Author: Great exhibition, 1851Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 426
Book Description
The industry of nations, as exemplified in the Great exhibition of 1851. The materials of industry
Author: Great exhibition, 1851Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 426
Book Description
The Industry of Nations, as Exemplified in the Great Exhibition of 1851. The Materials of Industry
Author: Great Exhibition of the Works of Industry of all Nations of 1851 (London). [Appendix.]Publisher:
ISBN:
Category :
Languages : en
Pages : 426
Book Description
Religion and the Great Exhibition of 1851
Author: G. N. CantorPublisher: Oxford University Press
ISBN: 0199596670
Category : History
Languages : en
Pages : 239
Book Description
Drawing on sermons and extensive source material from the mid-Victorian religious press, this innovative reappraisal of the Great Exhibition of 1851 shows that it was widely understood by contemporaries to possess a religious dimension and that it generated controversy among religious groups.
Catalogue of the Printed Books in the Library of the Faculty of Advocates ...
Author: Faculty of Advocates (Scotland). LibraryPublisher:
ISBN:
Category : Law
Languages : en
Pages : 846
Book Description
Victorian Prism
Author: James BuzardPublisher: University of Virginia Press
ISBN: 9780813926032
Category : History
Languages : en
Pages : 372
Book Description
From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity--a figure that has often been thought to convey one coherent message and vision of culture and society. This volume examines the place occupied both materially and discursively by the Crystal Palace and other nineteenth- and twentieth-century exhibitions in the struggle to understand what it means to be modern. Initiated in part by a number of conferences held in 2001 to commemorate the 150th anniversary of the Crystal Palace, Victorian Prism provides new perspectives to historians, literary critics, art historians, and others interested in how a large glass building in a London park could refract meaning from Caracas to Calcutta. In its investigations of the ways of knowing and shaping the world that emerged during the planning and execution of this first "world's fair," Victorian Prism not only restores the multiplicity of experiences and other determining factors to our picture of the Great Exhibition; it makes reevaluation of the exhibition and its legacies the occasion for reevaluating modernity itself in its broadest sense--as the cultures, potentialities, and liabilities of the Enlightenment. With essays by a number of leading scholars in their fields, the collection as a whole focuses on how these exhibitions, in attempting to define the cultures of their day, incorporated a range of conflicting ideologies and agendas. In doing so, it offers a richer, more complex understanding of the experience of modernity than we have previously acknowledged. The volume also addresses the ways in which the cultural processes and tendencies brought together in these exhibitions have been refracted down to the present, thus informing and complicating our own relationship to both modernity and postmodernity.
A List of Books, Photographs, &c., in the National Art Library, Illustrating Metal Work
Author: National Art Library (Great Britain)Publisher:
ISBN:
Category : Metal-work
Languages : en
Pages : 162
Book Description
A List of Books, Photographs, etc, in the National Art Library, Illustrating Metal Work
Author: AnonymousPublisher: BoD – Books on Demand
ISBN: 3385356938
Category : Fiction
Languages : en
Pages : 150
Book Description
Reprint of the original, first published in 1883.
List[s] of Books and Pamphlets in the National Art Library: Gems; 1886. Glass; 1887. Gold and silversmiths' work and jewellery; 1882 & 2d ed. 1887. Heraldry; 1880 & 2d ed. 1884. Lace and needlewor; 1879. Metal work; 1883. Ornament; 1882 & 2d ed. 1883. Painting; 2d ed. 1883
![List[s] of Books and Pamphlets in the National Art Library: Gems; 1886. Glass; 1887. Gold and silversmiths' work and jewellery; 1882 & 2d ed. 1887. Heraldry; 1880 & 2d ed. 1884. Lace and needlewor; 1879. Metal work; 1883. Ornament; 1882 & 2d ed. 1883. Painting; 2d ed. 1883 PDF](https://books.google.com/books/content/images/frontcover/ojlOAAAAYAAJ?fife=w80-h100)
Author: National Art Library (Great Britain)Publisher:
ISBN:
Category :
Languages : en
Pages : 714
Book Description
Patent Inventions - Intellectual Property and the Victorian Novel
Author: Clare PettittPublisher: OUP Oxford
ISBN: 0191554901
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Although much has been written about the history of copyright and authorship in the eighteenth and nineteenth centuries, very little attention has been given to the impact of the development of other kinds of intellectual property on the ways in which writers viewed their work in this period. This book is the first to suggest that the fierce debates over patent law and the discussion of invention and inventors in popular texts during the nineteenth century informed the parallel debate over the professional status of authors. The book examines the shared rhetoric surrounding the creation of the 'inventor' and the 'author' in the debate of the 1830s, and the challenge of the emerging technologies of mass production to traditional ideas of art and industry is addressed in a chapter on authorship at the Great Exhibition of 1851. Subsequent chapters show how novelists Charles Dickens, Elizabeth Gaskell, and George Eliot participated in debates over the value and ownership of labour in the 1850s, such as patent reform and the controversy over married women's property. The book shows the ways in which these were reflected in their novels. It also suggests that the publication of those novels, and the celebrity of their authors, had a substantial effect on the subsequent direction of these debates. The final chapter shows that Thomas Hardy's later fiction reflects an important shift in thinking about creativity and ownership towards the end of the century. Patent Inventions argues that Victorian writers used the novel not just to reflect, but also to challenge received notions of intellectual ownership and responsibility. It ends by suggesting that detailed study of the debate over intellectual property in the nineteenth century leads to a better understanding of the complex negotiations over the bounds of selfhood and social responsibility in the period.
Author: