Author: Publisher:
ISBN:
Category : Art
Languages : en
Pages : 680
Book Description
The International Studio
Author: The International Studio; an Illustrated Magazine of Fine and Applied Art
Author: International Studio
Author: International Retailing
Author: Brenda SternquistPublisher: Bloomsbury Publishing USA
ISBN: 1501323636
Category : Business & Economics
Languages : en
Pages : 368
Book Description
Revised edition of International retailing, c2007.
Inside the Studio
Author: Judith Olch RichardsPublisher: Independent Curators International
ISBN:
Category : Art
Languages : en
Pages : 300
Book Description
Edited by Judith Olch Richards. FULL CONTRIBUTOR LIST (Group Survey Anthology): Judith Olch Richards, Richard Tuttle, Janine Antoni, David Levinthal, Louise Bourgeois, Leon Golub, Mel Bochner,
Open Studio
Author: Sharon Coplan HurowitzPublisher: Phaidon Press
ISBN: 9781838661281
Category : Art
Languages : en
Pages : 0
Book Description
The book invites you into the private studios of seventeen of the most celebrated contemporary artists as they draw, paint, sculpt, or design an original project for readers to recreate at home. It demystifies the studio practice through the fun, accessible format of D.I.Y., leading you step-by-step through each artist's project. Eight inserts specially designed by the artists for completing their projects - from stencils to cut-outs - are included. The result can inspire people everywhere to blaze their own creative trails
The Studio
Author: Studio Thinking 2
Author: Lois HetlandPublisher: Teachers College Press
ISBN: 0807754358
Category : Education
Languages : en
Pages : 177
Book Description
EDUCATION / Arts in Education
The Studio
Author: Jens HoffmannPublisher: National Geographic Books
ISBN: 0262517612
Category : Art
Languages : en
Pages : 0
Book Description
The evolution of studio—and “post-studio”—practice over the last half century. With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of “post-studio practice.” But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio—and “post-studio”—practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer—mobile, flexible, and ready to follow the next commission. Among the topics surveyed here are the changing portrayal and experience of the artist's role since 1960; the diversity of current studio and post-studio practice; the critical strategies of artists who have used the studio situation as the subject or point of origin for their work; the insights to be gained from archival studio projects; and the expanded field of production that arises from responding to new conditions in the world outside the studio. The essays and artists' statements in this volume explore these questions with a focus on examining the studio's transition from a workshop for physical production to a space with potential for multiple forms of creation and participation.
Conversations from the Print Studio
Author: Craig ZammielloPublisher:
ISBN: 9780300179897
Category : Art
Languages : en
Pages : 0
Book Description
Over his thirty years as a master printer, Craig Zammiello has established himself as a foremost specialist of intaglio printmaking in the United States. Through lively discussions between Zammiello, Elisabeth Hodermarsky, and ten contemporary artists--Mel Bochner, Carroll Dunham, Ellen Gallagher, Jane Hammond, Suzanne McClelland, Chris Ofili, Elizabeth Peyton, Matthew Ritchie, Kiki Smith, and Terry Winters--Conversations from the Print Studio offers an intimate look at the relationship between printer and artist, as well as insight into the technical challenges of intaglio printmaking. The conversations follow ten unique projects from inception to completion, tracing each artist's initial vision, the artist's and printer's creative strategies, and reactions to the final product. By documenting the dual perspectives of artist and printer, the book reveals recent innovations in the field of printmaking as well as the collaborative nature of art-making itself. The result is a rare behind-the-scenes excursion into the workings of the contemporary print studio. Distributed for the Yale University Art Gallery