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Author: Tara Powell Publisher: LSU Press ISBN: 0807138991 Category : History Languages : en Pages : 281
Book Description
Never in its long history has the South provided an entirely comfortable home for the intellectual. In this thought-provoking contribution to the field of southern studies, Tara Powell considers the evolving ways that major post--World War II southern writers have portrayed intellectuals -- from Flannery O'Connor's ironic view of "interleckchuls" to Gail Godwin's southerners striving to feel at home in the academic world. Although Walker Percy, like his fellow Catholic writer O'Connor, explicitly rejected the intellectual label for himself, he nonetheless introduced the modern novel of ideas to southern letters, Powell shows, by placing sympathetic, non-caricatured intellectuals at the center of his influential works. North Carolinians Doris Betts and her student Tim McLaurin made their living teaching literature and creative writing in academia, and Betts's fiction often includes dislocated academics while McLaurin's superb memoirs, often funny, frequently point up the limitations of the mind as opposed to the heart and the spirit. Examining works by Ernest Gaines, Alice Walker, and Randall Kenan, Powell traces the evolution of the black American literacy narrative from a stress on the post-Emancipation conviction, which saw formal education as an essential means of resisting oppression, to the growing suspicion in the post--civil rights era of literacy acts that may estrange educated blacks from the larger black community. Powell concludes with Godwin, who embraces university life in her fiction as she explores what it means to be a southern female intellectual in the modern world -- a world in which all those markers inscribe isolation.
Author: Tara Powell Publisher: LSU Press ISBN: 0807138991 Category : History Languages : en Pages : 281
Book Description
Never in its long history has the South provided an entirely comfortable home for the intellectual. In this thought-provoking contribution to the field of southern studies, Tara Powell considers the evolving ways that major post--World War II southern writers have portrayed intellectuals -- from Flannery O'Connor's ironic view of "interleckchuls" to Gail Godwin's southerners striving to feel at home in the academic world. Although Walker Percy, like his fellow Catholic writer O'Connor, explicitly rejected the intellectual label for himself, he nonetheless introduced the modern novel of ideas to southern letters, Powell shows, by placing sympathetic, non-caricatured intellectuals at the center of his influential works. North Carolinians Doris Betts and her student Tim McLaurin made their living teaching literature and creative writing in academia, and Betts's fiction often includes dislocated academics while McLaurin's superb memoirs, often funny, frequently point up the limitations of the mind as opposed to the heart and the spirit. Examining works by Ernest Gaines, Alice Walker, and Randall Kenan, Powell traces the evolution of the black American literacy narrative from a stress on the post-Emancipation conviction, which saw formal education as an essential means of resisting oppression, to the growing suspicion in the post--civil rights era of literacy acts that may estrange educated blacks from the larger black community. Powell concludes with Godwin, who embraces university life in her fiction as she explores what it means to be a southern female intellectual in the modern world -- a world in which all those markers inscribe isolation.
Author: J. A. BryantJr. Publisher: University Press of Kentucky ISBN: 0813187400 Category : Literary Collections Languages : en Pages : 430
Book Description
Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.
Author: Joseph M. Flora Publisher: LSU Press ISBN: 9780807126929 Category : Reference Languages : en Pages : 1096
Book Description
Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, and common or uncommon stereotypes that have shaped the most significant regional literature in memory. Read the copious offerings straight through in alphabetical order (Ancestor Worship, Blue-Collar Literature, Caves) or skip randomly at whim (Guilt, The Grotesque, William Jefferson Clinton). Whatever approach you take, The Companion’s authority, scope, and variety in tone and interpretation will prove a boon and a delight. Explored here are literary embodiments of the Old South, New South, Solid South, Savage South, Lazy South, and “Sahara of the Bozart.” As up-to-date as grit lit, K Mart fiction, and postmodernism, and as old-fashioned as Puritanism, mules, and the tall tale, these five hundred entries span a reach from Lady to Lesbian Literature. The volume includes an overview of every southern state’s belletristic heritage while making it clear that the southern mind extends beyond geographical boundaries to form an essential component of the American psyche. The South’s lavishly rich literature provides the best means of understanding the region’s deepest nature, and The Companion to Southern Literature will be an invaluable tool for those who take on that exciting challenge. Description of Contents 500 lively, succinct articles on topics ranging from Abolition to Yoknapatawpha 250 contributors, including scholars, writers, and poets 2 tables of contents — alphabetical and subject — and a complete index A separate bibliography for most entries
Author: J. V. Ridgely Publisher: University Press of Kentucky ISBN: 0813194989 Category : Literary Criticism Languages : en Pages : 163
Book Description
Few inhabitants of the South in 1800 thought of it as a "region" or of themselves as "southerners." In time, the need to defend the entire southern way of life became obsessive for many writers, too often precluding efforts at originality in form or style. Especially after the publication of Uncle Tom's Cabin, southern identity and southern nationalism emerged as the grand themes, and literature became subservient to regional interests. The devastation of the Civil War and the collapse of the Confederacy, instead of pointing southern writers in new directions, only intensified their preoccupation with a now-dead past. The popular genres of the time—historical romance and "local color" writing—became tools to voice this preoccupation and have been important influences on America's view of the South and on American literature in general. The myth of the idyllic plantation South has had an extraordinary pervasiveness in the American consciousness. J.V. Ridgely speculates on the ways in which this tarnished but durable myth helped to produce the powerful Southern Renascence of the twentieth century in this concise survey of the literature of America's most distinctive region during a crucial formative period.
