The Instrumental Music of Carl Philipp Emanuel Bach PDF Download

Author: David Schulenberg
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 208

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Author: David Schulenberg
Publisher: Routledge
ISBN: 1351572806
Category : History
Languages : en
Pages : 542

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Book Description
The second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.

Author: David Schulenberg
Publisher: Boydell & Brewer
ISBN: 1580464815
Category : Biography & Autobiography
Languages : en
Pages : 436

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Of the four sons of J.S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The bookalso outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick "the Great" and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C.P.E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. Anew perspective on the composer emerges from the demonstration that C.P.E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changingcultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the JuilliardSchool. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).

Author: Stephen L. Clark
Publisher: Oxford [England] : Clarendon Press ; New York : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 378

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This collection of essays reflects the growth of interest in and research on Carl Philipp Emanuel Bach (1714-88) over the last twenty years. The contributors, including Christopher Hogwood, Hans-Günter Ottenberg, Darrell M. Berg, and Rachel Wade, discuss a wide range of topics surrounding Bach including musical innovations, relationships with contemporaries, aesthetics, and influence.

Author: Matthew William Head
Publisher:
ISBN:
Category : Fantasia
Languages : en
Pages : 298

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Author: Carl Philipp Emanuel Bach
Publisher: Clear Note Publications
ISBN: 1625592183
Category : Music
Languages : en
Pages : 15

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Under the tutelage of his famous father Johann Sebastian Bach, Carl Philipp Emanuel Bach studied harpsichord and clavichord during his early years and eventually adopted the piano as his primary instrument. A prolific composer, producing over 200 works, C.P.E. Bach wrote symphonies, sonatas and other instrumental works in the Rococo and early Classical style of the 18th century. This style of writing is marked by lyric phrases and light ornamentation that put aside the polyphony and thorough bass of the late baroque composers. The ideas for interpreting and ornamenting the sonatinas in this collection are taken from "Essay on the True Art of Playing Keyboard Instruments" by C.P.E. Bach. They transpose quite well for solo guitar and are a refreshing alternative to compositions by guitarists of the classical era like Sor and Giuliani.

Author: David Schulenberg
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 448

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Author: Carl Philipp Emanuel Bach
Publisher:
ISBN:
Category : Concertos (Keyboard instrument with string orchestra)
Languages : en
Pages : 120

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Author: Claudia Widgery
Publisher: Oxford University Press, USA
ISBN: 9780193240087
Category :
Languages : en
Pages : 127

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Author: James L. Grine
Publisher:
ISBN:
Category : Sonatas (Flute and harpsichord)
Languages : en
Pages : 476

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