Author: Allen L. Woll
Publisher: Taylor Trade Publications
ISBN: 9780882297040
Category : Music
Languages : en
Pages : 240

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Book Description
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

Author: Robert L. Mclaughlin
Publisher:
ISBN: 9780813180946
Category : History
Languages : en
Pages : 288

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Book Description
"Theater is the art by which human beings make or find human action worth watching." -- Paul Woodruff, The Necessity of Theater: The Art of Watching and Being Watched Before World War II, Hollywood dictated what films were released, debuting movies such as The Man I Married (1940), The Mortal Storm (1940), Escape (1940), and The Great Dictator (1940) that conveyed an unambiguously critical view of Nazi Germany and warned the public about the dangers of fascism and the threat of war. Meanwhile, the theater stages in New York broached and debated topics of fascism, interventionism, and the democratic state of the country with productions like Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943) , and A Bell for Adano (1944) . While the United States' government used media platforms such as posters, periodicals, and radio to convey a popular opinion on the war and Germany, theater was not as highly monitored, and writers, directors, actors, and even audiences were able to discuss and argue their viewpoints on topics that would have been considered taboo on a film set. The theater became the perfect medium to express home-front tensions and anxieties. In Broadway Goes to War: American Theater during World War II, authors Robert L. McLaughlin and Sally E. Parry explore numerous theater productions during the era of the Second World War, analyzing how the American stage grappled with significant issues ranging from neutrality and isolationism, to racism and genocide, to heroism and battle fatigue. Theater engaged in public discussion about war's impact on daily life, and McLaughlin and Parry suggest that these productions raised critical topics about the war well before other forms of popular media. Through the details of each production, the authors highlight challenges faced by ordinary people during the war alongside their attempts to overcome and create a better post-war community. American drama of the 1940s is frequently overlooked, especially in comparison with the plays of the surrounding decades. Taken together, the numerous plays performed during this eventful decade provide a picture of the rich and complex experience of living in the US during the war years. Furthermore, the theater provided an understanding of the complexities of popular culture and how it functioned alongside a world war. Filling a void in World War II scholarship, McLaughlin and Parry provide a unique perspective on theater activity during a time of division and social change. Broadway Goes to War will appeal to historians of wartime studies, film, and theater.

Author: James C. Bradford
Publisher: John Wiley & Sons
ISBN: 1444315110
Category : History
Languages : en
Pages : 1136

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Book Description
With more than 60 essays, A Companion to American MilitaryHistory presents a comprehensive analysis of the historiographyof United States military history from the colonial era to thepresent. Covers the entire spectrum of US history from the Indian andimperial conflicts of the seventeenth century to the battles inAfghanistan and Iraq Features an unprecedented breadth of coverage from eminentmilitary historians and emerging scholars, including little studiedtopics such as the military and music, military ethics, care of thedead, and sports Surveys and evaluates the best scholarship on every importantera and topic Summarizes current debates and identifies areas whereconflicting interpretations are in need of further study

Author: Barry Keith Grant
Publisher: University of Texas Press
ISBN: 0292745745
Category : Performing Arts
Languages : en
Pages : 785

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Book Description
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.

Author: Roman Iwaschkin
Publisher: Routledge
ISBN: 1317223454
Category : Music
Languages : en
Pages : 675

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Book Description
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.

Author: Naomi Graber
Publisher: Oxford University Press
ISBN: 019090660X
Category : Music
Languages : en
Pages : 384

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Book Description
Throughout his life, German-Jewish composer Kurt Weill was fascinated by the idea of America. His European works depict America as a Capitalist dystopia. But in 1935, it became clear that Europe was no longer safe for Weill, and he set sail for New World, and his engagement with American culture shifted. From that point forward, most of his works concerned the idea of "America," whether celebrating her successes, or critiquing her shortcomings. As an outsider-turned-insider, Weill's insights into American culture were unique. He was keenly attuned to the difficult relationship America had with her immigrants, but was slower to grasp the subtleties of others, particularly those surrounding race relations, even though his works reveal that he was devoted to the idea of racial equality. The book treats Weill as a node in a transnational network of musicians, writers, artists, and other stage professionals, all of whom influenced each other. Weill sought out partners from a range of different sectors, including the Popular Front, spoken drama, and the commercial Broadway stage. His personal papers reveal his attempts to navigate not only the shifting tides of American culture, but the specific demands of his institutional and individual collaborators. In reframing Weill's relationship with immigration and nationality, the book also puts nuance contemporary ideas about the relationships of immigrants to their new homes, moving beyond ideas that such figures must either assimilate and abandon their previous identities, or resist the pull of their new home and stay true to their original culture.

