Author: George Kubler
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Iconography of the art of teotihuacan
The Iconography of the Teotihuacan Tlaloc
Author: Esther Pasztory
Publisher: Dumbarton Oaks
ISBN: 9780884020592
Category : Art
Languages : en
Pages : 28
Book Description
Publisher: Dumbarton Oaks
ISBN: 9780884020592
Category : Art
Languages : en
Pages : 28
Book Description
Art, Ideology, and the City of Teotihuacan
Author: Janet Catherine Berlo
Publisher: Dumbarton Oaks
ISBN: 9780884022053
Category : Art
Languages : en
Pages : 462
Book Description
Publisher: Dumbarton Oaks
ISBN: 9780884022053
Category : Art
Languages : en
Pages : 462
Book Description
The Iconography of the Art of Teotihuacán
Author: George Kubler
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Indian art
Languages : en
Pages : 40
Book Description
Teotihuacan
Author: Esther Pasztory
Publisher: University of Oklahoma Press
ISBN: 9780806128474
Category : History
Languages : en
Pages : 318
Book Description
This book is the first comprehensive study and reinterpretation of the unique arts of Teotihuacan, including architecture, sculpture, mural painting, and ceramics. Comparing the arts of Teotihuacan - not previously judged "artistic" - with those of other ancient civilizations, Ester Pasztory demonstrates how they created and reflected the community’s ideals. Most people associate the pyramids of central Mexico with the Aztecs, but these colossal constructions antedate the Aztecs by more than a thousand years. The people of Teotihuacan, who built the pyramids as part of a city of unprecedented size, remain a mystery.
Publisher: University of Oklahoma Press
ISBN: 9780806128474
Category : History
Languages : en
Pages : 318
Book Description
This book is the first comprehensive study and reinterpretation of the unique arts of Teotihuacan, including architecture, sculpture, mural painting, and ceramics. Comparing the arts of Teotihuacan - not previously judged "artistic" - with those of other ancient civilizations, Ester Pasztory demonstrates how they created and reflected the community’s ideals. Most people associate the pyramids of central Mexico with the Aztecs, but these colossal constructions antedate the Aztecs by more than a thousand years. The people of Teotihuacan, who built the pyramids as part of a city of unprecedented size, remain a mystery.
The Teotihuacan Trinity
Author: Annabeth Headrick
Publisher: University of Texas Press
ISBN: 0292749872
Category : Social Science
Languages : en
Pages : 415
Book Description
Northeast of modern-day Mexico City stand the remnants of one of the world's largest preindustrial cities, Teotihuacan. Monumental in scale, Teotihuacan is organized along a three-mile-long thoroughfare, the Avenue of the Dead, that leads up to the massive Pyramid of the Moon. Lining the avenue are numerous plazas and temples, which indicate that the city once housed a large population that engaged in complex rituals and ceremonies. Although scholars have studied Teotihuacan for over a century, the precise nature of its religious and political life has remained unclear, in part because no one has yet deciphered the glyphs that may explain much about the city's organization and belief systems. In this groundbreaking book, Annabeth Headrick analyzes Teotihuacan's art and architecture, in the light of archaeological data and Mesoamerican ethnography, to propose a new model for the city's social and political organization. Challenging the view that Teotihuacan was a peaceful city in which disparate groups united in an ideology of solidarity, Headrick instead identifies three social groups that competed for political power—rulers, kin-based groups led by influential lineage heads, and military orders that each had their own animal insignia. Her findings provide the most complete evidence to date that Teotihuacan had powerful rulers who allied with the military to maintain their authority in the face of challenges by the lineage heads. Headrick's analysis also underscores the importance of warfare in Teotihuacan society and clarifies significant aspects of its ritual life, including shamanism and an annual tree-raising ceremony that commemorated the Mesoamerican creation story.
Publisher: University of Texas Press
ISBN: 0292749872
Category : Social Science
Languages : en
Pages : 415
Book Description
Northeast of modern-day Mexico City stand the remnants of one of the world's largest preindustrial cities, Teotihuacan. Monumental in scale, Teotihuacan is organized along a three-mile-long thoroughfare, the Avenue of the Dead, that leads up to the massive Pyramid of the Moon. Lining the avenue are numerous plazas and temples, which indicate that the city once housed a large population that engaged in complex rituals and ceremonies. Although scholars have studied Teotihuacan for over a century, the precise nature of its religious and political life has remained unclear, in part because no one has yet deciphered the glyphs that may explain much about the city's organization and belief systems. In this groundbreaking book, Annabeth Headrick analyzes Teotihuacan's art and architecture, in the light of archaeological data and Mesoamerican ethnography, to propose a new model for the city's social and political organization. Challenging the view that Teotihuacan was a peaceful city in which disparate groups united in an ideology of solidarity, Headrick instead identifies three social groups that competed for political power—rulers, kin-based groups led by influential lineage heads, and military orders that each had their own animal insignia. Her findings provide the most complete evidence to date that Teotihuacan had powerful rulers who allied with the military to maintain their authority in the face of challenges by the lineage heads. Headrick's analysis also underscores the importance of warfare in Teotihuacan society and clarifies significant aspects of its ritual life, including shamanism and an annual tree-raising ceremony that commemorated the Mesoamerican creation story.
