![The Independent Group : Postwar Britain and the aesthetics of plenty ; Exhibition organized by Hood Museum of Art, Dartmouth College ... [Publ. accompanies the exhibition february 1 - april 1, 1990 Institute of Contemporary Arts, London ... ] PDF](https://books.google.com/books/content/images/frontcover/-LUEtgEACAAJ?fife=w150-h200)
Author: Lawrence AllowayPublisher:
ISBN: 9780262181396
Category :
Languages : en
Pages : 256
Book Description
The Independent Group : Postwar Britain and the aesthetics of plenty ; Exhibition organized by Hood Museum of Art, Dartmouth College ... [Publ. accompanies the exhibition february 1 - april 1, 1990 Institute of Contemporary Arts, London ... ]
![The Independent Group : Postwar Britain and the aesthetics of plenty ; Exhibition organized by Hood Museum of Art, Dartmouth College ... [Publ. accompanies the exhibition february 1 - april 1, 1990 Institute of Contemporary Arts, London ... ] PDF](https://books.google.com/books/content/images/frontcover/-LUEtgEACAAJ?fife=w80-h100)
Author: Lawrence AllowayPublisher:
ISBN: 9780262181396
Category :
Languages : en
Pages : 256
Book Description
The Independent Group: Postwar Britain and the Aesthetics of Plenty
Author: David RobbinsThe Independent Group
Author: Anne MasseyPublisher: Manchester University Press
ISBN: 9780719042454
Category : Art
Languages : en
Pages : 180
Book Description
This study looks at the artists, designers and writers who formed the Independent Group in the early 1950s including such influential figures as Richard Hamilton, Eduardo Paolozzi, Nigel Henderson, William Turnball, Rayner Banham and Alison and Peter Smithson. As a group they aimed to raise the status of popular objects and icons within modern visual culture. The development of the Independent Group is mapped out against the changing nature of modernism during the Cold War era, as well as the impact of mass consumption on post-war British society. In this book, Massey examines the cultural context of the formation of the Group, covering the founding of the Institute of Contemporary Arts in London, the meanings of modernism, and the creation of a national identity. Key exhibitions such as "Parallel of Life and Art" and "This Is Tomorrow" are also examined.
The Spiv and the Architect
Author: Richard Quentin Donald HornseyPublisher: U of Minnesota Press
ISBN: 0816653143
Category : History
Languages : en
Pages : 321
Book Description
Explores how London's queer culture was influenced by postwar efforts to create model citizens ...
Alison and Peter Smithson
Author: Alison Margaret SmithsonPublisher: 010 Publishers
ISBN: 9064505284
Category : Architects
Languages : en
Pages : 276
Book Description
Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward
The Moulton Bicycle
Author: Bruce D. EppersonPublisher: McFarland
ISBN: 1476632405
Category : Transportation
Languages : en
Pages : 230
Book Description
In 1963, British inventor Alex Moulton (1920-2012) introduced an innovative compact bicycle. Architectural Review editor Reyner Banham (1922-1988) predicted it would give rise to "a new class of cyclists," young urbanites riding by choice, not necessity. Forced to sell his firm in 1967, Moulton returned in the 1980s with an even more radical model, the AM--his acclaim among technology and design historians owed much to Banham's writings. The AM's price tag (some models cost many thousands of dollars) has inspired tech-savvy cyclists to create "hot rod" compact bikes from Moulton-inspired "shopper" cycles of the 1970s--a trend also foreseen by Banham, who considered hot rod culture the "folk art of the mechanical era." The author traces the intertwined lives of two unusually creative men who had an extraordinary impact on each others' careers, despite having met only a few times.
Junk
Author: Gillian WhiteleyPublisher: Bloomsbury Publishing
ISBN: 0857731408
Category : Art
Languages : en
Pages : 302
Book Description
Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition 'The Art of Assemblage' in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.
Machine in the Studio
Author: Caroline A. JonesPublisher: University of Chicago Press
ISBN: 9780226406497
Category : Art
Languages : en
Pages : 582
Book Description
Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.
The British Superhero
Author: Chris MurrayPublisher: Univ. Press of Mississippi
ISBN: 1496807383
Category : Social Science
Languages : en
Pages : 367
Book Description
Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in America, resulting in some contrasting approaches to the figure of the superhero. He identifies the origins of the superhero and supervillain in nineteenth-century popular culture such as the penny dreadfuls and boys' weeklies and in science fiction writing of the 1920s and 1930s. He traces the emergence of British superheroes in the 1940s, the advent of "fake" American comics, and the reformatting of reprinted material. Murray then chronicles the British Invasion of the 1980s and the pivotal roles in American superhero comics and film production held by British artists today. This book will challenge views about British superheroes and the comics creators who fashioned them. Murray brings to light a gallery of such comics heroes as the Amazing Mr X, Powerman, Streamline, Captain Zenith, Electroman, Mr Apollo, Masterman, Captain Universe, Marvelman, Kelly's Eye, Steel Claw, the Purple Hood, Captain Britain, Supercats, Bananaman, Paradax, Jack Staff, and SuperBob. He reminds us of the significance of many such creators and artists as Len Fullerton, Jock McCail, Jack Glass, Denis Gifford, Bob Monkhouse, Dennis M. Reader, Mick Anglo, Brendan McCarthy, Alan Moore, Grant Morrison, Dave Gibbons, and Mark Millar.
Beyond Archigram
Author: Hadas A. SteinerPublisher: Routledge
ISBN: 113471808X
Category : Architecture
Languages : en
Pages : 273
Book Description
Beyond Archigram is the first study of the prehistory of digital representation to focus on the magazine Archigram, the magazine published in London irregularly between 1961 and 1970 and the name of the group that created it. Archigram is among the most significant phenomena to emerge in post-war architectural culture. The wired environments first advertised on its pages formulated an architectural vocabulary of metamorphosis and obsolescence that cross-pollinated industrial and digital technology at the same time as complex systems were becoming commercially available. Through archival, theoretical and visual analysis, Hadas Steiner explores the process through which this model was envisaged and disseminated within an international network of practitioners and shows how the assimilation of Archigram imagery set the course for the visual output of what are now commonplace tools in architectural practice. This book will provide a foundation for further inquiry into the integration of digital technology at every level of design.