Author: Elizabeth Bartman
Publisher:
ISBN: 9781781383100
Category : Art
Languages : en
Pages : 0
Book Description
"This book investigates the important antiquities collection formed by Henry Blundell of Ince Blundell Hall outside Liverpool in the late eighteenth century. Consisting of more than 500 ancient marbles---the UK's largest collection of Roman sculptures after that of the British Museum---the collection was assembled primarily in Italy during Blundell's various "Grand Tour" visits. As ancient statues were the pre-eminent souvenir of the Grand Tour, Blundell had strong competition from other collectors, both British nobility and European aristocrats, monarchs, and the Pope. His statues represent a typical cross-section of sculptures that would have decorated ancient Roman houses, villas, public spaces, and even tombs, although their precise origins are largely unknown. Most are likely to have come from Rome and at least one was found at Hadrian's Villa at Tivoli. Although most of the works are likely to have been broken when found, in keeping with the taste of the period they were almost all restored. Because of their extensive reworking, the statues are today not simply archaeological specimens but rather, artistic palimpsests that are as much a product of the 18th century as of antiquity. Through them we can learn what antiquarians and collectors of the 18th century---a key period in the development of scientific archaeology as a discipline---thought about antiquity. Steeped in the work of such writers as Alexander Pope, an educated Englishman like Blundell sought a visual expression of a lost past. Restoration played a major role in creating that visual expression, and I pay close attention to the aims and methods by which the Ince restorations advanced an 18th century vision of the "classical." The image of antiquity formed at this time has continued to exert a profound effect on how we see these pieces today. The book will be the first to examine the ideal sculpture of Ince Blundell Hall in nearly a century. In so doing it aims to rehabilitate the reputations of a collector and collection that have largely been been ignored by both art-lovers and scholars in post-war Britain."
The Ince Blundell Collection of Classical Sculpture
Author: Elizabeth Bartman
Publisher:
ISBN: 9781781383100
Category : Art
Languages : en
Pages : 0
Book Description
"This book investigates the important antiquities collection formed by Henry Blundell of Ince Blundell Hall outside Liverpool in the late eighteenth century. Consisting of more than 500 ancient marbles---the UK's largest collection of Roman sculptures after that of the British Museum---the collection was assembled primarily in Italy during Blundell's various "Grand Tour" visits. As ancient statues were the pre-eminent souvenir of the Grand Tour, Blundell had strong competition from other collectors, both British nobility and European aristocrats, monarchs, and the Pope. His statues represent a typical cross-section of sculptures that would have decorated ancient Roman houses, villas, public spaces, and even tombs, although their precise origins are largely unknown. Most are likely to have come from Rome and at least one was found at Hadrian's Villa at Tivoli. Although most of the works are likely to have been broken when found, in keeping with the taste of the period they were almost all restored. Because of their extensive reworking, the statues are today not simply archaeological specimens but rather, artistic palimpsests that are as much a product of the 18th century as of antiquity. Through them we can learn what antiquarians and collectors of the 18th century---a key period in the development of scientific archaeology as a discipline---thought about antiquity. Steeped in the work of such writers as Alexander Pope, an educated Englishman like Blundell sought a visual expression of a lost past. Restoration played a major role in creating that visual expression, and I pay close attention to the aims and methods by which the Ince restorations advanced an 18th century vision of the "classical." The image of antiquity formed at this time has continued to exert a profound effect on how we see these pieces today. The book will be the first to examine the ideal sculpture of Ince Blundell Hall in nearly a century. In so doing it aims to rehabilitate the reputations of a collector and collection that have largely been been ignored by both art-lovers and scholars in post-war Britain."
Publisher:
ISBN: 9781781383100
Category : Art
Languages : en
Pages : 0
Book Description
"This book investigates the important antiquities collection formed by Henry Blundell of Ince Blundell Hall outside Liverpool in the late eighteenth century. Consisting of more than 500 ancient marbles---the UK's largest collection of Roman sculptures after that of the British Museum---the collection was assembled primarily in Italy during Blundell's various "Grand Tour" visits. As ancient statues were the pre-eminent souvenir of the Grand Tour, Blundell had strong competition from other collectors, both British nobility and European aristocrats, monarchs, and the Pope. His statues represent a typical cross-section of sculptures that would have decorated ancient Roman houses, villas, public spaces, and even tombs, although their precise origins are largely unknown. Most are likely to have come from Rome and at least one was found at Hadrian's Villa at Tivoli. Although most of the works are likely to have been broken when found, in keeping with the taste of the period they were almost all restored. Because of their extensive reworking, the statues are today not simply archaeological specimens but rather, artistic palimpsests that are as much a product of the 18th century as of antiquity. Through them we can learn what antiquarians and collectors of the 18th century---a key period in the development of scientific archaeology as a discipline---thought about antiquity. Steeped in the work of such writers as Alexander Pope, an educated Englishman like Blundell sought a visual expression of a lost past. Restoration played a major role in creating that visual expression, and I pay close attention to the aims and methods by which the Ince restorations advanced an 18th century vision of the "classical." The image of antiquity formed at this time has continued to exert a profound effect on how we see these pieces today. The book will be the first to examine the ideal sculpture of Ince Blundell Hall in nearly a century. In so doing it aims to rehabilitate the reputations of a collector and collection that have largely been been ignored by both art-lovers and scholars in post-war Britain."
