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Author: Rossell Hope Robbins Publisher: University Press of Kentucky ISBN: 0813164311 Category : Literary Criticism Languages : en Pages : 582
Book Description
Rossell Hope Robbins collaborated with Carleton Brown in the publishing of the Index of Middle English Verse in 1943. With John L. Cutler, associate professor of English in the University of Kentucky, he has now compiled a supplement to the Index incorporating those texts published since 1943. At the same time, the two have completely revised the Index by including in the Supplement texts previously neglected. The number of entries has been increased to 6,000, and more than half of the 4,500 original entries have been revised. In addition to this basic revision, the appendices of the Index have been corrected and enlarged, especially the listing and locating of privately held manuscripts. Cross references have been inserted abundantly to facilitate easy use of the combined works. Additionally, reference has been made to related specialized studies. The large number of new entries is attributable not only to prolonged manuscript research but also to a broadening of the original criteria for the inclusion of poems. Rather than cutting off entries at 1500, which the authors felt impaired the usefulness of the original Index, Robbins and Cutler included genres that had not concluded but continued into the sixteenth century, as well as poems with uncertain dates they felt would be important for scholars. The Supplement overcomes these barriers by including the so-called Scottish Chaucerians, the late fifteenth and early sixteenth century manuscripts such as the "Tudor songbooks," verse items of only two lines, and tombstone and church bras epitaphs.
Author: Rossell Hope Robbins Publisher: University Press of Kentucky ISBN: 0813164311 Category : Literary Criticism Languages : en Pages : 582
Book Description
Rossell Hope Robbins collaborated with Carleton Brown in the publishing of the Index of Middle English Verse in 1943. With John L. Cutler, associate professor of English in the University of Kentucky, he has now compiled a supplement to the Index incorporating those texts published since 1943. At the same time, the two have completely revised the Index by including in the Supplement texts previously neglected. The number of entries has been increased to 6,000, and more than half of the 4,500 original entries have been revised. In addition to this basic revision, the appendices of the Index have been corrected and enlarged, especially the listing and locating of privately held manuscripts. Cross references have been inserted abundantly to facilitate easy use of the combined works. Additionally, reference has been made to related specialized studies. The large number of new entries is attributable not only to prolonged manuscript research but also to a broadening of the original criteria for the inclusion of poems. Rather than cutting off entries at 1500, which the authors felt impaired the usefulness of the original Index, Robbins and Cutler included genres that had not concluded but continued into the sixteenth century, as well as poems with uncertain dates they felt would be important for scholars. The Supplement overcomes these barriers by including the so-called Scottish Chaucerians, the late fifteenth and early sixteenth century manuscripts such as the "Tudor songbooks," verse items of only two lines, and tombstone and church bras epitaphs.
Author: Linne R. Mooney Publisher: Boydell & Brewer Ltd ISBN: 9781843841463 Category : Language Arts & Disciplines Languages : en Pages : 296
Book Description
The Library of Trinity College, Cambridge, contains the largest collection of medieval manuscripts of any college in Great Britain, and one of the most important collections in the world. The subjects contained therein cover the whole range of topics usual to medieval manuscripts, with the single bias being that the majority were produced in Britain. Particularly noteworthy are Wycliffite translations of the Bible, sermons, and Wycliffite tracts; three manuscripts containing Nicholas Love's 'Mirror of the Blessed Lif of Ihesu Crist'; and major collections of devotional texts. Trinity is also rich in medieval scientific manuscripts, many of which came through Roger Gale's interest in this field; they include a number of large medical manuscripts whose compilers were apparently trying to bring together much of the current knowledge of the day, from tracts by such men as John of Arderne and Gilbertus Angelicus, with recipes for treatments, under a single cover. The collection also contains major compilations of alchemical tracts; historical and legal material; and unique Middle English translations of classical and early medieval texts. Finally, a number of known Middle English texts not previously thought to be in the Trinity Collection are identified, opening new areas for study of Trinity's manuscripts, especially the medical and scientific texts which have much to tell of scientific learning in England in the later middle ages. LINNE R. MOONEY is Associate Professor of English at the University of Maine (and a former graduate of the Center for Medieval Studies at Toronto).
