Author: Alec Reginald Myers
Publisher: Manchester U. P
ISBN:
Category : Royal households
Languages : en
Pages : 340
Book Description
The Household of Edward IV: the Black Book and the Ordinance of 1478
Author: Alec Reginald Myers
Publisher: Manchester U. P
ISBN:
Category : Royal households
Languages : en
Pages : 340
Book Description
Publisher: Manchester U. P
ISBN:
Category : Royal households
Languages : en
Pages : 340
Book Description
The Gentry Context for Malory's Morte Darthur
Author: Raluca L. Radulescu
Publisher: DS Brewer
ISBN: 9780859917858
Category : Literary Criticism
Languages : en
Pages : 182
Book Description
Morte Darthur is investigated for its reflection of the contemporary political concerns Malory shared with the gentry class for whom he wrote.
Publisher: DS Brewer
ISBN: 9780859917858
Category : Literary Criticism
Languages : en
Pages : 182
Book Description
Morte Darthur is investigated for its reflection of the contemporary political concerns Malory shared with the gentry class for whom he wrote.
Sweet and Clean?
Author: Susan North
Publisher: Oxford University Press
ISBN: 019259821X
Category : History
Languages : en
Pages : 539
Book Description
Sweet and Clean? challenges the widely held beliefs on bathing and cleanliness in the past. For over thirty years, the work of the French historian, George Vigarello, has been hugely influential on early modern European social history, describing an aversion to water and bathing, and the use of linen underwear as the sole cleaning agent for the body. However, these concepts do not apply to early modern England. Sweet and Clean? analyses etiquette and medical literature, revealing repeated recommendations to wash or bathe in order to clean the skin. Clean linen was essential for propriety but advice from medical experts was contradictory. Many doctors were convinced that it prevented the spread of contagious diseases, but others recommended flannel for undergarments, and a few thought changing a fever patient's linens was dangerous. The methodology of material culture helps determine if and how this advice was practiced. Evidence from inventories, household accounts and manuals, and surviving linen garments tracks underwear through its life-cycle of production, making, wearing, laundering, and final recycling. Although the material culture of washing bodies is much sparser, other sources, such as the Old Bailey records, paint a more accurate picture of cleanliness in early modern England than has been previously described. The contrasting analyses of linen and bodies reveal what histories material culture best serves. Finally, what of the diseases-plague, smallpox, and typhus-that cleanliness of body and clothes were thought to prevent? Did following early modern medical advice protect people from these illnesses?
Publisher: Oxford University Press
ISBN: 019259821X
Category : History
Languages : en
Pages : 539
Book Description
Sweet and Clean? challenges the widely held beliefs on bathing and cleanliness in the past. For over thirty years, the work of the French historian, George Vigarello, has been hugely influential on early modern European social history, describing an aversion to water and bathing, and the use of linen underwear as the sole cleaning agent for the body. However, these concepts do not apply to early modern England. Sweet and Clean? analyses etiquette and medical literature, revealing repeated recommendations to wash or bathe in order to clean the skin. Clean linen was essential for propriety but advice from medical experts was contradictory. Many doctors were convinced that it prevented the spread of contagious diseases, but others recommended flannel for undergarments, and a few thought changing a fever patient's linens was dangerous. The methodology of material culture helps determine if and how this advice was practiced. Evidence from inventories, household accounts and manuals, and surviving linen garments tracks underwear through its life-cycle of production, making, wearing, laundering, and final recycling. Although the material culture of washing bodies is much sparser, other sources, such as the Old Bailey records, paint a more accurate picture of cleanliness in early modern England than has been previously described. The contrasting analyses of linen and bodies reveal what histories material culture best serves. Finally, what of the diseases-plague, smallpox, and typhus-that cleanliness of body and clothes were thought to prevent? Did following early modern medical advice protect people from these illnesses?
English historical documents. 4. [Late medieval]. 1327 - 1485
Author: A. R. Myers
Publisher: Psychology Press
ISBN: 0415604672
Category : History
Languages : en
Pages : 1327
Book Description
English Historical Documents is the most ambitious, impressive and comprehensive collection of documents on English history ever published. An authoritative work of primary evidence, each volume presents material with exemplary scholarly accuracy. Editorial comment is directed towards making sources intelligible rather than drawing conclusions from them. Full account has been taken of modern textual criticism. A general introduction to each volume portrays the character of the period under review and critical bibliographies have been added to assist further investigation. Documents collected include treaties, personal letters, statutes, military dispatches, diaries, declarations, newspaper articles, government and cabinet proceedings, orders, acts, sermons, pamphlets, agricultural instructions, charters, grants, guild regulations and voting records. Volumes are furnished with lavish extra apparatus including genealogical tables, lists of officials, chronologies, diagrams, graphs and maps.
