in British Art
ISBN:
Category : Art
Languages : en
Pages : 354
Book Description
This work is a full-length study of John Talman, the first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th century Britain.
Architects and Intellectual Culture in Post-restoration England
Author: Matthew Walker
Publisher: Oxford University Press
ISBN: 0198746350
Category : Architecture
Languages : en
Pages : 242
Book Description
Looking to the works of prominent architects and intellectuals such as John Evelyn, Robert Hooke, Sir Christopher Wren, and Roger North, this volume explores the origins of the study of architecture as an intellectual persuit in late seventeenth-century England.
Publisher: Oxford University Press
ISBN: 0198746350
Category : Architecture
Languages : en
Pages : 242
Book Description
Looking to the works of prominent architects and intellectuals such as John Evelyn, Robert Hooke, Sir Christopher Wren, and Roger North, this volume explores the origins of the study of architecture as an intellectual persuit in late seventeenth-century England.
Sacred Possessions
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606060422
Category : Antiques & Collectibles
Languages : en
Pages : 260
Book Description
This innovative study explores how interpretations of religious art change when it is moved into a secular context.
Publisher: Getty Publications
ISBN: 1606060422
Category : Antiques & Collectibles
Languages : en
Pages : 260
Book Description
This innovative study explores how interpretations of religious art change when it is moved into a secular context.
Archaeologies & Antiquaries: Essays by Dai Morgan Evans
Author: David Morgan Evans
Publisher: Archaeopress Publishing Ltd
ISBN: 1803271590
Category : Social Science
Languages : en
Pages : 306
Book Description
This book collects and republishes 14 key academic works by Dai Morgan Evans FSA (1944–2017). Spanning early medieval studies, the management and conservation of ancient monuments, histories of antiquarianism, and the Welsh church of Llangar, the chapters have been freshly edited and published together for the first time with new illustrations.
Publisher: Archaeopress Publishing Ltd
ISBN: 1803271590
Category : Social Science
Languages : en
Pages : 306
Book Description
This book collects and republishes 14 key academic works by Dai Morgan Evans FSA (1944–2017). Spanning early medieval studies, the management and conservation of ancient monuments, histories of antiquarianism, and the Welsh church of Llangar, the chapters have been freshly edited and published together for the first time with new illustrations.
The Georgian Group Journal
Portrait of a Patron
Author: Susan Jenkins
Publisher: Routledge
ISBN: 1351909886
Category : History
Languages : en
Pages : 406
Book Description
Once described as 'England's Apollo' James Brydges, first Duke of Chandos (1674-1744) was an outstanding patron of the arts during the first half of the eighteenth century. Having acquired great wealth and influence as Paymaster-General of Queen Anne's forces abroad, Chandos commissioned work from leading artists, architects, poets and composers including Godfrey Kneller, William Talman, Sir John Vanbrugh, Sir James Thornhill, John Gay and George Frederick Handel. Despite his associations with such renowned figures, Chandos soon gained a reputation for tasteless extravagance. This reputation was not helped by the publication in 1731 of Alexander Pope's poem 'Of Taste' which was widely regarded as a satire upon Chandos and Cannons, the new house he was building near Edgware. The poem destroyed Chandos's reputation as a patron of the arts and ensured that he was remembered as a man lacking in taste. Yet, as this book shows, such a judgement is plainly unfair when the Duke's patronage is considered in more depth and understood within the artistic context of his age. By investigating the patronage and collections of the Duke, through an examination of documentary sources and contemporary accounts, it is possible to paint a very different picture of the man. Rather than the epitome of bad taste described by his enemies, it is clear that Chandos was an enlightened patron who embraced new ideas, and strove to establish a taste for the Palladian in England, which was to define the Georgian era.
