The Influence of Confucianism on Korean Traditional Music PDF Download

Author: Robert Walker
Publisher:
ISBN: 9780733418969
Category : Confucianism
Languages : en
Pages : 15

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Author: Hye-jin Song
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Roald Maliangkay
Publisher: University of Hawaii Press
ISBN: 0824866657
Category : Music
Languages : en
Pages : 265

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Book Description
Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres. As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, so compromises may be unwelcome, but imperative.

Author: Hye-jin Song
Publisher: 한국국제교류재단
ISBN:
Category : A'ak
Languages : en
Pages : 192

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Author: C. Victor Fung
Publisher: Oxford University Press
ISBN: 0190621680
Category : Music
Languages : en
Pages : 393

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This volume focuses on the collective wisdom of Asian philosophies and their implications for music education. All twenty chapters are written by highly regarded philosophers and music educators steeped in various Asian traditions. These chapters will include an explanation of a prominent philosophical tradition, evidence in a contemporary music teaching and learning settings (including its inception and historical development along with an explanation of how the philosophical tradition works in contemporary music education), and suggestions for potential directions in the near and distant future. The book is organized into five sections. Section I is based on Chinese philosophical traditions, which have the longest history and are some of the most influential across Asia and beyond. Chapters in Section II present a snapshot of Japanese and Korean views, beginning with the musical practices in the Joseon Period (1392-1910) that are still being practiced in South Korea today to Western influences in 19th century Japan. A collection of philosophical traditions from South and Southeast Asia are contained in Section III, ranging from the insights of King Bhumibol Adulyadej, King Rama IX of Thailand, an accomplished jazz musician, to the Balinese notion of taksu, a form of supreme energy and divine power crucial for compelling performances in the performing arts. We venture into the Islamic and the Middle Eastern world in Section IV, where the dance practices of the Hadhrami Arabs in the Malay Archipelago to traditional sharah music are contextualized within Islamic philosophy. This section also describes the philosophical ideas of the 12th-century Persian philosopher and founder of the Illuminationist (Ishraq) philosophy, Shihab al-Din al-Suhrawardi, arguing that his ideas have much to recommend music education, as this approach requires students to listen in deeper ways, absorb more abundantly, and move beyond arts education to encompass the education of the whole person. Section V concludes with a metaphorical view on a New Silk Road in music education in the 21st century, where ideas are traded for mutual benefit and the development multicultural philosophies of music education. While there are numerous publications on the philosophy of music education rooted in the Western philosophical traditions of ancient Greece, the Asian philosophical voice is virtually silent outside of Asia, and this volume aims to begin the long process of redressing this imbalance. This volume will open readers to the richness of Asian philosophical sources and hopefully stimulate dialogues that could generate new insights and directions for further development, cross-pollination, and application of some of the world's earliest philosophical traditions.

Author: 송방송
Publisher: 지문당
ISBN:
Category : Folk music
Languages : en
Pages : 484

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Author: Robert Koehler et al.
Publisher: Seoul Selection
ISBN: 1624120423
Category : Music
Languages : en
Pages : 142

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Music has played and continues to play a vital role in Korean society, providing a rich vein of material as a dynamic part of the nation's culture. Korean music's history reflects active engagement with surrounding cultures, as well as indigenous creativity and innovation. Korea is heir to one of the world's oldest repertoires of notated music. Over the past several hundred years, virtuosic instrumental genres based upon the music of shamanist rituals and agricultural ceremonies developed into highly sophisticated art forms. This book will examine the development of Korean traditional music, looking at what makes it unique, surveying its wide variety of genres, and reviewing its dramatic history as an art form.

Author: James H. Grayson
Publisher: Routledge
ISBN: 1136869255
Category : History
Languages : en
Pages : 316

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This is an historical survey of all the religious traditions of Korea in relation to the socio-cultural trends of seven different periods of Korean history. The book includes a discussion of the history of the study of religion in Korea, a chronological description of Korean folk religion including shamanism, Buddhism, Confucianism, Roman Catholicism and Protestantism, Islam, and Korean New Religions, and some final observations about the unique characteristics of religious beliefs and practices in Korea.

Author: Christopher Partridge
Publisher: Bloomsbury Publishing
ISBN: 1350286982
Category : Social Science
Languages : en
Pages : 561

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Book Description
The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.

Author: Bang-Song Song
Publisher: University of Ottawa Press
ISBN: 1772823198
Category : Music
Languages : en
Pages : 242

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Book Description
This study describes and documents the musical behaviour and heritage of the Koreans in Korea and in Metropolitan Toronto. Korean-Canadian folksongs and instrumental pieces are discussed and analyzed in detail.