Publisher: Psychology Press
ISBN: 0415604672
Category : History
Languages : en
Pages : 1327
Book Description
English Historical Documents is the most ambitious, impressive and comprehensive collection of documents on English history ever published. An authoritative work of primary evidence, each volume presents material with exemplary scholarly accuracy. Editorial comment is directed towards making sources intelligible rather than drawing conclusions from them. Full account has been taken of modern textual criticism. A general introduction to each volume portrays the character of the period under review and critical bibliographies have been added to assist further investigation. Documents collected include treaties, personal letters, statutes, military dispatches, diaries, declarations, newspaper articles, government and cabinet proceedings, orders, acts, sermons, pamphlets, agricultural instructions, charters, grants, guild regulations and voting records. Volumes are furnished with lavish extra apparatus including genealogical tables, lists of officials, chronologies, diagrams, graphs and maps.
The Art of Allusion
Author: Sonja Drimmer
Publisher: University of Pennsylvania Press
ISBN: 0812295382
Category : Literary Criticism
Languages : en
Pages : 352
Book Description
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority. Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques—assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event.
Publisher: University of Pennsylvania Press
ISBN: 0812295382
Category : Literary Criticism
Languages : en
Pages : 352
Book Description
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority. Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques—assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event.
The Late Medieval Interlude
Author: Fiona S. Dunlop
Publisher: Boydell & Brewer
ISBN: 1903153212
Category : Family & Relationships
Languages : en
Pages : 154
Book Description
Sensitive study of the 15/16 century interlude, focussing on one of its major concerns, the depiction of male aristocracy and the development to maturity. The commercial theatre of the late sixteenth century is often credited with introducing its audiences to new modes of thought about the self, society and the nation, making them conscious that the self is performed, as an actor performs a role. Yet the earlier interlude drama, originally performed in households and other institutions of the late fifteenth and sixteenth centuries, indicates that the late medieval period was fully aware of the theatricalityof identity. This book argues that ideas of performance inform the concepts of aristocratic masculinity developed in the plays Nature, Fulgens and Lucres, The Worlde and the Chylde, The Interlude of Youth and Calisto and Melebea. It examines how the depiction of young male aristocrats in these texts is shaped by ideas of male youth constituted in the middle ages, and shows them as failing or succeeding to perform anadult noble masculinity in the aristocratic body and in aristocratic household. The book also suggests ways in which the plays offer discreet praise and censure of the manner in which their noble patrons performed as aristocrats.Throughout, it brings out the subtle qualities of the interludes, which, the author shows, have been unjustly neglected. Dr FIONA S. DUNLOP is Research Associate of the Centre for Medieval Studies, University of York
Publisher: Boydell & Brewer
ISBN: 1903153212
Category : Family & Relationships
Languages : en
Pages : 154
Book Description
Sensitive study of the 15/16 century interlude, focussing on one of its major concerns, the depiction of male aristocracy and the development to maturity. The commercial theatre of the late sixteenth century is often credited with introducing its audiences to new modes of thought about the self, society and the nation, making them conscious that the self is performed, as an actor performs a role. Yet the earlier interlude drama, originally performed in households and other institutions of the late fifteenth and sixteenth centuries, indicates that the late medieval period was fully aware of the theatricalityof identity. This book argues that ideas of performance inform the concepts of aristocratic masculinity developed in the plays Nature, Fulgens and Lucres, The Worlde and the Chylde, The Interlude of Youth and Calisto and Melebea. It examines how the depiction of young male aristocrats in these texts is shaped by ideas of male youth constituted in the middle ages, and shows them as failing or succeeding to perform anadult noble masculinity in the aristocratic body and in aristocratic household. The book also suggests ways in which the plays offer discreet praise and censure of the manner in which their noble patrons performed as aristocrats.Throughout, it brings out the subtle qualities of the interludes, which, the author shows, have been unjustly neglected. Dr FIONA S. DUNLOP is Research Associate of the Centre for Medieval Studies, University of York
Locality and Polity
Author: Christine Carpenter
Publisher: Cambridge University Press
ISBN: 0521370167
Category : Business & Economics
Languages : en
Pages : 813
Book Description
The book is intended as a contribution to the history of England as a whole in the fifteenth century and to the study of the long-term development of the English landed classes and the English constitution.