Publisher: Routledge
ISBN: 1351909886
Category : History
Languages : en
Pages : 406
Book Description
Once described as 'England's Apollo' James Brydges, first Duke of Chandos (1674-1744) was an outstanding patron of the arts during the first half of the eighteenth century. Having acquired great wealth and influence as Paymaster-General of Queen Anne's forces abroad, Chandos commissioned work from leading artists, architects, poets and composers including Godfrey Kneller, William Talman, Sir John Vanbrugh, Sir James Thornhill, John Gay and George Frederick Handel. Despite his associations with such renowned figures, Chandos soon gained a reputation for tasteless extravagance. This reputation was not helped by the publication in 1731 of Alexander Pope's poem 'Of Taste' which was widely regarded as a satire upon Chandos and Cannons, the new house he was building near Edgware. The poem destroyed Chandos's reputation as a patron of the arts and ensured that he was remembered as a man lacking in taste. Yet, as this book shows, such a judgement is plainly unfair when the Duke's patronage is considered in more depth and understood within the artistic context of his age. By investigating the patronage and collections of the Duke, through an examination of documentary sources and contemporary accounts, it is possible to paint a very different picture of the man. Rather than the epitome of bad taste described by his enemies, it is clear that Chandos was an enlightened patron who embraced new ideas, and strove to establish a taste for the Palladian in England, which was to define the Georgian era.
Art Markets, Agents and Collectors
Author: Adriana Turpin
Publisher: Bloomsbury Publishing USA
ISBN: 1501348892
Category : Antiques & Collectibles
Languages : en
Pages : 400
Book Description
Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
Publisher: Bloomsbury Publishing USA
ISBN: 1501348892
Category : Antiques & Collectibles
Languages : en
Pages : 400
Book Description
Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
Reminiscences, Letters, Poetry and Miscellanies
Author: Josiah Staunton Moore
Publisher: Richmond, Va. : O.E. Flanhart printing Company
ISBN:
Category : Virginia
Languages : en
Pages : 812
Book Description
Publisher: Richmond, Va. : O.E. Flanhart printing Company
ISBN:
Category : Virginia
Languages : en
Pages : 812
Book Description
Ephemeral Print Culture in Early Modern England
Author: Tim Somers
Publisher: Boydell & Brewer
ISBN: 1783275499
Category : Antiques & Collectibles
Languages : en
Pages : 323
Book Description
Uses the collections of ephemera popular in the late seventeenth century as a way to understand the reading habits, publishing strategies and thought processes of late Stuart print culture. Cheap' genres of print such as ballads, almanacs and playing cards were part of everyday life in seventeenth-century society - ubiquitous and disposable. Toward the end of the century, however, individuals began to preserve, arrange and display articles of cheap print within carefully curated collections. What motivated this sudden urge to preserve the ephemeral? This book answers that question by analysing the social, political and intellectual factors behind the formation of cheap print collections, how these collections were used by their owners, and what this activity can tell us about 'print culture' in the early modern period. The book's central collector is John Bagford (1650-1715), a shoemaker who became a dealer of prints and other 'curiosities' to important collectors of the time such as Samuel Pepys, Hans Sloane and Robert Harley. Bagford's own rich and largely unstudied collection is afascinating study in its own right and his position at the centre of commercial and intellectual networks opens up a whole world of collecting. This world encompasses later Stuart partisan political culture, when modern parties and the 'public sphere' first emerged; the 'New Science' and 'virtuoso culture' with its milieu of natural philosophers, antiquaries and artisans; the aural and visual landscape of marketplaces, streets and alehouses; and developing practices of record-keeping, life-writing and historical writing during the long eighteenth century.
Publisher: Boydell & Brewer
ISBN: 1783275499
Category : Antiques & Collectibles
Languages : en
Pages : 323
Book Description
Uses the collections of ephemera popular in the late seventeenth century as a way to understand the reading habits, publishing strategies and thought processes of late Stuart print culture. Cheap' genres of print such as ballads, almanacs and playing cards were part of everyday life in seventeenth-century society - ubiquitous and disposable. Toward the end of the century, however, individuals began to preserve, arrange and display articles of cheap print within carefully curated collections. What motivated this sudden urge to preserve the ephemeral? This book answers that question by analysing the social, political and intellectual factors behind the formation of cheap print collections, how these collections were used by their owners, and what this activity can tell us about 'print culture' in the early modern period. The book's central collector is John Bagford (1650-1715), a shoemaker who became a dealer of prints and other 'curiosities' to important collectors of the time such as Samuel Pepys, Hans Sloane and Robert Harley. Bagford's own rich and largely unstudied collection is afascinating study in its own right and his position at the centre of commercial and intellectual networks opens up a whole world of collecting. This world encompasses later Stuart partisan political culture, when modern parties and the 'public sphere' first emerged; the 'New Science' and 'virtuoso culture' with its milieu of natural philosophers, antiquaries and artisans; the aural and visual landscape of marketplaces, streets and alehouses; and developing practices of record-keeping, life-writing and historical writing during the long eighteenth century.