Author: Ferdinand de Saussure
Publisher:
ISBN: 9780199261444
Category : Language Arts & Disciplines
Languages : en
Pages : 380
Book Description
Ferdinand de Saussure's Cours de linguistique g n rale was posthumously composed by his students from the notes they had made at his lectures. The book became one of the most influential works of the twentieth century, giving direction to modern linguistics and inspiration to literary and cultural theory. Before he died Saussure told friends he was writing up the lectures himself but no evidence of this was found. Eighty years later in 1996 a manuscript in Saussure's hand was discovered in the orangerie of his family house in Geneva. This proved to be the missing original of the great work. It is published now in English for the first time in an edition edited by Simon Bouquet and Rudolf Engler, and translated and introduced by Carol Sanders and Matthew Pires, all leading Saussure scholars. The book includes an earlier discovered manuscript on the philosophy of language, Saussure's own notes for lectures, and a comprehensive bibliography of major work on Saussure from 1970 to 2004. It is remarkable that for eighty years the understanding of Saussure's thought has depended on an incomplete and non-definitive text, the sometimes aphoristic formulations of which gave rise to many creative interpretations and arguments for and against Saussure. Did he, or did he not, see language as a-social and a-historical? Did he, or did he not, rule out the study of speech within linguistics? Was he a reductionist? These disputes and many others can now be resolved on the basis of the work now published. This reveals new depth and subtetly in Saussure's thoughts on the nature and complex workings of language, particularly his famous binary oppositions between form and meaning, the sign and what is signified, and language (langue) and its performance (parole).
Writings in General Linguistics
Author: Ferdinand de Saussure
Publisher:
ISBN: 9780199261444
Category : Language Arts & Disciplines
Languages : en
Pages : 380
Book Description
Ferdinand de Saussure's Cours de linguistique g n rale was posthumously composed by his students from the notes they had made at his lectures. The book became one of the most influential works of the twentieth century, giving direction to modern linguistics and inspiration to literary and cultural theory. Before he died Saussure told friends he was writing up the lectures himself but no evidence of this was found. Eighty years later in 1996 a manuscript in Saussure's hand was discovered in the orangerie of his family house in Geneva. This proved to be the missing original of the great work. It is published now in English for the first time in an edition edited by Simon Bouquet and Rudolf Engler, and translated and introduced by Carol Sanders and Matthew Pires, all leading Saussure scholars. The book includes an earlier discovered manuscript on the philosophy of language, Saussure's own notes for lectures, and a comprehensive bibliography of major work on Saussure from 1970 to 2004. It is remarkable that for eighty years the understanding of Saussure's thought has depended on an incomplete and non-definitive text, the sometimes aphoristic formulations of which gave rise to many creative interpretations and arguments for and against Saussure. Did he, or did he not, see language as a-social and a-historical? Did he, or did he not, rule out the study of speech within linguistics? Was he a reductionist? These disputes and many others can now be resolved on the basis of the work now published. This reveals new depth and subtetly in Saussure's thoughts on the nature and complex workings of language, particularly his famous binary oppositions between form and meaning, the sign and what is signified, and language (langue) and its performance (parole).
Publisher:
ISBN: 9780199261444
Category : Language Arts & Disciplines
Languages : en
Pages : 380
Book Description
Ferdinand de Saussure's Cours de linguistique g n rale was posthumously composed by his students from the notes they had made at his lectures. The book became one of the most influential works of the twentieth century, giving direction to modern linguistics and inspiration to literary and cultural theory. Before he died Saussure told friends he was writing up the lectures himself but no evidence of this was found. Eighty years later in 1996 a manuscript in Saussure's hand was discovered in the orangerie of his family house in Geneva. This proved to be the missing original of the great work. It is published now in English for the first time in an edition edited by Simon Bouquet and Rudolf Engler, and translated and introduced by Carol Sanders and Matthew Pires, all leading Saussure scholars. The book includes an earlier discovered manuscript on the philosophy of language, Saussure's own notes for lectures, and a comprehensive bibliography of major work on Saussure from 1970 to 2004. It is remarkable that for eighty years the understanding of Saussure's thought has depended on an incomplete and non-definitive text, the sometimes aphoristic formulations of which gave rise to many creative interpretations and arguments for and against Saussure. Did he, or did he not, see language as a-social and a-historical? Did he, or did he not, rule out the study of speech within linguistics? Was he a reductionist? These disputes and many others can now be resolved on the basis of the work now published. This reveals new depth and subtetly in Saussure's thoughts on the nature and complex workings of language, particularly his famous binary oppositions between form and meaning, the sign and what is signified, and language (langue) and its performance (parole).
