The Impact of Western Drama Upon Modern Egyptian Drama PDF Download

Author: Mahmoud Flayeh Ali Gemei'an Al-shetaiwi
Publisher:
ISBN:
Category : Arabic drama
Languages : en
Pages : 606

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Author: Mahmoud Flayeh Ali Gemei'an Shetaiwi
Publisher:
ISBN:
Category : Arabic drama
Languages : en
Pages : 303

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Book Description

Author: Mahmoud Flayeh Ali Gemeián Al-shetaiwi
Publisher:
ISBN:
Category : Arabic drama
Languages : en
Pages : 320

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Author: M. F. A. Al-Shetaiwi
Publisher:
ISBN:
Category : Egyptian drama
Languages : en
Pages : 303

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Author: Abdel-Hamid Ibrahim Abdel-Hamid Shiha
Publisher:
ISBN:
Category : Arabic drama
Languages : en
Pages : 0

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There is a growing realization that drama, since it first appeared In the mid-nineteenth century in Arabic literature as an imported genre from the West, has come a long way to identify Itself with the past cultural tradition of the Arabs. The aim of this thesis is to examine the rise of traditional themes which over the years have come to constitute an important part of modern Egyptian drama. In order to explain this process and its manifold phases of development the study has been projected in eight chapters. The first two chapters provide the general background to this thesis. Firstly, I deal with the dramatic elements in the literary tradition to be found in the maqamat and shadow plays in the heritage of Arabic drama in Egypt. Secondly, I present a general view of Modern Arabic literature, during the revivalist movement that was motivated by political and national considerations. Against this setting, I have dealt with the appearance of drama and the pioneering efforts made to establish it on the firm ground of tradition as well as the reasons for doing so. This early phase reached its climax in the poetic drama of the important poet Ahmad Shawqi, whose contribution as a dramatist has been evaluated through a critical analysis of one of his best dramatic works. It emerges from this study that Shawqi represents the natural mid-way link between the early attempts and later phase of the full flowering of Arabic drama. In the fourth chapter I have focussed my attention on Tawfiq al-Hakim as the dominant figure in Arabic drama up to now. Three major plays have been examined thoroughly in order to trace the influence of the Areb-Islamic tradition upon his drama, and to stress the natural and artistic fusion of certain elements blended from two seemingly incompatible cultures: the Occidental and the Oriental. The fifth chapter is concerned with an evaluation of the changes that occurred in modern Arabic poetry in order to meet the needs of drama. This is followed by two chapters which trace the impact of tradition on the themes of Arabic verse drama. The first deals with the Sufi tradition as revealed in one of the plays of Salah Abd al-Sabur, a prominent poet of the new movement of Arabic poetry. The second shows how a traditional historical narrative serves the theme of rebellion in one of the plays of Abd al-Rahman al-Sharqawi, a writer with socialist affiliations. Finally, Chapter Eight provides a critical assessment of the works studied above, and a discussion of some of the major problems facing Arabic drama in Egypt today. To this has been added an Appendix containing the resolutions and recommendations of The Arabic Theatre Conference, held in Damascus in 1973, under the auspices of the Organization of Education, Culture and Sciences, of The Arab League.

Author: Sirkku Aaltonen
Publisher: Routledge
ISBN: 1317368274
Category : Drama
Languages : en
Pages : 301

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This study of Egyptian theatre and its narrative construction explores the ways representations of Egypt are created of and within theatrical means, from the 19th century to the present day. Essays address the narratives that structure theatrical, textual, and performative representations and the ways the rewriting process has varied in different contexts and at different times. Drawing on concepts from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, scholars and practitioners from Egypt and the West enter into dialogue with one another, expanding understanding of the different fields. The articles focus on the ways theatre texts and performances change (are rewritten) when crossing borders between different worlds. The concept of rewriting is seen to include translation, transformation, and reconstruction, and the different borders may be cultural and national, between languages and dramaturgies, or borders that are present in people’s everyday lives. Essays consider how rewritings and performances cross borders from one culture, nation, country, and language to another. They also study the process of rewriting, the resulting representations of foreign plays on stage, and representations of the Egyptian revolution on stage and in Tahrir Square. This assessment of the relationship between theatre practices, exchanges, and rewritings in Egyptian theatre brings vital coverage to an undervisited area and will be of interest to developments in theatre translation and beyond.

Author: Graley Herren
Publisher: McFarland
ISBN: 0786494611
Category : Performing Arts
Languages : en
Pages : 263

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Text & Presentation gathers some of the best work presented at the 2014 Comparative Drama Conference in Baltimore. The subjects explored in this volume range from ancient to contemporary and encompass great cultural and intellectual diversity. The highlight of the conference was a presentation by award-winning playwright David Henry Hwang. A transcript of Hwang's conversation is the lead piece, followed by twelve research papers, one review essay and ten book reviews. This volume accurately represents the diversity of the annual conference, and represents the latest research in the fields of comparative drama, performance and dramatic textual analysis.

Author: Abdel-Hamid Ibrahim Abdel-Hamid Shiha
Publisher:
ISBN:
Category :
Languages : en
Pages : 508

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Author: Sherifa Zuhur
Publisher: American University in Cairo Press
ISBN: 1617972312
Category : Art
Languages : en
Pages : 588

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In this companion volume to the successful Images of Enchantment: Visual and Performing Arts of the Middle East (AUC Press, 1998), historian and ethnomusicologist Sherifa Zuhur has once again commissioned and edited authoritative essays from noteworthy scholars from around the globe that explore the visual and performing arts in the Middle East. What differentiates this volume from its predecessor is its investigation of theater, from the early modern period to the contemporary. Topics include race and national identity in Egyptian theater, early writing in the Arab theater in North America, Persian-language theater from its origins through the twentieth century, Palestinian nationalist theater, and a survey of the work of noted Egyptian playwright Yusuf Idris. Other aspects of the arts are not neglected, of course, as further avenues of dance, music, and the visual arts are explored. Marked by interesting and fresh perspectives, Colors of Enchantment is another vital contribution to scholarship on the arts of the Middle East. Contributors: Najwa Adra, Wijdan Ali, Sami Asmar, Clarissa Burt, Michael Frishkopf, M. R. Ghanoonparvar, Tori Haring-Smith, Kathleen Hood, Deborah Kapchan, Neil van der Linden, Samia Mehrez, Mona Mikhail, Sami A. Ofeish, 'Ali Jihad Racy, Rashad Rida, Tonia Rifaey, Edward Said, Lori Anne Salem, Philip D. Schuyler, Selim Sednaoui, Reuven Snir, James Stone, Eve Troutt Powell, and Sherifa Zuhur.

Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 516

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