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Author: Michael Pedretti Publisher: Cambridge Scholars Publishing ISBN: 1527590666 Category : Performing Arts Languages : en Pages : 706
Book Description
This book tells the story of ground-breaking movement theater performers of the late twentieth century. It explores how the virtuoso stage clowns and mimes drew on all the performing arts to create and star in shows in order to reveal our deepest thoughts and feelings. They ignored taboos and busted boundaries to redefine the relationship between performer and audience, making a theater of kindness—a theater of joy. Complete with over two hundred photos, the book tells how these performers came together at the International Movement Theatre Festivals and reached American audiences with their work. It also details the author’s story, his devotion to, and love of, the art and the artists, and his sometimes-harrowing journey into non-profit management. It offers a peek behind the curtain to describe the process of engaging artists, audiences, funders, and the international press in this mission.
Author: Michael Pedretti Publisher: Cambridge Scholars Publishing ISBN: 1527590666 Category : Performing Arts Languages : en Pages : 706
Book Description
This book tells the story of ground-breaking movement theater performers of the late twentieth century. It explores how the virtuoso stage clowns and mimes drew on all the performing arts to create and star in shows in order to reveal our deepest thoughts and feelings. They ignored taboos and busted boundaries to redefine the relationship between performer and audience, making a theater of kindness—a theater of joy. Complete with over two hundred photos, the book tells how these performers came together at the International Movement Theatre Festivals and reached American audiences with their work. It also details the author’s story, his devotion to, and love of, the art and the artists, and his sometimes-harrowing journey into non-profit management. It offers a peek behind the curtain to describe the process of engaging artists, audiences, funders, and the international press in this mission.
Author: Annette Lust Publisher: Scarecrow Press ISBN: 9780810845930 Category : Biography & Autobiography Languages : en Pages : 420
Book Description
One of the few studies covering the historical flow of mime from its beginnings to postmodern movement theatre, this book explores the evolution of mime and pantomime from the Greeks to the 20th Century, depicting the role of mime in dance, clowning, the cinema, and verbal theatre throughout the centuries. With over sixty illustrations, this worldwide study is indispensable for the student, teacher, or fan of mime.
Author: Peter Carnahan Publisher: Xlibris Corporation ISBN: 1479735620 Category : Biography & Autobiography Languages : en Pages : 775
Book Description
WATCHING OTHER PEOPLE WORK, volume three of an autobiography by Peter Carnahan, covers the 18-plus years the author worked as Director of the Theatre and Literature Programs of The Pennsylvania Council on the Arts. This time, from 1972 to 1991, was a period of enormous growth for the arts in Pennsylvania and the nation. Reflecting that growth, the PCA budget grew from $286,000 to $12 million during the period. During the second decade covered by this volume, Carnahan began his next career, as a writer, publishing his first nonfiction book in 1989.
Author: Mark Evans Publisher: Taylor & Francis ISBN: 1000862712 Category : Performing Arts Languages : en Pages : 313
Book Description
This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre. From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.
Author: Judith Chaffee Publisher: Routledge ISBN: 1317613368 Category : History Languages : en Pages : 415
Book Description
From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr Punch. The Routledge Companion to Commedia dell’Arte is a wide-ranging volume written by over 50 experts, that traces the history, characteristics, and development of this fascinating yet elusive theatre form. In synthesizing the elements of Commedia, this book introduces the history of the Sartori mask studio; presents a comparison between Gozzi and Goldoni’s complicated and adversarial approaches to theatre; invites discussions on Commedia’s relevance to Shakespeare, and illuminates re-interpretations of Commedia in modern times. The authors are drawn from actors, mask-makers, pedagogues, directors, trainers and academics, all of whom add unique insights into this most delightful of theatre styles. Notable contributions include: • Donato Sartori on the 20th century Sartori mask • Rob Henke on form and freedom • Anna Cottis on Carlo Boso • Didi Hopkins on One Man, Two Guv’nors • Kenneth Richards on acting companies • Antonio Fava on Pulcinella • Joan Schirle on Carlo Mazzone-Clementi and women in Commedia • and M.A. Katritzky on images Olly Crick is a performer, trainer and director, having trained in Commedia under Barry Grantham and Carlo Boso. He is founder of The Fabulous Old Spot Theatre Company. Judith Chaffee is Associate Professor of Theatre at Boston University, and Head of Movement Training for Actors. She trained in Commedia with Antonio Fava, Julie Goell, Stanley Allen Sherman, and Carlos Garcia Estevez.
Author: Bill Barclay Publisher: Cambridge University Press ISBN: 1108210821 Category : Literary Criticism Languages : en Pages : 447
Book Description
Music has been an essential constituent of Shakespeare's plays from the sixteenth century to the present day, yet its significance has often been overlooked or underplayed in the history of Shakespearean performance. Providing a long chronological sweep, this collection of essays traces the different uses of music in the theatre and in film from the days of the first Globe and Blackfriars to contemporary, global productions. With a unique concentration on the performance aspects of the subject, the volume offers a wide range of voices, from scholars to contemporary practitioners (including an interview with the critically acclaimed composer Stephen Warbeck), and thus provides a rich exploration of this fascinating history from diverse perspectives.
Author: Michael Pedretti
Author: Michael Pedretti
Author: Annette Lust
Author: Peter Carnahan
Author: Mark Evans
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Author: Foundation Center Staff
Author: Judith Chaffee
Author: Bill Barclay