Author: Ruth Flanders McNaughtonPublisher: Lincoln, U. of Nebraska
ISBN:
Category : Figures of speech
Languages : en
Pages : 78
Book Description
The Imagery of Emily Dickinson
Author: Ruth Flanders McNaughtonPublisher: Lincoln, U. of Nebraska
ISBN:
Category : Figures of speech
Languages : en
Pages : 78
Book Description
The Gardens of Emily Dickinson
Author: Judith FARRPublisher: Harvard University Press
ISBN: 0674036727
Category : Poetry
Languages : en
Pages : 368
Book Description
In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality. Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today. Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere. Table of Contents: Introduction 1. Gardening in Eden 2. The Woodland Garden 3. The Enclosed Garden 4. The "Garden in the Brain" 5. Gardening with Emily Dickinson Louise Carter Epilogue: The Gardener in Her Seasons Appendix: Flowers and Plants Grown by Emily Dickinson Abbreviations Notes Acknowledgments Index of Poems Cited Index Reviews of this book: In this first major study of our beloved poet Dickinson's devotion to gardening, Farr shows us that like poetry, gardening was her daily passion, her spiritual sustenance, and her literary inspiration...Rather than speaking generally about Dickinson's gardening habits, as other articles on the subject have done, Farr immerses the reader in a stimulating and detailed discussion of the flowers Dickinson grew, collected, and eulogized...The result is an intimate study of Dickinson that invites readers to imagine the floral landscapes that she saw, both in and out of doors, and to re-create those landscapes by growing the same flowers (the final chapter is chock-full of practical gardening tips). --Maria Kochis, Library Journal Reviews of this book: This is a beautiful book on heavy white paper with rich reproductions of Emily Dickinson's favorite flowers, including sheets from the herbarium she kept as a young girl. But which came first, the flowers or the poems? So intertwined are Dickinson's verses with her life in flowers that they seem to be the lens through which she saw the world. In her day (1830-86), many people spoke 'the language of flowers.' Judith Farr shows how closely the poet linked certain flowers with her few and beloved friends: jasmine with editor Samuel Bowles, Crown Imperial with Susan Gilbert, heliotrope with Judge Otis Lord and day lilies with her image of herself. The Belle of Amherst, Mass., spent most of her life on 14 acres behind her father's house on Main Street. Her gardens were full of scented flowers and blossoming trees. She sent notes with nosegays and bouquets to neighbors instead of appearing in the flesh. Flowers were her messengers. Resisting digressions into the world of Dickinson scholarship, Farr stays true to her purpose, even offering a guide to the flowers the poet grew and how to replicate her gardens. --Susan Salter Reynolds, Los Angeles Times Cuttings from the book: "The pansy, like the anemone, was a favorite of Emily Dickinson because it came up early, announcing the longed-for spring, and, as a type of bravery, could withstand cold and even an April snow flurry or two in her Amherst garden. In her poem the pansy announces itself boldly, telling her it has been 'resoluter' than the 'Coward Bumble Bee' that loiters by a warm hearth waiting for May." "She spoke of the written word as a flower, telling Emily Fowler Ford, for example, 'thank you for writing me, one precious little "forget-me-not" to bloom along my way.' She often spoke of a flower when she meant herself: 'You failed to keep your appointment with the apple-blossoms,' she reproached her friend Maria Whitney in June 1883, meaning that Maria had not visited her . . . Sometimes she marked the day or season by alluding to flowers that had or had not bloomed: 'I said I should send some flowers this week . . . [but] my Vale Lily asked me to wait for her.'" "People were also associated with flowers . . . Thus, her loyal, brisk, homemaking sister Lavinia is mentioned in Dickinson's letters in concert with sweet apple blossoms and sturdy chrysanthemums . . . Emily's vivid, ambitious sister-in-law Susan Dickinson is mentioned in the company of cardinal flowers and of that grand member of the fritillaria family, the Crown Imperial."
The Music of Emily Dickinson's Poems and Letters
Author: Carolyn Lindley CooleyPublisher: McFarland
ISBN: 078641491X
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Music is a vital element in the poems and prose of Emily Dickinson but, despite its importance, the function of music as a literary technique in her work has not yet been fully explored; what information exists is scarce and scattered. The significance of the musical terminology and imagery in Dickinson's poetry and prose are thoroughly explored in this book. It considers the music of Dickinson's life and times and how it influenced her writing, how she combined music and poetry to create her own style, several important nineteenth century reviews for what they reveal about the musical quality of her work, and her use of Protestant hymns as a model for her poetry. It also provides insights into musical interpretations of her poetry as related to the author by some fifty modern-day composers and arrangers, and discusses musical reflections of her poems and letters.
