Author: Ruth Mellinkoff
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Horned Moses in Medieval Art and Thought
The Horned Moses in Medieval Art and Thought
Author: Ruth W. Mellinkoff
Publisher: Wipf and Stock Publishers
ISBN: 1579100880
Category : Religion
Languages : en
Pages : 313
Book Description
An interdisciplinary study touching not only upon medieval art, but also upon such disciplines as medieval history, history of the Church, Latin and vernacular literature both religious and secular, medieval drama, mythology, and folklore. Mellinkoff's goal is to provide an iconographical interpretation of horned Moses in as deep a sense as possible.
Publisher: Wipf and Stock Publishers
ISBN: 1579100880
Category : Religion
Languages : en
Pages : 313
Book Description
An interdisciplinary study touching not only upon medieval art, but also upon such disciplines as medieval history, history of the Church, Latin and vernacular literature both religious and secular, medieval drama, mythology, and folklore. Mellinkoff's goal is to provide an iconographical interpretation of horned Moses in as deep a sense as possible.
Ruth Mellinkoff: The horned Moses in medieval art and thought. 1970. [Review].
˜Theœ horned Moses in medieval art
The Horned Moses in Medieval Art and Tought
Review article of Ruth Mellinkoff
Moses the Egyptian in the Illustrated Old English Hexateuch (London, British Library Cotton MS Claudius B.iv)
Author: Herbert R. Broderick
Publisher: University of Notre Dame Pess
ISBN: 0268102082
Category : Religion
Languages : en
Pages : 387
Book Description
In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick’s analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.
Publisher: University of Notre Dame Pess
ISBN: 0268102082
Category : Religion
Languages : en
Pages : 387
Book Description
In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick’s analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.
Traditions of the Bible
Author: James L. KUGEL
Publisher: Harvard University Press
ISBN: 0674039769
Category : Religion
Languages : en
Pages : 1078
Book Description
From the creation and the tree of knowledge through the Exodus from Egypt and the journey to the promised land; James Kugel shows us how the earliest interpreters of the scriptures radically transformed the Bible.
Publisher: Harvard University Press
ISBN: 0674039769
Category : Religion
Languages : en
Pages : 1078
Book Description
From the creation and the tree of knowledge through the Exodus from Egypt and the journey to the promised land; James Kugel shows us how the earliest interpreters of the scriptures radically transformed the Bible.
The Cambridge Companion to Antisemitism
Author: Steven Katz
Publisher:
ISBN: 1108494404
Category : HISTORY
Languages : en
Pages : 543
Book Description
One-volume comprehensive collection of new articles on the history, literature and philosophy of antisemitism, for students and non-experts.
Publisher:
ISBN: 1108494404
Category : HISTORY
Languages : en
Pages : 543
Book Description
One-volume comprehensive collection of new articles on the history, literature and philosophy of antisemitism, for students and non-experts.
Three Pseudo-Bernardine Works
Author: Ann Astell
Publisher: Liturgical Press
ISBN: 0879075732
Category : Religion
Languages : en
Pages : 189
Book Description
During the "Silver Age" of the Cistercians (the late twelfth and thirteenth centuries), pseudepigraphical compositions bearing the name Bernard flourished. Important for the history of monasticism and, more broadly, of Christian spiritual formation and practice, these little-studied writings interpret, appropriate, transform, and apply Saint Bernard of Clairvaux's authentic works, transmitting them to new audiences. Under the direction of Ann Astell and Joseph Wawrykow, with the assistance of Thomas Clemmons, a talented team of young scholars from the University of Notre Dame (the Catena Scholarium) offers here a complete translation of three of these Pseudo-Bernardine essays, providing notes that identify sources, clarify allusions, highlight rhetorical strategies, and demonstrate overall a fascinating, intertextual complexity. The Bernard who emerges from these texts speaks with many voices to herald a living, Bernardine tradition.
Publisher: Liturgical Press
ISBN: 0879075732
Category : Religion
Languages : en
Pages : 189
Book Description
During the "Silver Age" of the Cistercians (the late twelfth and thirteenth centuries), pseudepigraphical compositions bearing the name Bernard flourished. Important for the history of monasticism and, more broadly, of Christian spiritual formation and practice, these little-studied writings interpret, appropriate, transform, and apply Saint Bernard of Clairvaux's authentic works, transmitting them to new audiences. Under the direction of Ann Astell and Joseph Wawrykow, with the assistance of Thomas Clemmons, a talented team of young scholars from the University of Notre Dame (the Catena Scholarium) offers here a complete translation of three of these Pseudo-Bernardine essays, providing notes that identify sources, clarify allusions, highlight rhetorical strategies, and demonstrate overall a fascinating, intertextual complexity. The Bernard who emerges from these texts speaks with many voices to herald a living, Bernardine tradition.