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Author: Christiane Gruber Publisher: Bloomsbury Publishing ISBN: 0857718096 Category : Religion Languages : en Pages : 212
Book Description
The traditional account of the Prophet Muhammad's ascension has inspired generations of writers and storytellers from the beginnings of Islam until today. By the tenth century, narratives describing Muhammad's encounter with prophets and angels, his colloquy with God, and his visits of heaven and hell lead to the formation of the "Book of Ascension", a novelizing and engaging literary genre most commonly written in Arabic and Turkic dialects. This is the study of an extremely rare Persian "Book of Ascension", which was written in Persian by an anonymous author and dates from the Ilkhanid Period (1256-1353). Christiane Gruber presents an English translation alongside the original manuscript text, together with critical commentary on the text as well as a series of Ilkhanid ascension paintings. The text appears to promote adherence, as well as to encourage conversion, to Sunni Islam - providing a fascinating insight into the interplay between artistic practices and missionary efforts aimed at promoting Sunni Islam in Persian lands during Ilkhanid rule.
Author: Christiane Gruber Publisher: Bloomsbury Publishing ISBN: 0857718096 Category : Religion Languages : en Pages : 212
Book Description
The traditional account of the Prophet Muhammad's ascension has inspired generations of writers and storytellers from the beginnings of Islam until today. By the tenth century, narratives describing Muhammad's encounter with prophets and angels, his colloquy with God, and his visits of heaven and hell lead to the formation of the "Book of Ascension", a novelizing and engaging literary genre most commonly written in Arabic and Turkic dialects. This is the study of an extremely rare Persian "Book of Ascension", which was written in Persian by an anonymous author and dates from the Ilkhanid Period (1256-1353). Christiane Gruber presents an English translation alongside the original manuscript text, together with critical commentary on the text as well as a series of Ilkhanid ascension paintings. The text appears to promote adherence, as well as to encourage conversion, to Sunni Islam - providing a fascinating insight into the interplay between artistic practices and missionary efforts aimed at promoting Sunni Islam in Persian lands during Ilkhanid rule.
Author: Christiane J. Gruber Publisher: Indiana University Press ISBN: 0253353610 Category : Art Languages : en Pages : 404
Book Description
The tales of the mi'raj describe the prophet Muhammad's journey through the heavens, his encounters with prophets and angels, and his visit to heaven and hell. The tales are among Islam's most popular, appearing in Arabic, Persian, and Turkish literature, and in later adaptations throughout the Muslim world. Often serving as narratives designed to promote the worldview of particular Muslim groups, the tales were also a means for communities to construct rules of normative behavior and ritual practices, and were used to assert the superiority of Islam over other religions. The essays in this collection discuss the formation of this narrative, the mi'raj as a missionary text, its various adaptations, its application to esoteric thought, and its use in performance and ritual. -- Book jacket.
Author: Christiane J. Gruber Publisher: I.B. Tauris ISBN: Category : Biography & Autobiography Languages : en Pages : 220
Book Description
"Christiane Gruber's analysis of the illustrations of the Prophet's ascension has revolutionized the interpretation of this important aspect of Islamic art history, bringing out its deep religious significance as well as its political context. This is a must-read for anyone engaged in global art history or the understanding of Islamic culture". Carl W. Ernst, William R. Kenan, Jr. Distinguished Professor of Religious Studies, The University of North Carolina at Chapel Hill.
Author: Patrick Wing Publisher: Edinburgh University Press ISBN: 1474402267 Category : History Languages : en Pages : 240
Book Description
This book traces the origins, history, and memory of the Jalayirid dynasty, a family that succeeded the Mongol Ilkhans in Iran and Iraq in the 14th and early 15th centuries. The story of how the Jalayirids came to power is illustrative of the political dynamics that shaped much of the Mongol and post-Mongol period in the Middle East. The Jalayirid sultans sought to preserve the social and political order of the Ilkhanate, while claiming that they were the rightful heirs to the rulership of that order. Central to the Jalayirids' claims to the legacy of the Ilkhanate was their attempt to control the Ilkhanid heartland of Azarbayjan and its major city, Tabriz. Control of Azarbayjan meant control of a network of long-distance trade between China and the Latin West, which continued to be a source of economic prosperity through the 8th/14th century. Azarbayjan also represented the center of Ilkhanid court life, whether in the migration of the mobile court-camp of the ruler, or in the complexes of palatial, religious and civic buildings constructed around the city of Tabriz by members of the Ilkhanid royal family, as well as by members of the military and administrative elite.
Author: Pedram Khosronejad Publisher: Bloomsbury Publishing ISBN: 0857720651 Category : Art Languages : en Pages : 304
Book Description
Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions.
Author: Kishwar Rizvi Publisher: BRILL ISBN: 9004352848 Category : History Languages : en Pages : 234
Book Description
Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.
Author: Christian Lange Publisher: BRILL ISBN: 9004301364 Category : Religion Languages : en Pages : 383
Book Description
Islam is often seen as a religious tradition in which hell does not play a particularly prominent role. This volume challenges this hackneyed view. Locating Hell in Islamic Traditions is the first book-length analytic study of the Muslim hell. It maps out a broad spectrum of Islamic attitudes toward hell, from the Quranic vision(s) of hell to the pious cultivation of the fear of the afterlife, theological speculations, metaphorical and psychological understandings, and the modern transformations of hell. Contributors: Frederick Colby, Daniel de Smet, Christiane Gruber, Jon Hoover, Mohammad Hassan Khalil, Christian Lange, Christopher Melchert, Simon O’Meara, Samuela Pagani, Tommaso Tesei, Roberto Tottoli, Wim Raven, and Richard van Leeuwen.
Author: Barbara Drake Boehm Publisher: Metropolitan Museum of Art ISBN: 1588395987 Category : Art Languages : en Pages : 358
Book Description
Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.
Author: Jason Bahbak Mohaghegh Publisher: John Hunt Publishing ISBN: 178904278X Category : Philosophy Languages : en Pages : 131
Book Description
This short book engages the myriad dimensions of Night, through ancient rituals, medieval storytelling, modern philosophy, and futuristic images, in order to explore the human experience of the after-dark. It thereby tracks Night through the prisms of its most fascinating practitioners: namely, those who keep strange hours and navigate the various potentialities of nocturnal experience (both of terror and enchantment). The Thief’s Night; The Runaway’s Night; The Drunkard’s Night; The Insomniac’s Night; The Revolutionary’s Night; The Lunatic’s Night; The Sorcerer’s Night. Undoubtedly, each of these conceptual figures provides a unique gateway into understanding the powerful sensorial effects of evening, as well as its vast connections to larger questions of time, space, fear, nothingness, desire, death, forgetting, vision, secrecy, criminality, monstrosity, and the body.
Author: Avinoam Shalem Publisher: Walter de Gruyter ISBN: 3110300869 Category : Art Languages : en Pages : 170
Book Description
thevolume represents a significant contribution to the complex history of the conceptualization and pictorialization of the Prophet Muhammad in the West. It gives a rapid and though deep overview of the history of the making of an image of the Prophet Muhammad in Europe and thus reflects the whole history of the making of the image of Islam in the Latin West, from the early medieval times till the 19th century. The book also provides the reader with ready access to the most recent scholarship concerning the image of Muhammad in Europe, in the form of comprehensive footnotes provided throughout the text and an extensive bibliography.
Author: Christiane Gruber
Author: Christiane Gruber
Author: Christiane J. Gruber
Author: Christiane J. Gruber
Author: Patrick Wing
Author: Pedram Khosronejad
Author: Kishwar Rizvi
Author: Christian Lange
Author: Barbara Drake Boehm 
Author: Jason Bahbak Mohaghegh
Author: Avinoam Shalem