Poems by Emily Dickinson
Author: Emily DickinsonPublisher:
ISBN:
Category : American poetry
Languages : en
Pages : 168
Book Description
The Imagery of Emily Dickinson's Poetry
Author: Mary Rose SweeneyAfter Emily: Two Remarkable Women and the Legacy of America's Greatest Poet
Author: Julie DobrowPublisher: W. W. Norton & Company
ISBN: 0393249271
Category : Biography & Autobiography
Languages : en
Pages : 435
Book Description
“Scandal and pathos abound” (The New Yorker) in this riveting account of the mother and daughter who brought Emily Dickinson’s genius to light. Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography • Finalist for the Plutarch Award Despite Emily Dickinson’s renown, the story of the two women most responsible for her initial posthumous publication—Mabel Loomis Todd and her daughter, Millicent Todd Bingham—has remained in the shadows of the archives. Utilizing hundreds of overlooked letters and diaries to weave together three unstoppable women, Julie Dobrow reveals the intrigue of Dickinson’s literary beginnings, including Mabel’s tumultuous affair with Emily’s brother, Austin Dickinson, controversial editorial decisions, and a battle over the right to define the so-called Belle of Amherst.
Emily Dickinson's Death Poetry
Author: Nina DietrichPublisher: GRIN Verlag
ISBN: 3638239845
Category : Literary Collections
Languages : en
Pages : 14
Book Description
Essay from the year 2002 in the subject American Studies - Literature, grade: 1.0 (A), University of Kent (School of English), course: Nineteenth-Century American Literature, language: English, abstract: After the first two volumes of Emily Dickinson’s poems appeared posthumously in 1890 and 1891, there were many negative reviews of her work, such as, If Miss Dickinson’s disjecta membra are poems, then Shakespeare’s prolonged imposition should be exposed without further loss of time ... Miss Dickinson’s versicles have a queerness and a quaintness that have stirred a momentary curiosity in emotional bosoms. Oblivion lingers in the immediate neighbourhood.1 Today, however, Dickinson’s poetry is widely regarded as a milestone in American literature. Dickinson has become a classic, famous for her vivid, powerful imagery and innovative style. In fact, some critics consider her ‘the finest American woman poet’2 and claim that ‘[h]er accomplishment is so radically original that the entire model of what poetry can know (and write) changes when her work is taken into account.’3 There is an extensive range of criticism on Emily Dickinson’s poetry, many of which focuses on her treatment of five dominant themes, that is, life, death, immortality, love and nature. Dickinson’s early editors as well as critics including Ruth Flanders McNaughton group the poems in these categories. According to Henry W. Wells, about one quarter of Dickinson’s poems deals chiefly with the theme of death. 4 This part of Emily Dickinson’s poetry will be in the centre of this essay. The essay will, first of all, explain why the theme is so important for the poet. Why does Dickinson appear to be preoccupied with death? Is it natural for her to make death one of her central topics? 1 Anonymous, ‘The New Pastoral Poetry,’ The Atlantic Monthly, 69, January 1892, p.144, quoted in Ruth Flanders McNaughton, The Imagery of Emily Dickinson, Norwood Editions, 1970, p. vii 2 David Porter, Dickinson: The Modern Idiom, Harvard University Press, 1981, p.1, quoted in Helen McNeil, Emily Dickinson, Virago Press, 1986, p.1 3 Helen McNeil, Emily Dickinson, Virago Press, 1986, p.1 4 Henry W. Wells, Introduction to Emily Dickinson, Hendricks House, 1958, p. 94
Emily Dickinson's Gardening Life
Author: Marta McDowellPublisher: Timber Press
ISBN: 1604699752
Category : Biography & Autobiography
Languages : en
Pages : 375
Book Description
“A visual treat as well as a literary one…for gardeners and garden lovers, connoisseurs of botanical illustration, and those who seek a deeper understanding of the life and work of Emily Dickinson.” —The Wall Street Journal Emily Dickinson was a keen observer of the natural world, but less well known is the fact that she was also an avid gardener—sending fresh bouquets to friends, including pressed flowers in her letters, and studying botany at Amherst Academy and Mount Holyoke. At her family home, she tended both a small glass conservatory and a flower garden. In Emily Dickinson’s Gardening Life, award-winning author Marta McDowell explores Dickinson’s deep passion for plants and how it inspired and informed her writing. Tracing a year in the garden, the book reveals details few know about Dickinson and adds to our collective understanding of who she was as a person. By weaving together Dickinson’s poems, excerpts from letters, contemporary and historical photography, and botanical art, McDowell offers an enchanting new perspective on one of America’s most celebrated but enigmatic literary figures.
The Selected Poems of Emily Dickinson
Author: Emily DickinsonPublisher: Modern Library
ISBN: 0307823784
Category : Poetry
Languages : en
Pages : 297
Book Description
Emily Dickinson lived as a recluse in Amherst, Massachusetts, dedicating herself to writing a "letter to the world"--the 1,775 poems left unpublished at her death in 1886. Today, Dickinson stands in the front rank of American poets. This enthralling collection includes more than four hundred poems that were published between Dickinson's death and 1900. They express her concepts of life and death, of love and nature, and of what Henry James called "the landscape of the soul." And as Billy Collins suggests in his Introduction, "In the age of the workshop, the reading, the poetry conference and festival, Dickinson reminds us of the deeply private nature of literary art."
The Complete Poems
Author: Emily DickinsonPublisher: Prabhat Prakashan
ISBN:
Category : Poetry
Languages : en
Pages : 1884
Book Description
A powerful collection of verses by one of America's greatest poets. These beautiful, profound meditations on nature, spirit, faith, and love were created by the brilliant imagination of one of our most original poets.