The Ince Blundell Collection of Classical Sculpture: The portraits. pt. 1. Introduction. The female portraits. Concordances
Author: Jane Fejfer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
Catlogue of a collection of classical sculpture once owned by Henry Blundell and donated to the Liverpool Museum and the Walker Art Gallery in 1959.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
Catlogue of a collection of classical sculpture once owned by Henry Blundell and donated to the Liverpool Museum and the Walker Art Gallery in 1959.
The Ince Blundell Collection of Classical Sculpture
Author: Jane Fejfer
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 264
Book Description
The Ince Blundell Collection of Classical Sculpture: The portraits. pt. 1. Introduction. The female portraits. Concordances
Author: National Museums Liverpool
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
Catlogue of a collection of classical sculpture once owned by Henry Blundell and donated to the Liverpool Museum and the Walker Art Gallery in 1959.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
Catlogue of a collection of classical sculpture once owned by Henry Blundell and donated to the Liverpool Museum and the Walker Art Gallery in 1959.
The Ince Blundell collection of classical sculpture
The Ince Blundell Collection of Classical Sculpture
Author: Jane Fejfer
Publisher:
ISBN:
Category : Sculpture, Classical
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : Sculpture, Classical
Languages : en
Pages : 336
Book Description
History of Restoration of Ancient Stone Sculptures
Author: Janet Burnett Grossman
Publisher: Getty Publications
ISBN: 0892367237
Category : Art
Languages : en
Pages : 288
Book Description
The nineteen papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators, and a practicing marble sculptor to discuss varying approaches to restoration of ancient stone sculpture. Contributors and their subjects include Marion True and Jerry Podany on changing approaches to conservation; Seymour Howard on restoration and the antique model; Nancy H. Ramage’s case study on the relationship between a restorer, Vincenzo Pacetti, and his patron, Luciano Bonaparte; Mette Moltesen on de-restoring and re-restoring in the Ny Carlsberg Glyptotek; Miranda Marvin on the Ludovisi collection; and Andreas Scholl on the history of restoration of ancient sculptures in the Altes Museum in Berlin. The book also features contributions by Elizabeth Bartman, Brigitte Bourgeois, Jane Fejfer, Angela Gallottini, Sascha Kansteiner, Giovanna Martellotti, Orietta Rossi Pinelli, Peter Rockwell, Edmund Southworth, Samantha Sportun, and Markus Trunk. Charles Rhyne summarizes the themes, approaches, issues, and questions raised by the symposium.
Publisher: Getty Publications
ISBN: 0892367237
Category : Art
Languages : en
Pages : 288
Book Description
The nineteen papers in this volume stem from a symposium that brought together academics, archaeologists, museum curators, conservators, and a practicing marble sculptor to discuss varying approaches to restoration of ancient stone sculpture. Contributors and their subjects include Marion True and Jerry Podany on changing approaches to conservation; Seymour Howard on restoration and the antique model; Nancy H. Ramage’s case study on the relationship between a restorer, Vincenzo Pacetti, and his patron, Luciano Bonaparte; Mette Moltesen on de-restoring and re-restoring in the Ny Carlsberg Glyptotek; Miranda Marvin on the Ludovisi collection; and Andreas Scholl on the history of restoration of ancient sculptures in the Altes Museum in Berlin. The book also features contributions by Elizabeth Bartman, Brigitte Bourgeois, Jane Fejfer, Angela Gallottini, Sascha Kansteiner, Giovanna Martellotti, Orietta Rossi Pinelli, Peter Rockwell, Edmund Southworth, Samantha Sportun, and Markus Trunk. Charles Rhyne summarizes the themes, approaches, issues, and questions raised by the symposium.
Classical Sculpture and the Culture of Collecting in Britain Since 1760
Author: Viccy Coltman
Publisher: Oxford University Press
ISBN: 019955126X
Category : Art
Languages : en
Pages : 362
Book Description
This is an illustrated study of the reception of classical sculptures in the early modern period. Viccy Coltman contrasts the culture of British 18th century collecting, which integrated sculpture into the domestic interior, with the focus upon individual specimens by archaeologists like Adolf Michaelis a century later.
Publisher: Oxford University Press
ISBN: 019955126X
Category : Art
Languages : en
Pages : 362
Book Description
This is an illustrated study of the reception of classical sculptures in the early modern period. Viccy Coltman contrasts the culture of British 18th century collecting, which integrated sculpture into the domestic interior, with the focus upon individual specimens by archaeologists like Adolf Michaelis a century later.
The Ince Blundell Collection of Classical Sculpture
Author: Ince Blundell Collection of Classical Sculpture
Publisher:
ISBN:
Category : Classical antiquities
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Classical antiquities
Languages : en
Pages : 0
Book Description