Italian Opera PDF Download

Author: David R. B. Kimbell
Publisher: Cambridge University Press
ISBN: 9780521466431
Category : Music
Languages : en
Pages : 708

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Book Description
David Kimbell traces the history of Italian opera from the Renaissance to the early twentieth century.

Author: Jenny Rice
Publisher: Parlor Press LLC
ISBN: 1602355029
Category : Language Arts & Disciplines
Languages : en
Pages : 420

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Book Description
Rhetorics Change/Rhetoric’s Change features selected essays, multimedia texts, and audio pieces from the 2016 Rhetoric Society of America biennial conference, which spotlighted the theme “Rhetoric and Change.” The pieces are broadly focused around eight different lines of thought: Aural Rhetorics; Rhetoric and Science; Embodiment; Digital Rhetorics; Languages and Publics; Apologia, Revolution, Reflection; and Intersectionality, Interdisciplinarity, and the Future of Feminist Rhetoric. Simultaneously familiar yet new, the value of this collection can be found in the range of its modes and voices.

Author: Christopher Parkening
Publisher: Hal Leonard Corporation
ISBN: 1476858012
Category : Music
Languages : en
Pages : 116

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Book Description
(Guitar Method). This premier method for the beginning classical guitarist, by one of the world's pre-eminent virtuosos and the recognized heir to the legacy of Andres Segovia, is now completely revised and updated! Guitarists will learn basic classical technique by playing over 50 beautiful classical pieces, 26 exercises and 14 duets, and through numerous photos and illustrations. The method covers: rudiments of classical technique, note reading and music theory, selection and care of guitars, strategies for effective practicing, and much more!

Author: Marcia J. Citron
Publisher: Cambridge University Press
ISBN: 1139489631
Category : Music
Languages : en
Pages :

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Book Description
Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.

Author: F. E. Kirby
Publisher: Rowman & Littlefield
ISBN: 149308285X
Category : Music
Languages : en
Pages : 467

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Book Description
This historical survey focuses on music for piano solo but also includes important compositions for piano duet and two pianos. Scholarly yet readable, it covers the entire repertoire from the Renaissance to the late 20th century and incorporates a bibliography of 1 100 sources for further study.

Author: Bert De Coutere
Publisher: Bert De Coutere
ISBN:
Category : Business & Economics
Languages : en
Pages : 210

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Book Description
Are you a HoCo? I think you are. A HoCo is not a dirty word. It's short for 'homo competens', and that is not an insult. That's Latin for 'competent person'. If you are a HoCo, or want to be one, this book is for you. This book talks about competent people in the network age. It discusses competence, the times we live in, and presents guidelines and tools that you - the homo competens - will need to thrive in your personal life, at work, and in society at large. If we really mean that 'competent people are our most important asset', let's not treat competence as a black box or leave it to chance.

Author: Steve Howard
Publisher: Springer
ISBN: 0387351752
Category : Computers
Languages : en
Pages : 727

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Book Description
The theme of the 1997 INTERACT conference, 'Discovering New Worlds ofHCI', signals major changes that are taking place with the expansion of new technologies into fresh areas of work and leisure throughout the world and new pervasive, powerful systems based on multimedia and the internet. HCI has a vital role to play in these new worlds, to ensure that people using the new technologies are empowered rather than subjugated to the technology that they increasingly have to use. In addition, outcomes from HCI research studies over the past 20 years are now finding their way into many organisations and helping to improve and enhance work practices. These factors have strongly influenced the INTERACT'97 Committee when creating the conference programme, with the result that, besides the more traditional HCI research and education focus found in previous INTERACT conferences, one strand of the 1997 conference has been devoted to industry and another to multimedia. The growth in the IFIP TCI3 committee itself reflects the expansion ofHCI into new worlds. Membership oflFIP TC13 has risen to now include representatives of 24 IFIP member country societies from many parts of the world. In 1997, IFIP TCl3 breaks new ground by holding its sixth INTERACT conference in the Asia-Pacific region. This is a significant departure from previous INTERACT conferences, that were all held in Europe, and is especially important for the Asia-Pacific region, as HCI expands beyond its traditional base.

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1060

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Book Description

Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457444500
Category : Music
Languages : en
Pages : 132

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Book Description
During the latter part of his life, Brahms wrote only sets of relatively short pieces. With their formal and stylistic perfection, they are among the most valuable of the late-Romantic additions to piano repertoire. Included in this edition are 30 pieces by Brahms, preceded by a helpful introduction which contains definitions of the ballade, rhapsody, capriccio and intermezzo.

Author: Samantha Owens
Publisher: Boydell & Brewer
ISBN: 1783270586
Category : Music
Languages : en
Pages : 506

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Book Description
Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast ofmusic directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Associate Professor in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARYOLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN