The Horror Movie Guide: 1980s List (2021) PDF Download

Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778870589
Category : Performing Arts
Languages : en
Pages : 65

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Book Description
Included in this book are detailed analyses of 1980s horror and horror-adjacent films listed in chronological order. Each evaluation consists of a picture of one or multiple major antagonists, a release year, a synopsis, and eight ratings: Stars, Story, Creativity, Acting, Quality, Gimmick, Rewatch, and Creeps.

Author: Sarah A. Hughes
Publisher: Springer Nature
ISBN: 3030836363
Category : History
Languages : en
Pages : 277

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Book Description
This book examines the “satanic panic” of the 1980s as an essential part of the growing relationship between tabloid media and American conservative politics in the 1980s. It argues that widespread fears of Satanism in a range of cultural institutions was indispensable to the development and success of both infotainment, or tabloid content on television, and the rise of the New Right, a conservative political movement that was heavily guided by a growing coalition of influential televangelists, or evangelical preachers on television. It takes as its particular focus the hundreds of accusations that devil-worshippers were operating America’s white middle-class suburban daycare centers. Dozens of communities around the country became embroiled in trials against center owners, the most publicized of which was the McMartin Preschool trial in Manhattan Beach, California. It remains the longest and most expensive criminal trial in the nation’s history.

Author: Charles F. Rosenay
Publisher:
ISBN: 9781629337647
Category :
Languages : en
Pages : 296

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Book Description
Top 10 lists from celebrities!

Author: Mathias Clasen
Publisher: Oxford University Press
ISBN: 0197535895
Category : Performing Arts
Languages : en
Pages : 209

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Book Description
"Films about chainsaw killers, demonic possession, and ghostly intruders. Screaming audiences with sleepless nights or sweat-drenched nightmares in their immediate future. What's going on here? Presumably, almost everybody has experience with horror films. Almost everybody has sat through a terrifying motion picture and suffered the after-effects, such as hypervigilance and sleep disturbances. Some people would even characterize themselves as horror fans. But what about the others-the ones who are curious about horror films, but also very, very nervous about them? This book delves into the science of horror cinema in an attempt to address common concerns about the genre. Why is the jump scare so effective, and so dreaded? What are the effects of horror films on mental and physical health? Why do horror films so often cause nightmares? Aren't horror films immoral ... and stupid, too? Are horror films bad for children and adolescents? What does the current profusion of horror films say about our society? Should we be concerned? Or can horror films be a force for good-do horror films have health benefits, can they be aesthetically and morally valuable, and might they even have therapeutic psychological and cultural effects? The book addresses these questions in short, readable chapters, peppered with vivid anecdotes and examples and supported by scientific findings. It notes that while horror films can have negative effects, they can also help people confront and manage fear"--

Author: John Stanley
Publisher: Creatures at Large
ISBN: 9780940064096
Category : Fantasy films
Languages : en
Pages : 0

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Book Description
The book features capsulised reviews of 4000 genre films of science-fiction, fantasy, horror, psychoterror and weird mystery; Reviews oddball films and novelties ignored by other popular movie guides; Coded so you can instantly see if a title can be rented or purchased at your local video store; Reviews of movies and offbeat fare made exclusively for videocassette and not listed in other encyclopaedias; 529 photographs, many exclusives from the author's private collection, plus 24 original sketches; Scores of hilarious lines of dialogue and classical movie tag-lines. Deluxe hardcover edition is signed by the author.

Author: Becky Siegel Spratford
Publisher: American Library Association
ISBN: 083893742X
Category : Language Arts & Disciplines
Languages : en
Pages : 200

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Book Description
Like the zombies, ghouls, and vampires which inhabit many of its books, the popularity of horror fiction is unstoppable. Even if you don’t happen to be a fan yourself, you won’t be “scared” to advise readers on finding their next great fright thanks to the astute guidance provided by horror expert Spratford in her updated guide. This definitive resource for library workers at any level of experience or familiarity with horror fiction details the state of the genre right now, including its appeal factors and key authors, assisting readers in getting up to speed quickly; presents ten annotated lists of suggested titles, all published since 2000, each with a short introduction providing historical context; delves into horror movies, TV shows, podcasts, and other formats; and offers abundant marketing advice, programming options, and pointers on additional resources.

