The International Trade in Art PDF Download

Author: Paul Bator
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 130

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Author: James Goodwin
Publisher:
ISBN: 9780749455927
Category : ART
Languages : en
Pages : 0

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Book Description
Assessing art's potential as an investment, this book offers an overview and evaluation of the world's art markets. It includes the history of art investment, buying patterns and future trends for different countries and asks whether different art categories offer better potential for future returns.

Author: Carlo Carraro
Publisher: Springer
ISBN: 3319399691
Category : Business & Economics
Languages : en
Pages : 245

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Book Description
This is the first English translation of Benedetto Cotrugli's The Book of the Art of Trade, a lively account of the life of a Mediterranean merchant in the Early Renaissance, written in 1458. The book is an impassioned defense of the legitimacy of mercantile practices, and includes the first scholarly mention of double-entry bookkeeping. Its four parts focus respectively on trading techniques, from accounting to insurance, the religion of the merchant, his public life, and family matters. Originally handwritten, the book was printed in 1573 in Venice in an abridged and revised version. This new translation makes reference to the new critical edition, based on an earlier manuscript that has only recently been discovered. With scholarly essays placing Cotrugli's work into historical context and highlighting key themes, this volume is an important contribution to our understanding of the origins of management and trade practices.

Author: Jan Dirk Baetens
Publisher: Studies in the History of Coll
ISBN: 9789004291980
Category : Art
Languages : en
Pages : 351

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Book Description
Art Crossing Bordersoffers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Bordersoffers a crucial contribution to the field of art market studies.

Author: Koenraad Jonckheere
Publisher: John Benjamins Publishing Company
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 390

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Book Description
The collection of Stadholder-King William III went under the hammer in Amsterdam on 26 July 1713. This book sheds light on the auction and its organisation, placing it within the context of the international trade in art. It explores the links between culture agents, art brokers, bankers, diplomats, and collectors.

Author: Joanna Cannon
Publisher:
ISBN: 9781904982258
Category : Art
Languages : en
Pages : 489

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Book Description
This title, dedicated to the memory of Caroline Villers, is the proceedings of a conference in London in 2005.

Author: Jos Hackforth-Jones
Publisher: Handbooks in International Art Business
ISBN: 9781848220911
Category : Art
Languages : en
Pages : 0

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Book Description
'Handbook of International Art Business' is an accessible and comprehensive companion to the business of art, comprising an alphabetical listing of 40 key terms discussed in detail, with a bibliography to the relevant literature. It is an essential reference book for students in the areas of art business, arts management, the creative and cultural industries, art history, and general business and management.

Author: Joost Oorthuizen
Publisher: IDH, The Sustainable Trade Initiative
ISBN: 9082951711
Category : Business & Economics
Languages : en
Pages : 64

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Book Description
What does it take to make real change toward sustainability in international trade? IDH and its partners have spent the last 10 years learning the art of collaborative transformation, accumulating tacit knowledge on what works and what doesn’t to make change within the complexity of international trade. This book distills their insights, presenting 5 key dimensions that are critical for stakeholders to attend to while working toward sustainability. The relational dimension involves building and convening different stakeholders into strong and effective coalitions. Through the discursive dimension coalitions must forge a framework for a common future out of diverse interests and concerns. Collaborative transformation also involves an institutional dimension, as a variety of formal and informal structures lend critical support to the coalition’s efforts. And those involved must continually learn by critically inquiring into their ongoing work together: this is the reflective dimension. The fifth dimension concerns implementation: change only happens when tangible shifts are happening at many different levels – in the field, along the value chain, in business practices and in policy. To break down this complexity and to make it concrete, IDH gives examples from their partnerships involving a wide range of industries: from cotton to tea to cocoa. They show that collaborative transformations are not only possible: they hold the key to our shared future.

Author: United States. Congress. Senate. Committee on Finance
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1510

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Author: Henry M. Sayre
Publisher: University of Chicago Press
ISBN: 022680996X
Category : Literary Criticism
Languages : en
Pages : 276

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Book Description
Art historian Henry M. Sayre traces the origins of the term “value” in art criticism, revealing the politics that define Manet’s art. How did art critics come to speak of light and dark as, respectively, “high in value” and “low in value”? Henry M. Sayre traces the origin of this usage to one of art history’s most famous and racially charged paintings, Édouard Manet’s Olympia. Art critics once described light and dark in painting in terms of musical metaphor—higher and lower tones, notes, and scales. Sayre shows that it was Émile Zola who introduced the new “law of values” in an 1867 essay on Manet. Unpacking the intricate contexts of Zola’s essay and of several related paintings by Manet, Sayre argues that Zola’s usage of value was intentionally double coded—an economic metaphor for the political economy of slavery. In Manet’s painting, Olympia and her maid represent objects of exchange, a commentary on the French Empire’s complicity in the ongoing slave trade in the Americas. Expertly researched and argued, this bold study reveals the extraordinary weight of history and politics that Manet’s painting bears. Locating the presence of slavery at modernism’s roots, Value in Art is a surprising and necessary intervention in our understanding of art history.