Publisher: Cambridge University Press
ISBN: 0521370167
Category : Business & Economics
Languages : en
Pages : 813
Book Description
The book is intended as a contribution to the history of England as a whole in the fifteenth century and to the study of the long-term development of the English landed classes and the English constitution.
The Great Household in Late Medieval England
Author: C. M. Woolgar
Publisher: Yale University Press
ISBN: 9780300076875
Category : History
Languages : en
Pages : 276
Book Description
In the later medieval centuries, a whole range of important social, political and artistic activities took place against the backdrop of the great English households. In this vividly illuminating book, C. M. Woolgar explores the details of life in these great houses. Based on an extensive investigation of household accounts and related primary documents, he examines the daily routines, the weekly and annual patterns, and the life-cycle observances of birth, childhood, marriage, death and burial. He also delineates the major changes that transformed the economy and geography of both lay and clerical households between 1200 and 1500.
Publisher: Yale University Press
ISBN: 9780300076875
Category : History
Languages : en
Pages : 276
Book Description
In the later medieval centuries, a whole range of important social, political and artistic activities took place against the backdrop of the great English households. In this vividly illuminating book, C. M. Woolgar explores the details of life in these great houses. Based on an extensive investigation of household accounts and related primary documents, he examines the daily routines, the weekly and annual patterns, and the life-cycle observances of birth, childhood, marriage, death and burial. He also delineates the major changes that transformed the economy and geography of both lay and clerical households between 1200 and 1500.
Public Reading and the Reading Public in Late Medieval England and France
Author: Joyce Coleman
Publisher: Cambridge University Press
ISBN: 9780521673518
Category : Language Arts & Disciplines
Languages : en
Pages : 284
Book Description
This book demonstrates that received views on orality and literacy underestimate the importance of public reading in the late Middle Ages.
Publisher: Cambridge University Press
ISBN: 9780521673518
Category : Language Arts & Disciplines
Languages : en
Pages : 284
Book Description
This book demonstrates that received views on orality and literacy underestimate the importance of public reading in the late Middle Ages.
All the Queen’s Jewels, 1445–1548
Author: Nicola Tallis
Publisher: Taylor & Francis
ISBN: 1000787087
Category : History
Languages : en
Pages : 272
Book Description
From Margaret of Anjou to Katherine Parr, All the Queen’s Jewels examines the jewellery collections of the ten queen consorts of England between 1445–1548 and investigates the collections of jewels a queen had access to, as well as the varying contexts in which queens used and wore jewels. The jewellery worn by queens reflected both their gender and their status as the first lady of the realm. Jewels were more than decorative adornments; they were an explicit display of wealth, majesty and authority. They were often given to queens by those who wished to seek her favour or influence and were also associated with key moments in their lifecycle. These included courtship and marriage, successfully negotiating childbirth (and thus providing dynastic continuity), and their elevation to queenly status or coronation. This book explores the way that queens acquired jewels, whether via their predecessor, their own commission or through gift giving. It underscores that jewels were a vital tool that enabled queens to shape their identities as consort, and to fashion images of power that could be seen by their households, court and contemporaries. This book is perfect for anyone interested in medieval and Tudor history, queenship, jewellery and the history of material culture.
Publisher: Taylor & Francis
ISBN: 1000787087
Category : History
Languages : en
Pages : 272
Book Description
From Margaret of Anjou to Katherine Parr, All the Queen’s Jewels examines the jewellery collections of the ten queen consorts of England between 1445–1548 and investigates the collections of jewels a queen had access to, as well as the varying contexts in which queens used and wore jewels. The jewellery worn by queens reflected both their gender and their status as the first lady of the realm. Jewels were more than decorative adornments; they were an explicit display of wealth, majesty and authority. They were often given to queens by those who wished to seek her favour or influence and were also associated with key moments in their lifecycle. These included courtship and marriage, successfully negotiating childbirth (and thus providing dynastic continuity), and their elevation to queenly status or coronation. This book explores the way that queens acquired jewels, whether via their predecessor, their own commission or through gift giving. It underscores that jewels were a vital tool that enabled queens to shape their identities as consort, and to fashion images of power that could be seen by their households, court and contemporaries. This book is perfect for anyone interested in medieval and Tudor history, queenship, jewellery and the history of material culture.