George A. Kubler and the Shape of Art History
Author: Thomas F. Reese
Publisher: Getty Publications
ISBN: 1606068342
Category : Art
Languages : en
Pages : 274
Book Description
An illuminating intellectual biography of a pioneering and singular figure in American art history. Art historian George A. Kubler (1912–1996) was a foundational scholar of ancient American art and archaeology as well as Spanish and Portuguese architecture. During over five decades at Yale University, he published seventeen books that included innovative monographs, major works of synthesis, and an influential theoretical treatise. In this biography, Thomas F. Reese analyzes the early formation, broad career, and writings of Kubler, casting nuanced light on the origins and development of his thinking. Notable in Reese’s discussion and contextualization of Kubler’s writings is a revealing history and analysis of his Shape of Time—a book so influential to students, scholars, artists, and curious readers in multiple disciplines that it has been continuously in print since 1962. Reese reveals how pivotal its ideas were in Kubler’s own thinking: rather than focusing on problems of form as an ordering principle, he increasingly came to sequence works by how they communicate meaning. The author demonstrates how Kubler, who professed to have little interest in theory, devoted himself to the craft of art history, discovering and charting the rules that guided the propagation of structure and significance through time.
Publisher: Getty Publications
ISBN: 1606068342
Category : Art
Languages : en
Pages : 274
Book Description
An illuminating intellectual biography of a pioneering and singular figure in American art history. Art historian George A. Kubler (1912–1996) was a foundational scholar of ancient American art and archaeology as well as Spanish and Portuguese architecture. During over five decades at Yale University, he published seventeen books that included innovative monographs, major works of synthesis, and an influential theoretical treatise. In this biography, Thomas F. Reese analyzes the early formation, broad career, and writings of Kubler, casting nuanced light on the origins and development of his thinking. Notable in Reese’s discussion and contextualization of Kubler’s writings is a revealing history and analysis of his Shape of Time—a book so influential to students, scholars, artists, and curious readers in multiple disciplines that it has been continuously in print since 1962. Reese reveals how pivotal its ideas were in Kubler’s own thinking: rather than focusing on problems of form as an ordering principle, he increasingly came to sequence works by how they communicate meaning. The author demonstrates how Kubler, who professed to have little interest in theory, devoted himself to the craft of art history, discovering and charting the rules that guided the propagation of structure and significance through time.
The Iconography of Middle American Sculpture
Author: Ignacio Bernal
Publisher: Metropolitan Museum of Art New York
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
Publisher: Metropolitan Museum of Art New York
ISBN:
Category : Art
Languages : en
Pages : 198
Book Description
The Art and Iconography of Late Post-Classic Central Mexico
Author: Elizabeth Hill Boone
Publisher: Dumbarton Oaks
ISBN: 9780884021100
Category : Art
Languages : en
Pages : 272
Book Description
Publisher: Dumbarton Oaks
ISBN: 9780884021100
Category : Art
Languages : en
Pages : 272
Book Description
Teotihuacan
Author: Matthew Robb
Publisher: Univ of California Press
ISBN: 0520296559
Category : Art
Languages : en
Pages : 444
Book Description
Founded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site—the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid—which have fundamentally changed our understanding of the city’s history. With illustrations of the major objects from Mexico City’s Museo Nacional de Antropología and from the museums and storage facilities of the Zona de Monumentos Arqueológicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan’s citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017–February 11, 2018 Los Angeles County Museum of Art (LACMA), March–June 2018
Publisher: Univ of California Press
ISBN: 0520296559
Category : Art
Languages : en
Pages : 444
Book Description
Founded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site—the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid—which have fundamentally changed our understanding of the city’s history. With illustrations of the major objects from Mexico City’s Museo Nacional de Antropología and from the museums and storage facilities of the Zona de Monumentos Arqueológicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan’s citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017–February 11, 2018 Los Angeles County Museum of Art (LACMA), March–June 2018