Author: Mary Weaks-Baxter Publisher: LSU Press ISBN: 0807131296 Category : Literary Criticism Languages : en Pages : 208
Book Description
In this stimulating study, Mary Weaks-Baxter views the Southern Renaissance, 1900--1960, from a fresh perspective. Many writers in the South began consciously to create new myths for the region at the start of the twentieth century, and these myths, Weaks-Baxter argues, reframed southern history and culture. Instead of being rooted in the plantation culture that had provided inspiration for nineteenth-century southern writers, the new literature was inspired by "southern folk," the common people who farmed the earth and whose values derived from Jeffersonian agrarianism and democracy. By glorifying the yeoman farmer -- a figure not only central to southern life but revered throughout the country -- southern writers confirmed the essential Americanness of southern literature and the southernness of American history, creating a viable myth that offered the promise of renewal and purpose. To illustrate how the myth crossed racial, gender, and economic boundaries as well as geographic lines, Weaks-Baxter examines the work of diverse writers, including Willa Cather, Ellen Glasgow, Olive Dargan, Zora Neale Hurston, Jean Toomer, Jesse Stuart, Elizabeth Madox Roberts, Harriette Arnow, William Faulkner, and the Nashville Agrarians. Their portrayals of the lives of common men and women provided hope for all Americans as they were confronted with industrialization and the Great Depression. Weaks-Baxter shows how this agrarian fable led to a new Southern Renaissance in the late twentieth century, influencing the work of contemporary southern writers such as Madison Smartt Bell, Wendell Berry, Alice Walker, Dori Sanders, and Bobbie Ann Mason. With lively arguments and keen insights, Reclaiming the American Farmer will change the terms of discussion about the Southern Renaissance and southern literature in general as it demonstrates how mythologies can unify southerners as well as divide them.
Author: Lewis P. Simpson Publisher: LSU Press ISBN: 0807132020 Category : Literary Criticism Languages : en Pages : 286
Book Description
Lewis P. Simpson towers among scholars of American literary studies, as an intellectual historian of the South and American literary culture and a revered essayist. His last book, Imagining Our Time, offers a wide-ranging, erudite, and enlightening look at the culture of letters in American society. Primarily through an examination of the works of some of the leading writers of the twentieth century, many of whom Simpson knew intimately, this final volume provides insight into the struggles and concerns unique to prominent American thinkers, literary artists, and critics contemporary to his own lifetime. Often moving from an intriguing anecdote or recollection to a rigorous discussion of ideas, Simpson’s style is captivating. He begins with speculation on Eric Voegelin’s interest in Julien Benda’s polemic La Trahison des Clercs and follows with thoughts on the declining faith in the university as an embodiment of humanistic letters and learning, surveying the American Republic as far back as Benjamin Franklin. In successive chapters, Simpson pays tribute to Malcolm Cowley as a "hero of the literary art" and probes Robert Penn Warren’s fixation with Thomas Jefferson as manifested in the writing and complete rewriting of Brother to Dragons. He ruminates on the vocation of the critic as practiced by Lionel Trilling and Diana Trilling, and the literary and cultural politics of the 1930s. Brief portraits of Andrew Lytle and Louis D. Rubin, Jr., appear, as well as a poignant argument for the autobiographical cast of Eudora Welty’s writing. A lengthy, riveting consideration of Simpson’s friend Walker Percy and Percy’s quest for identity as a modern Christian novelist alienated from the society around him forms the core of the volume. Fred Hobson’s introduction fittingly rounds out Imagining Our Time, offering an intimate appreciation of Lewis Simpson-who will remain a giant among scholars of southern literary studies.
Author: Nell Irvin Painter Publisher: UNC Press Books ISBN: 9780807853603 Category : History Languages : en Pages : 268
Book Description
This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.
Author: Angie Maxwell Publisher: UNC Press Books ISBN: 1469611651 Category : History Languages : en Pages : 324
Book Description
By the 1920s, the sectional reconciliation that had seemed achievable after Reconstruction was foundering, and the South was increasingly perceived and portrayed as impoverished, uneducated, and backward. In this interdisciplinary study, Angie Maxwell examines and connects three key twentieth-century moments in which the South was exposed to intense public criticism, identifying in white southerners' responses a pattern of defensiveness that shaped the region's political and cultural conservatism. Maxwell exposes the way the perception of regional inferiority confronted all types of southerners, focusing on the 1925 Scopes trial in Dayton, Tennessee, and the birth of the anti-evolution movement; the publication of I'll Take My Stand and the turn to New Criticism by the Southern Agrarians; and Virginia's campaign of Massive Resistance and Interposition in response to the Brown v. Board of Education decision. Tracing the effects of media scrutiny and the ridicule that characterized national discourse in each of these cases, Maxwell reveals the reactionary responses that linked modern southern whiteness with anti-elitism, states' rights, fundamentalism, and majoritarianism.
Author: Tara Powell
Author: Tara Powell
Author: J. A. BryantJr.
Author: Joseph Allen Bryant
Author: Joseph M. Flora
Author: J. V. Ridgely
Author: Mary Weaks-Baxter
Author: Lewis P. Simpson
Author: Nell Irvin Painter
Author: Ben Forkner
Author: Angie Maxwell