The Oxford Handbook of Modern Chinese Literatures
Author: Carlos Rojas
Publisher: Oxford University Press
ISBN: 0199383316
Category : Literary Criticism
Languages : en
Pages : 953
Book Description
With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century. Divided into three sections--Structure, Taxonomy, and Methodology--the volume carefully moves across approaches, genres, and forms to address a rich range topics that include popular culture in Late Qing China, Zhang Guangyu's Journey to the West in Cartoons, writings of Southeast Asian migrants in Taiwan, the Chinese Anglophone Novel, and depictions of HIV/AIDS in Chu T'ien-wen's Notes of a Desolate Man.
Publisher: Oxford University Press
ISBN: 0199383316
Category : Literary Criticism
Languages : en
Pages : 953
Book Description
With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century. Divided into three sections--Structure, Taxonomy, and Methodology--the volume carefully moves across approaches, genres, and forms to address a rich range topics that include popular culture in Late Qing China, Zhang Guangyu's Journey to the West in Cartoons, writings of Southeast Asian migrants in Taiwan, the Chinese Anglophone Novel, and depictions of HIV/AIDS in Chu T'ien-wen's Notes of a Desolate Man.
A Geneva school reader in linguistics
Author: Robert Godel
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 306
Book Description
Beyond Pure Reason
Author: B. Gasparov
Publisher: Columbia University Press
ISBN: 0231157800
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
Conducting an analysis of Saussure's intellectual heritage, this book links Sassurean notions of cognition, language, and history to early Romantic theories of cognition and the transmission of cultural memory. In particular, several fundamental categories of Saussure's philosophy of language, such as the differential nature of language, the mutability and immutability of semiotic values, and the duality of the signifier and the signified, are rooted in early Romantic theories of 'progressive' cognition and child cognitive development.
Publisher: Columbia University Press
ISBN: 0231157800
Category : Biography & Autobiography
Languages : en
Pages : 242
Book Description
Conducting an analysis of Saussure's intellectual heritage, this book links Sassurean notions of cognition, language, and history to early Romantic theories of cognition and the transmission of cultural memory. In particular, several fundamental categories of Saussure's philosophy of language, such as the differential nature of language, the mutability and immutability of semiotic values, and the duality of the signifier and the signified, are rooted in early Romantic theories of 'progressive' cognition and child cognitive development.
The History of Modern Chinese Grammar Studies
Author: Peter Peverelli
Publisher: Springer
ISBN: 3662465043
Category : Language Arts & Disciplines
Languages : en
Pages : 212
Book Description
This book discusses the way Chinese scholars developed a national grammar. Chinese didn’t develop grammar until China’s contact with Western grammar books in the 19th Century. The first indigenous grammar was published in 1889. It included some traditional notions, but mainly imitated European grammar. It was followed by a number of other similar works. To move away from this imitation, a group of grammarians started to look into the Chinese tradition of commenting on classics. This led to a variety of alternative grammars. After the war, Western linguistics started to gain influence in China. With the establishment of the PRC in 1949, efforts began to have a standard grammar adopted nationwide. The first attempt at such a grammar was published in 1956. This book spans the period 1898 – 1956.This book combines historiography and linguistics to distinguish different periods in the timespan covered. It shows how the development of a national grammar cannot be studied separately from language policies and discussions on the national language. The description of each period includes a general introduction of the relevant events in that period and a treatment of the major works of grammar.
