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Author: Es. El Bhairappa Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 860
Book Description
It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.
Author: Es. El Bhairappa Publisher: ISBN: Category : Language Arts & Disciplines Languages : en Pages : 860
Book Description
It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.
Author: Santo Saba Piliang Publisher: Santo Saba Piliang ISBN: Category : Art Languages : en Pages : 681
Book Description
WE ARE ARYĀ Who did you mean by ARYĀ ....? Arya has become associated with "Race Hierarchy" which considers whites, blondes, blue eyes more superior to other skin nations and It serves as a "Powerful" propaganda tool in the historical reality that has taken place, however ... it is not factual To this day ... the word Aryā is loaded with all kinds of connotations "Negative" and is largely due to the Nazi "ideology" which claims to be the Arya ... Nazi misguided and propaganda, has damaged the image of Aryān ... eliminating thousands of humans with just one word "racism" ... We have entered and fallen into the abyss of destruction due to the political policies of a nation ... to the point that the "assumption" of white supremacy is the "Superior Nation" Then wildly make the attitude of "contagious" other nations to "Label" the human hierarchy based on the color of the skin "White" or "Black" ... this results in dividing the human race Then who is that Aryan ...? The initial assumption of the published "Aryans" today were those who lived in Iran & Iraq in the prehistoric era, these people migrated to northern India around 1,500 BC, Indian "Dravidian" natives call these newcomers "ārya" At the end of the early 19th century the early 20th "Aryans" was equated with people German or Nordic and before the assumption "Aryan" refers to an ancient language whose speakers are thought to have spread and influenced language throughout the Indian subcontinent Also published the Sumerian civilization flourished in the Persian Gulf, around 4 - 3,000 BC and the civilization on the 'Plain of Shinar Land' was a territory that only existed after 2,000 BC which is now called "Babylon" Other sources also spread that, according to the "Volkisch" (people) belief, Aryans had created a high civilization that existed thousands of years ago were destroyed by natural disasters of melting ice at the end of the last ice age or the beginning of the ice age, 12,000 years ago and the basis of this "Mythology" is not strong enough Another assumption is that the original Aryan land was "Thule" at the warm north end of the earth, they lived in caves, this branch of the 'Ras Aryan' descendant was proto-Indo-European, published were 'Iranians' who spread, colonized various regions of the north of the earth after the Flood, spread agricultural civilization and was universally recognized by the symbol "Swastika" (卐) This symbol is what Nazi ideology used to claim itself as an Aryan nation ... This Nazi misguided and propaganda that has damaged the image of Aryan ... eliminates humans only on the basis of "Racism" ... identified by using the symbol "Swastika" ( 卐) in the "Hitler" period Fundamental questions that must be answered: ● What nation in the world can explain the clear and detailed meaning of the philosophy of the "Swastika" symbol ...? ● What nation in the world to this day in its everyday culture uses the symbol "Swastika" ...? Nation ... which to this day with its "Swastika" philosophy lives peacefully and reconciles the world, because here is stored perfectly the basic teachings of the original "Dharmic" .... which underlies the growth of the 3 great religions of India Ńâmô āryātārā ..... We Are Aryā ... INDONËSIARYĀ By: Santosabapiliang (Datuok Panglimo Soko) Book Info: WA +62813 2132 9787
Author: International Academy of Indian Culture Publisher: ISBN: 9788185689968 Category : Literary Collections Languages : en Pages : 360
Book Description
The classical Indonesian Udyogaparva was composed sometime during the period AD 991 to AD 1016.It has been translated into English for the first time.
Author: Helen Creese Publisher: Routledge ISBN: 1317451783 Category : History Languages : en Pages : 365
Book Description
In this fascinating study the lives and mores of women in one of the least understood but most densely populated areas of the world are unveiled through the eyes of generations of court poets. For more than a millennium, the poets of the Indic courts of Java and Bali composed epic kakawin poems in which they recreated the court environment where they and their royal patrons lived. Major themes in this poetry form include war, love, and marriage. It is a rich source for the cultural and social history of Indonesia. Still being produced in Bali today, kakawin remain of interest and relevance to Balinese cultural and religious identities. This book draws on the epic kakawin poetry tradition to examine the institutions of courtship and marriage in the Indic courts. Its primary purpose is to explore the experiences of women belonging to the kakawin world, although the texts by nature reveal more about the discourses concerning women, sexuality, and gender than of the historical experiences of individual women. For over a thousand years these royal courts were major patrons of the arts. The court-sponsored epic works that have survived provide an ongoing literary testimony to the cultural and social concerns of court society from its ealiest recorded history until its demise at the end of the nineteenth century. This study examines the idealized images of women and sexuality that have pervaded Javanese and Balinese culture and provides insights into a number of cultural practices such as sati or bela (self-immolation of widows).
Author: Chakravarthi V. Narasimhan Publisher: Motilal Banarsidass Publ. ISBN: 9788120816732 Category : Poetry Languages : en Pages : 288
Book Description
Intended to be a treatise on life itself, this epic poem embraces religion and ethics, polity and government, philosophy and the pursuit of salvation. This collection of more than 4,000 verses is supplemented by a glossary, genealogical tables, and an index correlating the verses with the original Sanskrit text.
Author: Devdutt Pattanaik Publisher: Penguin UK ISBN: 8184751699 Category : Religion Languages : en Pages : 447
Book Description
High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God. The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean ‘victory’. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata. In this enthralling retelling of India’s greatest epic, the Mahabharata, originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu, and Yakshagana of Karnataka. Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data. With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.
Author: Es. El Bhairappa
Author: Es. El Bhairappa
Author: 
Author: Santo Saba Piliang
Author: International Academy of Indian Culture
Author: Helen Creese
Author: 
Author: 
Author: Chakravarthi V. Narasimhan
Author: Devdutt Pattanaik
Author: Sam Stuart