Author: Emily Westkaemper
Publisher: Rutgers University Press
ISBN: 0813576350
Category : Art
Languages : en
Pages : 277

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Book Description
Only in recent decades has the American academic profession taken women’s history seriously. But the very concept of women’s history has a much longer past, one that’s intimately entwined with the development of American advertising and consumer culture. Selling Women’s History reveals how, from the 1900s to the 1970s, popular culture helped teach Americans about the accomplishments of their foremothers, promoting an awareness of women’s wide-ranging capabilities. On one hand, Emily Westkaemper examines how this was a marketing ploy, as Madison Avenue co-opted women’s history to sell everything from Betsy Ross Red lipstick to Virginia Slims cigarettes. But she also shows how pioneering adwomen and female historians used consumer culture to publicize histories that were ignored elsewhere. Their feminist work challenged sexist assumptions about women’s subordinate roles. Assessing a dazzling array of media, including soap operas, advertisements, films, magazines, calendars, and greeting cards, Selling Women’s History offers a new perspective on how early- and mid-twentieth-century women saw themselves. Rather than presuming a drought of female agency between the first and second waves of American feminism, it reveals the subtle messages about women’s empowerment that flooded the marketplace.

Author: Gustavo Pérez Firmat
Publisher: University of Texas Press
ISBN: 0292735995
Category : Social Science
Languages : en
Pages : 255

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Book Description
An expanded, updated edition of the classic study of Cuban-American culture, this engaging book, which mixes the author’s own story with his reflections as a trained observer, explores how both famous and ordinary members of the “1.5 Generation” (Cubans who came to the United States as children or teens) have lived “life on the hyphen”—neither fully Cuban nor fully American, but a fertile hybrid of both. Offering an in-depth look at Cuban-Americans who have become icons of popular and literary culture—including Desi Arnaz, Oscar Hijuelos, musician Pérez Prado, and crossover pop star Gloria Estefan, as well as poets José Kozer and Orlando González Esteva, performers Willy Chirino and Carlos Oliva, painter Humberto Calzada, and others—Gustavo Pérez Firmat chronicles what it means to be Cuban in America. The first edition of Life on the Hyphen won the Eugene M. Kayden National University Press Book Award and received honorable mentions for the Modern Language Association’s Katherine Singer Kovacs Prize and the Latin American Studies Association’s Bryce Wood Book Award.

Author: Guy A. Marco
Publisher: Scarecrow Press
ISBN: 9780810831339
Category : Literary Criticism
Languages : en
Pages : 258

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Book Description
Cumulative index to all three volumes of Literature of American Music in Books and Folk Music Collections.

Author: William D. Romanowski
Publisher: Routledge
ISBN: 1351492845
Category : Performing Arts
Languages : en
Pages : 660

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Book Description
The role of motion pictures in the popularity of rock music became increasingly significant in the latter twentieth century. Rock music and its interaction with film is the subject of this significant book that re-examines and extends Serge Denisoff's pioneering observations of this relationship.Prior to Saturday Night Fever rock music had a limited role in the motion picture business. That movie's success, and the success of its soundtrack, began to change the silver screen. In 1983, with Flashdance, the situation drastically evolved and by 1984, ten soundtracks, many in the pop/rock genre, were certified platinum. Choosing which rock scores to discuss in this book was a challenging task. The authors made selections from seminal films such as The Graduate, Easy Rider, American Grafitti, Saturday Night Fever, Help!, and Dirty Dancing. However, many productions of the period are significant not because of their success, but because of their box office and record store failures.Risky Business chronicles the interaction of two major mediums of mass culture in the latter twentieth century. This book is essential for those interested in communications, popular culture, and social change.