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Author: David Lindley Publisher: ISBN: 9780192834560 Category : Courts and courtiers Languages : en Pages : 286
Book Description
The masque had a brief but splendid life as the dominant mode of entertainment at the early Stuart court, and it has increasingly come to be recognized as a genre offering a fascinating insight into the culture and politics of the early seventeenth century. This selection of 18 masques traces the evolution of the genre from Jonson's early masques for King James I to Davenant's 1640 masque for Charles I, performed just before the outbreak of civil war. It also includes examples of entertainments performed on royal progresses, as well as one domestic masque. Court masques were extravagant multi-media happenings, imbued with often arcane allegorical programmes by writers and designers, and frequently commenting on topical political issues. In this, the most substantial available selection, readers are offered the annotation necessary to gain an understanding of the complexities of the individual texts. Under the General Editorship of Michael Cordner of the University ofYork, the texts have been newly edited and are presented with modernized spelling and punctuation. In addition to the detailed notes there is a scholarly introduction, making this edition invaluable to students of Renaissance drama and court culture.
Author: David Lindley Publisher: Oxford Drama Library ISBN: Category : Drama Languages : en Pages : 344
Book Description
The masque had a brief but splendid life as the dominant mode of entertainment at the early Stuart court, and it has increasingly come to be recognized as a genre offering a fascinating insight into the culture and politics of the early seventeenth century.This selection of 18 masque for Charles I, performed just before the outbreak of civil war. It also includes examples of entertainments performed on royal progresses, as well as one domestic masque.Court masques were extravagant multi-media happenings, imbued with often arcane allegorical programmes by writers and designers, and frequently commenting on tipical political issues. In this, the most substantial available selection, readers are offered the annotation necessary for understandingthe complexities of the individual texts.Under the General Editorship of Michael Cordner, of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition to the detailed notes there is a scholarly introduction, making this edition invaluable to students ofRenaissance drama and court culture.
Author: Kevin Curran Publisher: Routledge ISBN: 1317100239 Category : Literary Criticism Languages : en Pages : 231
Book Description
Marriage, Performance, and Politics at the Jacobean Court constitutes the first full-length study of Jacobean nuptial performance, a hitherto unexplored branch of early modern theater consisting of masques and entertainments performed for high-profile weddings. Scripted by such writers as Ben Jonson, Thomas Campion, George Chapman, and Francis Beaumont, these entertainments were mounted for some of the most significant political events of James's English reign. Here Kevin Curran analyzes all six of the elite weddings celebrated at the Jacobean court, reading the masques and entertainments that headlined these events alongside contemporaneously produced panegyrics, festival books, sermons, parliamentary speeches, and other sources. The study shows how, collectively, wedding entertainments turned the idea of union into a politically versatile category of national representation and offered new ways of imagining a specifically Jacobean form of national identity by doing so.
Author: Suzanne Gossett Publisher: Routledge ISBN: 1351848291 Category : Performing Arts Languages : en Pages : 380
Book Description
This title, first published in 1988, examines the influence of the Jacobean masque on the plays of Francis Beaumont and John Fletcher. The author examines the ways in which the plays of Beaumont and Fletcher represent not only a great expression of human emotion, but how they are also a fine example of the growth and change of dramatic form. This title will be of interest to students of drama, literature and performance studies.
Author: Ronald Charles Holgerson Publisher: ISBN: Category : Masques, English Languages : en Pages : 0
Book Description
Abstract. The Tempest , by William Shakespeare, was presented before the Jacobean court on the evening of 1 November 1611, in the Whitehall Banqueting House. This thesis, after an analysis of the requirements of Shakespeare's text, attempts to establish the theatrical environment and staging conditions under which The Tempest was performed. At the same time, Shakespeare's purpose in writing a play for masque-like production is explored, and certain passages are explicated in the light of Shakespeare's experience with Renaissance theatre technology. Chapter One introduces the argument that Shakespeare wrote The Tempest as a result of his awareness of the principles of the Jacobean court masque. Chapter Two reviews the English masque tradition, examines the Whitehall Banqueting House as a theatre, and analyzes the new techniques of Renaissance scenic design adapted by Inigo Jones to the Jacobean court masque. Chapter Three involves a detailed compar¬ ison between The Tempest and several of the masques, in terms of their staging by Jones, in order to establish what sort of costumes, sound effects, and scenery might have been a part of the 1611 production of the play. Chapter Four is a study of the banquet-table scene, the betrothal masque, and the discovery at chess, three special moments in the play's theatrical art which reinforce the argument for a masque-like production. Chapter Five links Prospero to theatre designer • Inigo Jones and magician-scientist John Dee, in order to suggest that Shakespeare rejects the extravagant spectacle of masques as a form of theatre along with the occult powers of his hero. Thus, it is argued, Shakespeare puts theatrical art into ethical perspective. Chapter Six concludes that the theme of The Tempest as presented in the White¬ hall Banqueting House on the evening of 1 November 1611 was the true and unadorned beauty of mankind.
Author: David Bevington
Author: David Bevington
Author: John R. Bledsoe
Author: David Lindley
Author: John R. Bledsoe
Author: David Lindley
Author: Kevin Curran
Author: Suzanne Gossett
Author: Ronald Charles Holgerson
Author: Linda Levy Peck
Author: Richard Dutton