Author: George the younger Colman (the younger)
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
The Iron Chest; a Play, in Three Acts; ByGeorge Colman, the Younger. As Performed at the Theatre-Royal, Drury-Lane
Author: George the younger Colman (the younger)
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
The Iron Chest: a Play
Author: Stephen Storace
Publisher:
ISBN:
Category : Promptbooks
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Promptbooks
Languages : en
Pages : 180
Book Description
The Iron Chest: a Play ... The Second Edition. Based on William Godwin's Novel"Things as They Are." MS. Alterations
The Iron Chest: a play; in three acts. Based on William Godwin's novel "Things as they are, or, the Adventures of Caleb Williams." With a preface containing strictures on John Kemble's acting in the piece , etc
The Mountainers: Play in 3 Acts: The Iron Chest: Play in 3 Acts. The Heir at Law: Comedy in 5 Acts. John Bull, Or The Englishman's Fireside: Comedy in 5 Acts. The Poor Gentleman: Comedy in 5 Acts
The iron chest, a play [based on W. Godwin's Things as they are].
Lea's British drama and theatrical portrait gallery
The Plays of George Colman the Younger
Author: George Colman
Publisher: Routledge
ISBN: 0429602979
Category : Literary Criticism
Languages : en
Pages : 802
Book Description
Originally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, Goerge Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.
Publisher: Routledge
ISBN: 0429602979
Category : Literary Criticism
Languages : en
Pages : 802
Book Description
Originally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, Goerge Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.
The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815
Author: Sarah Burdett
Publisher: Springer Nature
ISBN: 3031154746
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Publisher: Springer Nature
ISBN: 3031154746
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
The Censorship of Eighteenth-Century Theatre
Author: David O'Shaughnessy
Publisher: Cambridge University Press
ISBN: 1108496253
Category : Drama
Languages : en
Pages : 281
Book Description
A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.
Publisher: Cambridge University Press
ISBN: 1108496253
Category : Drama
Languages : en
Pages : 281
Book Description
A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.