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The Horror Plays of the English Restoration

The Horror Plays of the English Restoration PDF Author: Anne Hermanson
Publisher:
ISBN:
Category :
Languages : en
Pages : 195

Book Description


The Horror Plays of the English Restoration

The Horror Plays of the English Restoration PDF Author: Anne Hermanson
Publisher:
ISBN:
Category :
Languages : en
Pages : 195

Book Description


The Horror Plays of the English Restoration

The Horror Plays of the English Restoration PDF Author: Anne Hermanson
Publisher: Routledge
ISBN: 1317028546
Category : Literary Criticism
Languages : en
Pages : 195

Book Description
A decade after the Restoration of Charles II, a disturbing group of tragedies, dubbed by modern critics the horror or the blood-and-torture villain tragedies, burst onto the London stage. Ten years later they were gone - absorbed into the partisan frenzy which enveloped the theatre at the height of the Exclusion Crisis. Despite burgeoning interest, until now there has been no full investigation into why these deeply unsettling plays were written when they were and why they so fascinated audiences for the period that they held the stage. The author’s contention is that the genre of horror gains its popularity at times of social dislocation. It reflects deep schisms in society, and English society was profoundly unsettled and in a (delayed) state of shock from years of social upheaval and civil conflict. Through recurrent images of monstrosity, madness, venereal disease, incest and atheism, Hermanson argues that the horror dramatists trope deep-seated and unresolved anxieties - engaging profoundly with contemporary discourse by abreacting the conspiratorial climate of suspicion and fear. Some go as far as to question unequivocally the moral and political value of monarchy, vilifying the office of kingship and pushing ideas of atheism further than in any drama produced since Seneca. This study marks the first comprehensive investigation of these macabre tragedies in which playwrights such as Nathaniel Lee, Thomas Shadwell, Elkanah Settle, Thomas Otway and the Earl of Rochester take their audience on an exploration of human iniquity, thrusting them into an examination of man’s relationship to God, power, justice and evil.

The Cambridge Companion to English Restoration Theatre

The Cambridge Companion to English Restoration Theatre PDF Author: Deborah Payne Fisk
Publisher: Cambridge University Press
ISBN: 9780521588126
Category : Drama
Languages : en
Pages : 326

Book Description
Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.

Four Great Restoration Comedies

Four Great Restoration Comedies PDF Author: William Wycherley
Publisher: Courier Corporation
ISBN: 0486153606
Category : Drama
Languages : en
Pages : 353

Book Description
Comedy classics that defined a new era in drama: The Country Wife by William Wycherley; The Man of Mode by Sir George Etheredge; The Rover by Aphra Behn; and The Relapse by Sir John Vanbrugh.

John Banks’s Female Tragic Heroes

John Banks’s Female Tragic Heroes PDF Author: Paula de Pando
Publisher: BRILL
ISBN: 9004379347
Category : Drama
Languages : en
Pages : 202

Book Description
In John Banks’s Female Tragic Heroes, Paula de Pando offers the first monograph on Restoration playwright John Banks. De Pando analyses Banks’s civic model of she-tragedy in terms of its successful adaptation of early modern literary traditions and its engagement with contemporary political and cultural debates. Using Tudor queens as tragic heroes and specifically addressing female audiences, patrons and critics, Banks made women rather than men the subject of tragedy, revolutionising drama and influencing depictions of gender, politics, and history in the long eighteenth century.

Tracing the Heroic Through Gender

Tracing the Heroic Through Gender PDF Author: Carolin Hauck
Publisher: Ergon Verlag
ISBN: 3956504038
Category : History
Languages : en
Pages : 209

Book Description
In nahezu allen Gesellschaften und Epochen ist das Heroische vielfach gegendert. Die soziale und kulturelle Produktion des Heroischen ist jedoch nicht ausschließlich mit dem Instrumentarium der Männlichkeitsforschung zu fassen, und ebenso wenig scheint es sinnvoll, Frauen bzw. Weiblichkeit in diesem Zusammenhang lediglich als Ausnahmen zu verstehen. Vielmehr gilt es, den relationalen Charakter ernst zu nehmen. Der vorliegende Band unternimmt erstmals den Versuch, Geschlecht als analytische Kategorie für die Heroismusforschung fruchtbar zu machen. Auf der Basis vielfältiger geisteswissenschaftlicher Ansätze dient diese Kategorie als 'Spurensucherin' (tracer) des Heroischen und als Instrument zur Untersuchung der historischen Bedingungen, medialen und performativen Erscheinungsformen sowie zeiträumlichen Konjunkturen und Transformationen. Diese gilt es, mit Hilfe der Kategorie Geschlecht und unter Nutzung der zugehörigen Eigenschaften neu auszumessen.

The Indian Emperor, 1667

The Indian Emperor, 1667 PDF Author: John Dryden
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 96

Book Description


Library of Congress Subject Headings

Library of Congress Subject Headings PDF Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1688

Book Description


Library of Congress Subject Headings

Library of Congress Subject Headings PDF Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1504

Book Description


Renaissance Revivals

Renaissance Revivals PDF Author: Wendy Griswold
Publisher: University of Chicago Press
ISBN: 9780226309231
Category : History
Languages : en
Pages : 328

Book Description
Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object.