Author: Matt Glasby
Publisher: Quarto Publishing Group USA
ISBN: 0711251797
Category : Art
Languages : en
Pages : 179

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Book Description
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)

Author: John Stanley
Publisher: Berkley
ISBN:
Category : Performing Arts
Languages : en
Pages : 612

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Book Description
Updated to include the most movie mega-hits, this sci-fi, fantasy, and horror movie guide has it all--the shockers, schlockers, blockbusters, bombs, cult faves, rare gems, classics, groundbreakers, gorefests, space operas, sorcery, Euro-splatter, and everything in between.

Author: Darrell Buxton
Publisher:
ISBN: 9781644301241
Category :
Languages : en
Pages : 286

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Book Description
WE HAVE SUCH SIGHTS TO SHOW YOU! With British cinema at its lowest ebb--audience levels dwindling, attacks from censors and authorities, cuts in funding--could this once-proud area of the entertainment business be saved? ​"Dead or Alive" is the first book-length study of British Horror Cinema of the 1980s, examining and celebrating the diversity of genre movie production in the U.K. during this period of flux. From Pinhead to the American Werewolf, from naked alien space vampires to Kenny Everett, read how the post-Hammer scene ventured to keep the fright flame burning in Thatcher's Britain. Rumor has it that the 1980s rather dismissed doom and gloom in favor of bright primary colors, sculpted hairstyles, MTV, legwarmers, compact discs, and John Hughes. Bear in mind, however, that British television at the outset of the period in question was awash with supernatural and psychological chills, from Hammer House of Horror to Rentaghost, Sapphire & Steel to Tales of the Unexpected. In the music world, every Duran Duran or Spandau Ballet was countered by acts daring to delve into darker territory --Siouxsie and the Banshees' 1981 album Juju was laced with voodoo, specters, and arcane practices; Iron Maiden frequently used classic horror references and created their own monstrous mascot, skeletal super-fan "Eddie," the "Goth" movement made inroads particularly in the North of England, via The Sisters of Mercy, Bauhaus, The March Violets and Fields of the Nephilim, and even the top-selling, radio-friendly stars of the day took genre-sprinkled items to the top of the charts (the austere, bleak "Ghost Town" by The Specials, Frankie Goes to Hollywood's controversial and aware nuclear warning "Two Tribes," even Adam and the Ants' smash-hit paean to dandyism "Stand and Deliver)." With unemployment and oppression rife among certain areas of the country and within particular communities, the looming presence of something sinister tainted the official picture being presented by the authorities, of opportunity for all, jam tomorrow, loadsamoney. (Although perhaps American filmmaker Oliver Stone fused it better than anyone, bringing an altogether Faustian/Mephistophelean quality to his 1988 study of stock exchange culture, Wall Street, the "greed is good" ethos of which may just have been the most frightening movie mantra of these divisive times.) So, enjoy a trip back to the 1980s quite unlike any other, an alternate vision of the era. With the classic manufacturers of big-screen British chills, Hammer, Amicus, Tigon and others, lying dormant or completely out of action, a new, diverse, unconnected and decidedly different wave rode in to fill the gap. Not always successfully, sure, but (especially in hindsight) with considerable ambition to bring something fresh and unique to the terror table. This book is for those who prefer the challenge of the Lament Configuration to that of Rubik's Cube.

Author: Lauren Rosewarne
Publisher: Lexington Books
ISBN: 1498541828
Category : Social Science
Languages : en
Pages : 559

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Book Description
Film plays a vital role in the celebration of Christmas. For decades, it has taught audiences about what the celebration of the season looks like – from the decorations to the costumes and to the expected snowy weather – as well as mirrors our own festivities back to us. Films like It’s a Wonderful Life and Home Alone have come to play key roles in real-life domestic celebrations: watching such titles has become, for many families, every bit as important as tree-trimming and leaving cookies out for Santa. These films have exported the American take on the holiday far and wide and helped us conjure an image of the perfect holiday. Rather than settling the ‘what is a Christmas film?’ debate – indeed, Die Hard and Lethal Weapon are discussed within – Analyzing Christmas in Film: Santa to the Supernatural focuses on the how Christmas is presented on the deluge of occasions when it appears. While most Christmas films are secular, religion makes many cameos, appearing through Nativity references, storylines involving spiritual rebirth, the framing of Santa as a Christ-like figure and the all-importance of family, be it the Holy family or just those gathered around the dining table. Also explored are popular narratives involving battles with stress and melancholy, single parents and Christmas martyrs, visits from ghosts and angels, big cities and small towns, break-ups and make-ups and the ticking clock of mortality. Nearly 1000 films are analyzed in this volume to determine what the portrayal of Christmas reveals about culture, society and faith as well as sex roles, consumerism, aesthetics and aspiration.