Publisher: Springer
ISBN: 3662465043
Category : Language Arts & Disciplines
Languages : en
Pages : 212
Book Description
This book discusses the way Chinese scholars developed a national grammar. Chinese didn’t develop grammar until China’s contact with Western grammar books in the 19th Century. The first indigenous grammar was published in 1889. It included some traditional notions, but mainly imitated European grammar. It was followed by a number of other similar works. To move away from this imitation, a group of grammarians started to look into the Chinese tradition of commenting on classics. This led to a variety of alternative grammars. After the war, Western linguistics started to gain influence in China. With the establishment of the PRC in 1949, efforts began to have a standard grammar adopted nationwide. The first attempt at such a grammar was published in 1956. This book spans the period 1898 – 1956.This book combines historiography and linguistics to distinguish different periods in the timespan covered. It shows how the development of a national grammar cannot be studied separately from language policies and discussions on the national language. The description of each period includes a general introduction of the relevant events in that period and a treatment of the major works of grammar.
The Semantics of Chinese Music
Author: Adrian Tien
Publisher: John Benjamins Publishing Company
ISBN: 9027268916
Category : Language Arts & Disciplines
Languages : en
Pages : 320
Book Description
Music is a widely enjoyed human experience. It is, therefore, natural that we have wanted to describe, document, analyse and, somehow, grasp it in language. This book surveys a representative selection of musical concepts in Chinese language, i.e. words that describe, or refer to, aspects of Chinese music. Important as these musical concepts are in the language, they have been in wide circulation since ancient times without being subjected to any serious semantic analysis. The current study is the first known attempt at analysing these Chinese musical concepts linguistically, adopting the Natural Semantic Metalanguage (NSM) approach to formulate semantically and cognitively rigorous explications. Readers will be able to better understand not only these musical concepts but also significant aspects of the Chinese culture which many of these musical concepts represent. This volume contributes to the fields of cognitive linguistics, semantics, music, musicology and Chinese studies, offering readers a fresh account of Chinese ways of thinking, not least Chinese ways of viewing or appreciating music. Ultimately, this study represents trailblazing research on the relationship between language, culture and cognition.
Publisher: John Benjamins Publishing Company
ISBN: 9027268916
Category : Language Arts & Disciplines
Languages : en
Pages : 320
Book Description
Music is a widely enjoyed human experience. It is, therefore, natural that we have wanted to describe, document, analyse and, somehow, grasp it in language. This book surveys a representative selection of musical concepts in Chinese language, i.e. words that describe, or refer to, aspects of Chinese music. Important as these musical concepts are in the language, they have been in wide circulation since ancient times without being subjected to any serious semantic analysis. The current study is the first known attempt at analysing these Chinese musical concepts linguistically, adopting the Natural Semantic Metalanguage (NSM) approach to formulate semantically and cognitively rigorous explications. Readers will be able to better understand not only these musical concepts but also significant aspects of the Chinese culture which many of these musical concepts represent. This volume contributes to the fields of cognitive linguistics, semantics, music, musicology and Chinese studies, offering readers a fresh account of Chinese ways of thinking, not least Chinese ways of viewing or appreciating music. Ultimately, this study represents trailblazing research on the relationship between language, culture and cognition.
Grundzüge Der Phonologie. English
Author: Nikolaj Sergeevič Trubeckoj
Publisher: Univ of California Press
ISBN: 9780520015357
Category : Language Arts & Disciplines
Languages : en
Pages : 368
Book Description
Publisher: Univ of California Press
ISBN: 9780520015357
Category : Language Arts & Disciplines
Languages : en
Pages : 368
Book Description
A CRITIQUE OF TRANSLATION THEORIES IN CHINESE TRADITION
Author: HONGYIN WANG
Publisher: American Academic Press
ISBN: 1631819143
Category : Philosophy
Languages : en
Pages : 324
Book Description
A Critique of Translation Theories in Chinese Tradition: From Dao’an to Fu Lei represents an attempt to review traditional Chinese translation theories, covering an intellectual history of about 2,000 years from Eastern Han Dynasty (25-220) in dynastic China up to contemporary China. Following an approach informed by the Western history of philosophy, this two-volume work makes detailed analysis and modern interpretation of ten major theories or theoretical argumentations, from the theory of Dao’an, an early Buddhist sutra translator and theorist, to that of Fu Lei, a contemporary Chinese translator of French literature. Throughout the critique in Volume One, a three-dimensional methodology is adopted in different theoretical contexts, that is, historical evaluation, theoretical explanation, and creative modern transformation of each theory, with regard to its basic propositions, concepts, and categories, from its classical form into a modern form. Presented in Volume Two is what the author has got in his exploration, by drawing on the traditional Chinese culture resources, into the modern Chinese translation theory now still in the making.
