The Image of the Indian and the Black Man in American Art, 1590-1900 PDF Download

Author: Ellwood Parry
Publisher: George Braziller
ISBN: 9780807607077
Category : African Americans in art
Languages : en
Pages : 191

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Author: Ellwood Parry
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 214

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Author:
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 790

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Author: Sarah Blackwood
Publisher: UNC Press Books
ISBN: 1469652609
Category : Literary Criticism
Languages : en
Pages : 217

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Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. In The Portrait's Subject, Sarah Blackwood tells a wide-ranging story about how images of human surfaces came to signal expressions of human depth during this era in paintings, photographs, and illustrations, as well as in literary and cultural representations of portrait making and viewing. Combining visual theory, literary close reading, and archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Portraiture, the book argues, was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology. The Portrait's Subject reveals the underappreciated connections between portraiture's representations of the material human body and developing modern ideas about the human mind. It encouraged figures like Frederick Douglass, Nathaniel Hawthorne, Thomas Eakins, Harriet Jacobs, and Henry James to reimagine how we might see inner life, offering a rich array of metaphors and aesthetic approaches that helped reconfigure the relationship between body and mind, exterior and interior. In the end, Blackwood shows how nineteenth-century psychological discourse developed as much through aesthetic fabulation as through scientific experimentation.

Author: Stephen Adams
Publisher: University of Virginia Press
ISBN: 9780813920382
Category : History
Languages : en
Pages : 326

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From its earliest days, the Virginia landscape has elicited dramatically contradictory descriptions. The sixteenth-century poet Michael Drayton exalted the land as "earth's onely paradise," while John Smith, in his reports to England, summarized the area around Jamestown as "a miserie, a ruine, a death, a hell." Drawing upon both familiar history and lesser-known material from deep geological time through the end of the seventeenth century, Stephen Adams focuses on both the physical changes to the land over time and the changes in the way people viewed Virginia. The Best and Worst Country in the World reaches well beyond previous accounts of early American views of the land with the inclusion of fascinating and important pre-1700 sources, Native American perceptions, and prehuman geography and geology. A blend of history, literature, geology, geography, and natural history, enriched by illustrations ranging from a dinosaur footprint to John Smith's famous "Map of Virginia," Adams's work offers an ecocritical exploration of the varied preconceptions that have shaped and colored the human relationship with "the best and worst country in the world"--the early Virginia landscape.

Author: Jon W. Finson
Publisher: Oxford University Press
ISBN: 019535432X
Category : Music
Languages : en
Pages : 367

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In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh! Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.

Author: Lubbers
Publisher: BRILL
ISBN: 9004649247
Category : Art
Languages : en
Pages : 328

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This volume examines the ways in which attempts to define and delimit American nationhood effected imaginative and documentary conceptualizations of the Native American population. Far-reaching in its scope, both in terms of the period covered - roughly the period from the Declaration of Independence to the closing of the frontier - and in terms of the variety and kinds of documents examined, this study calls attention to the cultural and generic restraints that prevented visual and literary artists, as well as statesmen and community leaders, from adopting any position toward Native Americans other than a prejudicial one.

Author: S. Tenneriello
Publisher: Springer
ISBN: 1137360623
Category : Performing Arts
Languages : en
Pages : 324

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Scenic spectacles collapse the borders of graphic and visual arts, multimedia technology, spectatorship and architecture. Drawing upon various systems of commercial, institutional and public spectacle that intersect with scenic stages of the national landscape, Tenneriello examines how spectacle is entrenched in the formation of national identity.

Author: Lee Clark Mitchell
Publisher: Princeton University Press
ISBN: 1400856159
Category : Nature
Languages : en
Pages : 340

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Propelled across the continent by notions of rugged individualism" and "manifest destiny," pioneer Americans soon discovered that such slogans only partly disguised the fact that building an empire meant destroying a wilderness. Through an astonishing range of media, they voiced their concern about America's westward mission. Drawing on a wide variety of evidence, Lee Clark Mitchell portrays the growing apprehensions Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Diana DiPaolo Loren
Publisher: Rowman Altamira
ISBN: 9780759106611
Category : History
Languages : en
Pages : 160

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Loren's In Contact offers a fascinating synthesis of current knowledge of the contact period between Europeans and Native peoples in the American Eastern woodlands.