Author: Publisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 56
Book Description
The Hoogsteder Journal
Author: The Hoogsteder Exhibition of Dutch Landscapes
Author: Paul Huys JanssenPublisher:
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
Catalogus bij een tentoonstelling van 47 Hollandse landschapschilderijen uit de 17e eeuw van bekende en onbekende meesters, uit privé-collecties.
The Hoogsteder Exhibition of Rembrandt's Academy
Author: Paul Huys JanssenPublisher:
ISBN:
Category : Painting, Dutch
Languages : en
Pages : 318
Book Description
In His Milieu
Author: Amy GolahnyPublisher: Amsterdam University Press
ISBN: 9789053569337
Category : Art
Languages : en
Pages : 498
Book Description
Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.
Dutch Art
Author: Sheila D. MullerPublisher: Routledge
ISBN: 1135495742
Category : Social Science
Languages : en
Pages : 664
Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Jan van Noordt
Author: David de WittPublisher: McGill-Queen's Press - MQUP
ISBN: 0773575642
Category : Art
Languages : en
Pages : 408
Book Description
De Witt offers a detailed biography based on a thorough review of the documentary evidence. He traces Van Noordt's origins back to a prominent musical family, details his artistic development under the guidance of prominent Amsterdam painter Jacob Adriaensz Backer, and reveals his synthesis of the styles of the two dominant Netherlandish artists, Rubens and Rembrandt. Using a systematic analysis of technique, manner, and approach to form, de Witt proves that over half the paintings and drawings presently attributed to Van Noordt are not his work - virtually recasting the accomplishments of an artist whose vibrant, often daring works challenge our concept of seventeenth-century Dutch art.
Dawn of the Golden Age
Author: Wouter T. KloekPublisher: Yale University Press
ISBN: 0300060165
Category : Art
Languages : en
Pages : 732
Book Description
Designed as a catalogue for an exhibition at the Rijksmuseum in 1994, this offers a survey of the paintings, drawings, prints, sculpture and applied art produced 1580-1620. The book contains five essays followed by a catalogue which reproduces work from the era along with data on the artists.
New Serial Titles
Author: Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1336
Book Description
A union list of serials commencing publication after Dec. 31, 1949.
Books and Periodicals Online
Author: The Religious Paintings of Hendrick ter Brugghen
Author: NatashaT. SeamanPublisher: Routledge
ISBN: 1351541129
Category : Art
Languages : en
Pages : 198
Book Description
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.