Publisher: American Academic Press
ISBN: 1631819143
Category : Philosophy
Languages : en
Pages : 324
Book Description
A Critique of Translation Theories in Chinese Tradition: From Dao’an to Fu Lei represents an attempt to review traditional Chinese translation theories, covering an intellectual history of about 2,000 years from Eastern Han Dynasty (25-220) in dynastic China up to contemporary China. Following an approach informed by the Western history of philosophy, this two-volume work makes detailed analysis and modern interpretation of ten major theories or theoretical argumentations, from the theory of Dao’an, an early Buddhist sutra translator and theorist, to that of Fu Lei, a contemporary Chinese translator of French literature. Throughout the critique in Volume One, a three-dimensional methodology is adopted in different theoretical contexts, that is, historical evaluation, theoretical explanation, and creative modern transformation of each theory, with regard to its basic propositions, concepts, and categories, from its classical form into a modern form. Presented in Volume Two is what the author has got in his exploration, by drawing on the traditional Chinese culture resources, into the modern Chinese translation theory now still in the making.
Crip Theory
Author: Robert McRuer
Publisher: NYU Press
ISBN: 081475712X
Category : Psychology
Languages : en
Pages : 299
Book Description
McRuer makes a case that queer and disabled identities, politics, and cultural logics are inexorably intertwined, and that queer and disability theory need one another. Crip theory makes clear that no cultural analysis is complete without attention to the politics of bodily ability and 'alternative corporealities'.
Publisher: NYU Press
ISBN: 081475712X
Category : Psychology
Languages : en
Pages : 299
Book Description
McRuer makes a case that queer and disabled identities, politics, and cultural logics are inexorably intertwined, and that queer and disability theory need one another. Crip theory makes clear that no cultural analysis is complete without attention to the politics of bodily ability and 'alternative corporealities'.
Cultural Implications of Biosemiotics
Author: Paul Cobley
Publisher: Springer
ISBN: 9402408584
Category : Literary Criticism
Languages : en
Pages : 152
Book Description
This is the first book to consider the major implications for culture of the new science of biosemiotics. The volume is mainly aimed at an audience outside biosemiotics and semiotics, in the humanities and social sciences principally, who will welcome elucidation of the possible benefits to their subject area from a relatively new field. The book is therefore devoted to illuminating the extent to which biosemiotics constitutes an ‘epistemological break’ with ‘modern’ modes of conceptualizing culture. It shows biosemiotics to be a significant departure from those modes of thought that neglect to acknowledge continuity across nature, modes which install culture and the vicissitudes of the polis at the centre of their deliberations. The volume exposes the untenability of the ‘culture/nature’ division, presenting a challenge to the many approaches that can only produce an understanding of culture as a realm autonomous and divorced from nature.
Publisher: Springer
ISBN: 9402408584
Category : Literary Criticism
Languages : en
Pages : 152
Book Description
This is the first book to consider the major implications for culture of the new science of biosemiotics. The volume is mainly aimed at an audience outside biosemiotics and semiotics, in the humanities and social sciences principally, who will welcome elucidation of the possible benefits to their subject area from a relatively new field. The book is therefore devoted to illuminating the extent to which biosemiotics constitutes an ‘epistemological break’ with ‘modern’ modes of conceptualizing culture. It shows biosemiotics to be a significant departure from those modes of thought that neglect to acknowledge continuity across nature, modes which install culture and the vicissitudes of the polis at the centre of their deliberations. The volume exposes the untenability of the ‘culture/nature’ division, presenting a challenge to the many approaches that can only produce an understanding of culture as a realm autonomous and divorced from nature.