Author: Paul Acker Publisher: Boydell & Brewer ISBN: 1843846918 Category : Literary Criticism Languages : en Pages : 193
Book Description
Handlist to the rich collection of manuscripts contained in five major libraries across New York, giving a full account of their provenance. This volume provides detailed descriptions of Middle English prose materials found in the Columbia University Rare Book and Manuscripts Library, The Pierpont Morgan Library, The New York Public Library, The New York Academy of Medicine Library, and New York University Bobst Library (Special Collections). The manuscripts tend to be less well known than those in English libraries, with overlooked texts such as the Pseudo-Hildegard Anti-Mendicant Prophecy; The Book of Palmistry; a subject index of legal statutes; culinary and medical recipes; and English instructions to Latin prayers in Books of Hours. Other manuscripts of note include Trevisa's translation of De proprietatibus rerum by Bartholomaeus Anglicus, used as a copy-text for Wynkyn de Worde's first edition printed ca. 1495; and deluxe illustrated manuscripts of The Pilgrimage of the Soul and Ordinances of Chivalry. The introduction to the volume highlights the particular interests of the various collectors and the influences and characteristics underpinning their acquisitions. All but one of the manuscripts described from Columbia University were acquired by George A. Plimpton (1855-1936), whose firm, Ginn and Co., published spelling books. His collection records an interest in the history of education, with MS 258, a primer probably compiled for an English schoolchild, being a highlight. John Pierpont Morgan (1837-1913) specialized in expensive, illustrated manuscripts, aided in his purchases by Belle da Costa Greene, who became the first director of the Morgan Library as a public institution under J.P. Morgan, Jr. Curt F. Bühler became the Keeper of Printed Books at the Morgan in 1934, bequeathing to the Library the manuscripts that he had bought over the years. James Lenox and John Jacob Astor established the New York Public Library, with Lenox donating two Wycliffite Bibles and Astor a third. The New York Academy of Medicine owns two manuscripts relating to the work of the French surgeon Guy de Chauliac.
Author: Rosemary Greentree Publisher: Boydell & Brewer ISBN: 9780859916219 Category : Literary Criticism Languages : en Pages : 610
Book Description
This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.
Author: Thorlac Turville-Petre Publisher: John Wiley & Sons ISBN: 1119619297 Category : Literary Criticism Languages : en Pages : 464
Book Description
The fourth edition of this essential Middle English textbook introduces students to the wide range of literature written in England between 1150 and 1400. Beginning with an extensive overview of middle English history, grammar, syntax, and pronunciation, the book goes on to examine key middle English texts — including a new extract from Julian of Norwich's Revelation of Divine Love — with helpful notes to direct students to key points within the text. Keeping in mind adopter feedback, this new edition includes a new model translation section with a student workbook and model exercise for classroom use. This new chapter will include sections on 'false friend' words, untranslatable idioms and notes on translating both poetry and prose. The text and references will be fully updated throughout and a foreword dedicated to the late J. A. Burrow will be included.
Author: Joseph Glaser Publisher: Hackett Publishing ISBN: 1603840109 Category : Poetry Languages : en Pages : 250
Book Description
This rich and lively anthology offers a broad selection of Middle English poetry from about 1200 to 1500 C.E., including more than 150 secular and religious lyrics and nine complete or extracted longer works, all translated into Modern English verse that closely resembles the original forms. Five complete satires and narratives illustrate important conventions of the period: Athelston, a historical romance; The Cock and the Fox, a beast fable by Robert Henryson; Sir Orfeo, a Breton lai; Saint Erkenwald, an alliterative saint's life; and The Land of Cockayne, a fantasy. The book concludes with substantial excerpts from longer narratives such as Piers Plowman and Confessio Amantis. The poems are accompanied by introductions, notes, marginal glosses, source notes, and appendixes, including a bibliography and a list to help readers locate the lyrics in current original-language editions.
Author: Cristina Maria Cervone Publisher: University of Pennsylvania Press ISBN: 0812298519 Category : Literary Collections Languages : en Pages : 561
Book Description
What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.
Author: Rossell Hope Robbins
Author: Rossell Hope Robbins
Author: Linne R. Mooney
Author: Paul Acker
Author: Martin Camargo
Author: A. S. G. Edwards
Author: Michael J. Marcuse
Author: Rosemary Greentree
Author: Thorlac Turville-Petre
Author: Joseph Glaser
Author: Cristina Maria Cervone