Author: Rasmus Johnson Meland
Publisher:
ISBN:
Category : Norwegian Americans
Languages : en
Pages : 176
Book Description
John Johnson Mæland (1831-1907) married Mari Brekke in 1856, and in 1866 the family immigrated from Norway to Faribault County, Minnesota. John " ... was born 20 March, 1831 in Opstryn, Nordfjord, Norway. His wife ... Mari nee Brekke, daughter of State Senator Anders Brekke, ... was born September 15, 1828 in Opstryn. Both were baptized and confirmed in Opstryn Lutheran Church."--page 9. Mari Brekke Maland died 18 January 1900. John Johnson Maland died 1 November 1907. Both were laid to rest in the North Blue church cemetery in Dell, Minnesota. Descendants lived in Minnesota, Wisconsin, North Dakota, Iowa, Colorado, Washington, Oregon, California, Montana, Illinois, Massachusetts, Connecticut and elsewhere. Includes ancestry in Stryn and other parishes in Sogn og Fjordane County, Norway.
The John J. Maland and Mari Brekke Genealogy
Author: Rasmus Johnson Meland
Publisher:
ISBN:
Category : Norwegian Americans
Languages : en
Pages : 176
Book Description
John Johnson Mæland (1831-1907) married Mari Brekke in 1856, and in 1866 the family immigrated from Norway to Faribault County, Minnesota. John " ... was born 20 March, 1831 in Opstryn, Nordfjord, Norway. His wife ... Mari nee Brekke, daughter of State Senator Anders Brekke, ... was born September 15, 1828 in Opstryn. Both were baptized and confirmed in Opstryn Lutheran Church."--page 9. Mari Brekke Maland died 18 January 1900. John Johnson Maland died 1 November 1907. Both were laid to rest in the North Blue church cemetery in Dell, Minnesota. Descendants lived in Minnesota, Wisconsin, North Dakota, Iowa, Colorado, Washington, Oregon, California, Montana, Illinois, Massachusetts, Connecticut and elsewhere. Includes ancestry in Stryn and other parishes in Sogn og Fjordane County, Norway.
Publisher:
ISBN:
Category : Norwegian Americans
Languages : en
Pages : 176
Book Description
John Johnson Mæland (1831-1907) married Mari Brekke in 1856, and in 1866 the family immigrated from Norway to Faribault County, Minnesota. John " ... was born 20 March, 1831 in Opstryn, Nordfjord, Norway. His wife ... Mari nee Brekke, daughter of State Senator Anders Brekke, ... was born September 15, 1828 in Opstryn. Both were baptized and confirmed in Opstryn Lutheran Church."--page 9. Mari Brekke Maland died 18 January 1900. John Johnson Maland died 1 November 1907. Both were laid to rest in the North Blue church cemetery in Dell, Minnesota. Descendants lived in Minnesota, Wisconsin, North Dakota, Iowa, Colorado, Washington, Oregon, California, Montana, Illinois, Massachusetts, Connecticut and elsewhere. Includes ancestry in Stryn and other parishes in Sogn og Fjordane County, Norway.
A Complement to Genealogies in the Library of Congress
Author: Library of Congress
Publisher: Genealogical Publishing Com
ISBN: 9780806316680
Category : Biography & Autobiography
Languages : en
Pages : 1148
Book Description
Previously published by Magna Carta, Baltimore. Published as a set by Genealogical Publishing with the two vols. of the Genealogies in the Library of Congress, and the two vols. of the Supplement. Set ISBN is 0806316691.
Publisher: Genealogical Publishing Com
ISBN: 9780806316680
Category : Biography & Autobiography
Languages : en
Pages : 1148
Book Description
Previously published by Magna Carta, Baltimore. Published as a set by Genealogical Publishing with the two vols. of the Genealogies in the Library of Congress, and the two vols. of the Supplement. Set ISBN is 0806316691.
New Arrivals in American Local History and Genealogy, Quarterly List
Author: Sutro Library
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 652
Book Description
Bulletin - Seattle Genealogical Society
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages :
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages :
Book Description
Includes entries for maps and atlases.
Family Fare
Author: Public Library of Fort Wayne and Allen County. Historical Genealogy Room
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 586
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 586
Book Description
American Book Publishing Record Cumulative, 1950-1977: Non-Dewey decimal classified titles
Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1408
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1408
Book Description
American Book Publishing Record Cumulative, 1950-1977: Title index
Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2258
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2258
Book Description
American Book Publishing Record Cumulative, 1950-1977: Subject index
Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1104
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1104
Book Description
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.